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What's in a name ? : musea voor hedendaagse kunst in vraag gesteld
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ISBN: 9038203411 Year: 2002 Publisher: Gent Academia Press

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Modern art : who cares ? : an interdisciplinary research project and an international symposium on the conservation of modern and contemporary art
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ISBN: 9072905458 Year: 1999 Publisher: Amsterdam The Foundation for the Conservation of Modern Art and the Netherlands Institute for Cultural Heritage


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Hedendaagse kunst en vandalisme
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ISBN: 9038201338 Year: 1998 Publisher: Gent Academia

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Newman, Barnett ; Beuys, Joseph ; Rainer, Arnulf ; Roth, Dieter ; Calderara, Antonio ; Rauschenberg, Robert ; Palermo, Blinky ; Moore, Henry ; Noguchi, Isamu ; Van Gysegem, Paul ; Berghe, Roland Van Den ; DC, Franky ; Judd, Donald ; César ; Somville, Roger ; Folon, Jean-Michel ; Wyckaert, Maurice ; Schuyten, François


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Maisons d'art moderne : privéverzamelingen in België. Private collections in Belgium 1945-1980
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ISBN: 9789463933162 Year: 2021 Publisher: Gent Sint-Martens-Latem Borgerhoff & Lamberigts Museum Dhondt-Dhaenens

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'Maisons d'art moderne : privéverzamelingen in België, 1945-1980' is the doctoral research of Tanguy Eeckhout (1981?2018, BE). Eeckhout takes the reader on a journey through the history of private art-collections in Belgium starting in the 1920?s. He describes two generations of art collectors: the post-war generation that made their collections publicly available and a second generation that made way for Belgium on the international art scene. This publication offers an exclusive look into the relationship between collectors and artists and highlights the influence of these private collectors on the development of public art institutions and the art press in Belgium. This publication is described by Rik Vannevel (Museum Dhondt-Dhaenens) as ?Not only ground-breaking research into private art collections in Belgium, but also a tribute for a passionate art researcher.? The research focuses on sixteen prominent Belgian private collections: Fernand Graindorge, Bertie & Gigi Urvater, Gustave Van Geluwe, Max Janlet, Bénédict & Alla Goldschmidt, Tony Herbert, Gustave Nellens, Maurits Naessens, Jules & Irma Dhondt-Dhaenens, Philippe Dotrement, Hubert & Marie-Thérèse Peeters, Roger & Hilda Matthys-Colle, Herman & Nicole Daled, Anton& Annick Herbert, Sylvio Perlstein and Charles & Jeanne Vandenhove. https://borgerhoff-lamberigts.be/boeken/maisons-dart-moderne


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Conservatie en restauratie van moderne en actuele kunst : een interdisciplinair gebeuren
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ISBN: 9053490280 Year: 1992 Publisher: Gent : Snoeck-Ducaju,


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Conserving contemporary art : issues, methods, materials, and research
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ISBN: 9781606061046 1606061046 Year: 2012 Publisher: Los Angeles : Getty Conservation Institute,

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Since the advent of the avant-garde in the early twentieth century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of materials but also a greater awareness of the artist's intellectual universe. Translated from Italian to reach a wider audience, this is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.The book takes into account both the material and ethical aspects of contemporary art—focusing on the enormous variety of techniques and materials used by contemporary artists—and its deterioration. It also emphasizes the need to understand the meaning of these works when devising an appropriate conservation strategy. A number of chapters are dedicated to specific conservation treatments, such as cleaning and reintegration, while the many issues introduced are illustrated with examples from painting, photography, sculpture, installation art, video, and web-based art. All in all, the text acts as an introduction to many of the issues with which the field is currently grappling.


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Artificial hells : participatory art and the politics of spectatorship
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ISBN: 9781844676903 Year: 2012 Publisher: London : Verso,

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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson.Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice". Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada ; the Situationist International ; Happenings in Eastern Europe, Argentina and Paris ; the 1970s Community Arts Movement ; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Paweł Althamer and Paul Chan.Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.


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Beelddenken : vijf eeuwen beeld in Antwerpen.

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Keywords

aesthetics --- Art --- anno 2000-2099 --- anno 1800-1999 --- anno 1500-1799 --- Antwerp --- beeldhouwwerken --- schilderijen --- oude meesters --- Vlaamse Primitieven --- cartografie --- kunsthandel --- geschiedenis --- literatuur --- hedendaagse kunst --- zeevaart --- Dürer, Albrecht --- Rubens, Peter Paul --- More, Thomas --- Tersas, Toon --- Geys, Jef --- Ruusbroec, Jan van --- Panamarenko --- Antwerpen --- kunst --- middeleeuwen --- renaissance --- barok --- classicisme --- negentiende eeuw --- twintigste eeuw --- België --- numismatiek --- Hadewijch --- Jan van Ruusborec --- Geys Jef --- Tersas Toon --- Moderne Devotie --- schilderkunst --- ars nova --- Vlaamse primitieven --- More Thomas --- Dürer Albrecht --- Wunderkammer --- landschapsschilderkunst --- landschap --- Bijns Anna --- Rubens Peter Paul --- allegorieën --- stillevens --- kunstmarkt --- 7.03 --- Kunst --- Schilderkunst --- 7.049 --- 7.01 --- 7(493) --- Beeldende kunst ; Antwerpen ; beelddenken en beeldindustrie --- Tentoonstellingscatalogi ; Antwerpen ; Museum aan de Stroom (MAS) --- Beeldcultuur ; België ; 15de tot 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- Kunst ; België --- Exhibitions --- België --- Dürer Albrecht --- allegorieën --- Beeldcultuur ; België ; 15de tot 21ste eeuw --- Kunst ; België --- Ruusbroeck, Jan van --- sculpturen --- Art, Belgian --- sculpturen. --- schilderijen. --- oude meesters. --- Vlaamse primitieven. --- cartografie. --- kunsthandel. --- geschiedenis. --- literatuur. --- hedendaagse kunst. --- zeevaart. --- Dürer, Albrecht. --- Rubens, Peter Paul. --- More, Thomas. --- Tersas, Toon. --- Geys, Jef. --- Ruusbroeck, Jan van. --- Panamarenko. --- Antwerpen.

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