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Local multipart music practices are based on the intentionally distinct and coordinated participation of music makers in the performing act. Following the rules of interaction while promoting at the same time their personal goals, the protagonists share their own treasure trove of experiences and cultural affiliations and shape sounds and values. Such complex and dynamic processes are central to the investigations of instrumentation and instrumentalization of sound. DVD: http://e-book.fwf.ac.at/o:1078 Lokale Musikpraktiken beruhen auf Bestrebungen der Musikmacherinnen und Musikmacher zur kennzeichnenden und abgestimmten Teilnahme in Aufführungsabläufen. Die Protagonistinnen und Protagonisten teilen ihre Erfahrungsschätze und kulturelle Zugehörigkeiten und gestalten Klänge und Werte während sie die Regeln der Interaktion folgen und gleichzeitig ihre persönlichen Ziele übermitteln. Diese komplexen und dynamischen Prozesse sind wesentlich für die Untersuchungen der Instrumentation und Instrumentalisierung des Klanges. DVD: http://e-book.fwf.ac.at/o:1078
Folk music --- Instrumentation and orchestration. --- Music. --- Haid, Gerlinde. --- Multipart Music --- Instrumentation of Sound --- Instrumentalization of Sound --- Sound and Society --- Performance as Instrumentation --- Tradition --- Revival --- Mehrstimmige Musik --- Instrumentation des Klanges --- Instrumentalisierung des Klanges --- Klang und Gesellschaft --- Aufführung als Instrumentation --- Bagpipes --- Violin --- Weimar
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This book is the first monographic study of nineteenth-century transcriptions of Chopin's music. The work is based on the quantitatively and qualitatively rich source material, which formed the basis for considerations from the perspective of social history, music analysis and aesthetics. Thanks to these multiple perspectives, as well as the time range and the source base, this study may contribute to the history of the reception of Chopin’s work in nineteenth-century culture; it may also prove significant in overcoming the attitude that aesthetically deprecates transcriptions and in adopting a different stance, regarding such adaptations as valuable texts of musical culture.
Piano music --- Arrangement (Music) --- History and criticism. --- History --- Chopin, Frédéric, --- Appreciation. --- Criticism and interpretation. --- Adaptation (Music) --- Arranging (Music) --- Musical arranging --- Musical transcription --- Transcription (Music) --- Instrumentation and orchestration --- Instrumentation and orchestration (Band) --- Hsiao-pang, --- Шопен, Ф. --- Shopen, F. --- Shūpān, --- Shūbān, Frīdirīk, --- Szopen, Fryderyk Franciszek, --- Shopan, --- Chopin, Fryderyk Franciszek, --- Syopʻang, --- Chopin, Federico, --- Шопен, Фредерик, --- Shopen, Frederik, --- Chopin, Fr., --- Shobēn, Frētērikʻ, --- Chopin, F., --- Шопен, Фридерик, --- Shopen, Friderik, --- Chopin, Frederick, --- Chopin, Federic, --- Chopin, Fréd., --- 19th --- 2005 --- Century --- Chopin --- Chopin in Wroclaw --- Chopin’s reception --- Chopina --- Dziewiętnastowieczne --- Fryderyk --- Fryderyka --- Iagellonica --- Kraków --- Literska --- Musica --- Musical transcriptions --- Nineteenth --- Salon music --- The systematics of transcriptions --- Transcriptions --- transkrypcje --- Trivial music --- utworów --- Works
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