Listing 1 - 10 of 14 | << page >> |
Sort by
|
Choose an application
Art --- anno 1900-1999 --- Art contemporain --- Critique d'art --- Hedendaagse kunst --- Kunstkritiek --- Musea --- Musées
Choose an application
Art, Modern --- Cultural property --- Art --- Biens culturels --- Conservation and restoration. --- Conservation and restoration --- Exhibitions --- Protection --- Conservation et restauration --- Expositions --- moderne kunst --- hedendaagse kunst --- conservatie --- Tinguely, Jean --- Moderne en actuele kunst ; conservatie en restauratie --- 7.025 --- Kunst ; restauratie, conservatie --- Exhibitions. --- moderne kunst. --- hedendaagse kunst. --- conservatie. --- Tinguely, Jean.
Choose an application
Newman, Barnett ; Beuys, Joseph ; Rainer, Arnulf ; Roth, Dieter ; Calderara, Antonio ; Rauschenberg, Robert ; Palermo, Blinky ; Moore, Henry ; Noguchi, Isamu ; Van Gysegem, Paul ; Berghe, Roland Van Den ; DC, Franky ; Judd, Donald ; César ; Somville, Roger ; Folon, Jean-Michel ; Wyckaert, Maurice ; Schuyten, François
red. Claire Van Damme, Francica Vandepitte --- kunst --- twintigste eeuw --- vandalisme --- restauratie --- kunst en vandalisme --- Newman Barnett --- Palermo Blinky --- psychologie --- DC Franky --- DE Coninck Franky --- 7.01 --- 7.038 --- Kunsttheorie ; over kunst en vandalisme --- CoReModAc ; Studiecentrum voor Conservatie en Restauratie van Moderne en Actuele Kunst (R.U.G.) --- Kunst ; theorie, filosofie, esthetica --- art criticism --- kunstbeschouwing --- agressie --- hedendaagse kunst --- Conservation. Restoration --- Contemporary [style of art] --- Museology --- anno 1900-1999 --- Palermo, Blinky --- Psychoanalyse --- Cultuur en religie. --- vandalisme. --- hedendaagse kunst.
Choose an application
Conservation. Restoration --- Art --- Conservation and restoration --- Philosophy. --- Conservation et restauration --- Philosophie --- Art, Modern --- restauratie --- technieken --- hedendaagse kunst --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Conservation and restoration&delete& --- Philosophy --- Analysis, interpretation, appreciation --- Art, Primitive --- restauratie. --- technieken. --- hedendaagse kunst.
Choose an application
'Maisons d'art moderne : privéverzamelingen in België, 1945-1980' is the doctoral research of Tanguy Eeckhout (1981?2018, BE). Eeckhout takes the reader on a journey through the history of private art-collections in Belgium starting in the 1920?s. He describes two generations of art collectors: the post-war generation that made their collections publicly available and a second generation that made way for Belgium on the international art scene. This publication offers an exclusive look into the relationship between collectors and artists and highlights the influence of these private collectors on the development of public art institutions and the art press in Belgium. This publication is described by Rik Vannevel (Museum Dhondt-Dhaenens) as ?Not only ground-breaking research into private art collections in Belgium, but also a tribute for a passionate art researcher.? The research focuses on sixteen prominent Belgian private collections: Fernand Graindorge, Bertie & Gigi Urvater, Gustave Van Geluwe, Max Janlet, Bénédict & Alla Goldschmidt, Tony Herbert, Gustave Nellens, Maurits Naessens, Jules & Irma Dhondt-Dhaenens, Philippe Dotrement, Hubert & Marie-Thérèse Peeters, Roger & Hilda Matthys-Colle, Herman & Nicole Daled, Anton& Annick Herbert, Sylvio Perlstein and Charles & Jeanne Vandenhove. https://borgerhoff-lamberigts.be/boeken/maisons-dart-moderne
Art --- avant-garde --- private collections --- art collections --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- Belgium --- Kunstcollecties --- België --- Collections --- Collectors and collecting --- Biography --- 7.074 --- Kunstverzamelaars ; België --- Kunstverzamelingen ; België --- Kunstverzamelaars --- Art, Modern --- Kunstcollectie --- privécollecties --- moderne kunst --- 1945 - 1980 --- 20ste eeuw --- Hedendaagse kunst --- Kunstverzamelaar --- privécollecties. --- moderne kunst. --- 1945 - 1980. --- 20ste eeuw. --- België. --- private collections [object groupings]
Choose an application
restauratie (kunst) --- restoration [process] --- hedendaagse kunst --- moderne kunst --- Conservation. Restoration --- Modern [styles and periods] --- Contemporary [style of art] --- conservatie --- preserving --- anno 1800-1999 --- Art --- Kunst --- fotografie --- restauratie --- Delvaux, Paul --- 20ste eeuw --- 7.025 --- Art, Modern --- -Moderne en actuele kunst ; conservatie en restauratie --- CoReModAc ; Studiecentrum voor Conservatie en Restauratie van Moderne en Actuele Kunst (R.U.G.) --- kunst --- twintigste eeuw --- Modern art --- Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- Conservation and restoration --- -Congresses --- Kunst ; restauratie, conservatie --- Congresses. --- 7.025 Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- Modern [style or period] --- Congresses --- Moderne en actuele kunst ; conservatie en restauratie --- Conservation and restoration&delete& --- Nieuwe Ploeg (Group of artists) --- moderne kunst. --- hedendaagse kunst. --- conservatie. --- restauratie. --- Delvaux, Paul. --- 20ste eeuw.
Choose an application
Since the advent of the avant-garde in the early twentieth century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of materials but also a greater awareness of the artist's intellectual universe. Translated from Italian to reach a wider audience, this is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art.The book takes into account both the material and ethical aspects of contemporary art—focusing on the enormous variety of techniques and materials used by contemporary artists—and its deterioration. It also emphasizes the need to understand the meaning of these works when devising an appropriate conservation strategy. A number of chapters are dedicated to specific conservation treatments, such as cleaning and reintegration, while the many issues introduced are illustrated with examples from painting, photography, sculpture, installation art, video, and web-based art. All in all, the text acts as an introduction to many of the issues with which the field is currently grappling.
Art, Modern --- Art --- Conservation and restoration. --- Conservation and restoration --- Conservation et restauration --- 7.025 --- 7.025 Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- Kunstwerken: verval; conservatie; restauratie; verandering van standplaats. Kunstbescherming --- hedendaagse kunst --- Contemporary [style of art] --- conservatie --- preserving --- anno 1900-1999 --- Modern art --- Conservation et restauration. --- Nieuwe Ploeg (Group of artists) --- Art, Modern - 20th century - Conservation and restoration --- Art, Modern - 21st century - Conservation and restoration
Choose an application
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson.Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice". Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada ; the Situationist International ; Happenings in Eastern Europe, Argentina and Paris ; the 1970s Community Arts Movement ; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Paweł Althamer and Paul Chan.Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
hedendaagse kunst --- art theory --- museology --- Iconography --- art appreciation --- Museology --- Art --- performance art --- interactive art --- Contemporary [style of art] --- politieke kunst --- Breton, André --- Althamer, Paweł --- Weiner, Lawrence --- Kaprow, Allan --- Beuys, Joseph --- Bruguera, Tania --- Abramovic, Marina --- Hirschhorn, Thomas --- Deller, Jeremy --- Cage, John --- anno 2000-2099 --- anno 1900-1999 --- 7.01 --- 82:7 --- Kunsttheorie ; interactieve kunstpraktijk --- Beeldende kunst ; participatie van de toeschouwer --- kunst --- kunsttheorie --- kunst en politiek --- activisme --- performances --- socialisme --- sociologie --- kunst en sociologie --- esthetica --- participatorische esthetica --- relationele esthetica --- Kunst ; theorie, filosofie, esthetica --- Literatuur en kunst --- Interactive art. --- Art interactif --- 82:7 Literatuur en kunst --- Interactive art --- Participatory art --- Performance art --- Social practice (Art) --- Art interactif. --- cultuurparticipatie
Choose an application
samengesteld en ingeleid door Rutger Wolfson --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- kunsttheorie --- esthetica --- mode --- kunst en mode --- reclame --- reclamevormgeving --- kunst en reclame --- video --- videoclips --- videokunst --- design --- kunst en design --- beeldcultuur --- musea --- 7.01 --- 7.039 --- kunstfilosofie --- Contemporary [style of art] --- hedendaagse kunst --- Art --- philosophy of art --- Art, Modern --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Contemporary art --- Modernism (Art) --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Forecasting --- Philosophy --- Analysis, interpretation, appreciation --- Art, Primitive
Choose an application
aesthetics --- Art --- anno 2000-2099 --- anno 1800-1999 --- anno 1500-1799 --- Antwerp --- beeldhouwwerken --- schilderijen --- oude meesters --- Vlaamse Primitieven --- cartografie --- kunsthandel --- geschiedenis --- literatuur --- hedendaagse kunst --- zeevaart --- Dürer, Albrecht --- Rubens, Peter Paul --- More, Thomas --- Tersas, Toon --- Geys, Jef --- Ruusbroec, Jan van --- Panamarenko --- Antwerpen --- kunst --- middeleeuwen --- renaissance --- barok --- classicisme --- negentiende eeuw --- twintigste eeuw --- België --- numismatiek --- Hadewijch --- Jan van Ruusborec --- Geys Jef --- Tersas Toon --- Moderne Devotie --- schilderkunst --- ars nova --- Vlaamse primitieven --- More Thomas --- Dürer Albrecht --- Wunderkammer --- landschapsschilderkunst --- landschap --- Bijns Anna --- Rubens Peter Paul --- allegorieën --- stillevens --- kunstmarkt --- 7.03 --- Kunst --- Schilderkunst --- 7.049 --- 7.01 --- 7(493) --- Beeldende kunst ; Antwerpen ; beelddenken en beeldindustrie --- Tentoonstellingscatalogi ; Antwerpen ; Museum aan de Stroom (MAS) --- Beeldcultuur ; België ; 15de tot 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- Kunst ; België --- Exhibitions --- België --- Dürer Albrecht --- allegorieën --- Beeldcultuur ; België ; 15de tot 21ste eeuw --- Kunst ; België --- Ruusbroeck, Jan van --- sculpturen --- Art, Belgian --- sculpturen. --- schilderijen. --- oude meesters. --- Vlaamse primitieven. --- cartografie. --- kunsthandel. --- geschiedenis. --- literatuur. --- hedendaagse kunst. --- zeevaart. --- Dürer, Albrecht. --- Rubens, Peter Paul. --- More, Thomas. --- Tersas, Toon. --- Geys, Jef. --- Ruusbroeck, Jan van. --- Panamarenko. --- Antwerpen.
Listing 1 - 10 of 14 | << page >> |
Sort by
|