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"Was the seventeenth century the historical high point of Dutch development? To how many inhabitants of the Netherlands was the seventeenth century a golden age? More than the newly famous one percent? How Dutch, in European and global context, were the Golden Age and its art? To what extent was Dutch society defined by burghers rather than farmers, peasants, soldiers, aristocrats? How tolerant were the Dutch, how Calvinist, how peace-loving, how democratic, how republican? Do present day values concerning social justice, gender equality, and ecology affect our view of the Dutch Golden Age?" -- Page 7.

Art, Dutch --- Civilization, Western --- Twenty-first century --- Dutch influences. --- Netherlands --- Netherlands --- History --- Civilization --- golden age

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This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for the specialist of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza, El príncipe constante, El médico de su honra). The "archeological" perspective cast on the plays implies an integration of their discourse-historical "foils", from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate "excursus" suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.

Barockliteratur. --- Baroque Literature. --- Calderón. --- Drama. --- Frühe Neuzeit. --- Lope de Vega. --- Siglo de Oro. --- Spanish Golden Age. --- Theater. --- Barock --- LITERARY CRITICISM / Drama. --- Barockzeit --- Barockzeitalter --- 1570-1750

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À partir de la trajectoire spécifique de l’auteur jésuite Pedro de Ribadeneyra (1526-1611), à la fois personnalité centrale de la Compagnie de Jésus et écrivain réputé de son temps, cet ouvrage examine les rapports complexes entre écriture, institution religieuse et pratiques littéraires afin d’interroger la figure de l’écrivain religieux au Siècle d’or. Ces recherches, qui se proposent de revoir l’histoire religieuse au prisme de l’histoire culturelle et sociale, illustrent comment la Compagnie de Jésus, institution multipolaire dont le mode d’articulation reposait sur l’écrit — à la fois moyen de négociations et d’ajustements constants — sut s’adapter continuellement pour devenir un acteur clé de la première modernité. A partir de la trayectoria específica del escritor jesuita Pedro de Ribadeneyra (1526-1611), a la vez figura central de la Compañía de Jesús y escritor de renombre en su época, este libro examina la compleja relación entre escritura, institución religiosa y prácticas literarias para profundizar en la figura del escritor religioso en el Siglo de Oro. Esta investigación, que pretende revisitar la historia religiosa a través del prisma de la historia cultural y social, ilustra cómo la Compañía de Jesús, institución multipolar cuyo modo de articulación se basaba en la palabra escrita —a la vez medio de negociación y de ajuste constante—, fue capaz de adaptarse continuamente para convertirse en un actor clave de la modernidad temprana. Based on the particular trajectory of the Jesuit author Pedro de Ribadeneyra (1526-1611), both a central figure in the Society of Jesus and a renowned writer of his time, this book examines the complex relationship between writing, religious institution, and literary practices in order to interrogate the figure of the religious writer in the Golden Age. This research, which aims to revisit religious history through the prism of cultural and social history, illustrates how the Society of Jesus, a multipolar institution…

Religion --- History --- Cultural studies --- Compagnie de Jésus --- culture écrite --- écrivain religieux --- République des Lettres Sacrées --- littérature espagnole --- Siècle d'or --- Society of Jesus --- written culture --- religious writer --- Republic of the Sacred Letters --- Spanish literature --- Spanish Golden Age --- Compañía de Jesús --- cultura escrita --- escritor religioso --- República de las Letras Sagradas --- literatura española --- Siglo de Oro

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À une époque où toutes les pièces étaient normalement désignées par une étiquette hypergénérique, celle de come­dia, Lope de Vega (1562-1635) a écrit six pièces qu’il a appelées tragedias et une trentaine de tragicomedias. Or la tragédie en Espagne était peu représentée hors du cadre des théâtres commerciaux, les corrales de comedias. Dans ces conditions, comment une idée de la tragédie suffisamment consistante pour être mobilisée dans les mécanismes de composition et de réception du théâtre de Lope a-t-elle pu se former ? Cet ouvrage explore d’abord la formation de compétences génériques du public du corral, à partir de deux ensembles en amont de la tragédie lopesque : les œuvres tragiques écrites entre 1575 et 1585 et les comedias tragiques écrites au tournant du siècle. Il revient ensuite à la tragédie lopesque proprement dite, analysant la formule que Lope instrumentalise à l’envi pour séduire divers types de public, en jouant de la plasticité d’une forme qui se laisse adapter ad hoc. En una época en que todas las obras se designaban indistintamente con la etiqueta hipergenérica de «comedia», Lope de Vega escribió seis obras teatrales que llamó «tragedias» y unas treinta «tragicomedias». Sin embargo, la tragedia española se consideraba como un género ajeno al mundo de los teatros comerciales, los «corrales de comedias». En estas condiciones, ¿cómo pudo tomar cuerpo una idea de la tragedia suficientemente sólida en los mecanismos de composición y recepción del teatro de Lope? Este libro explora en primer lugar la formación de la capacidad del público del corral para apreciar géneros a partir de dos conjuntos de piezas: el de la obras trágicas escritas al final del reinado de Felipe II y el de las comedias trágicas a finales del siglo XVI. En un segundo momento, se centra en la tragedia lopesca propiamente dicha, una fórmula que Lope instrumentaliza a su antojo en el segundo decenio del siglo XVII para seducir varios tipos de públicos, jugando con la…

Vega, Lope de, --- Technique. --- Criticism and interpretation. --- Vega, Lope de Carpio, --- Carpio, Lope Félix de Vega, --- Vega y Carpio, Lope Félix de, --- Vega Karpio, Lope Phelix de, --- Burguillos, Tomé de, --- Vega Carpio, Lope Félix de, --- Karpio, Lope Phelix de Vega, --- De Vega, Lope, --- De Vega Carpio, Lope Félix, --- De Vega y Carpio, Lope Félix, --- De Vega Karpio, Lope Phelix, --- De Burguillos, Tomé, --- De Carpio Vega, Lope, --- Carpio Vega, Lope de, --- Ṿegah, Lopeh deh, --- וגה, לופה דה, --- drama --- tragedy --- theater --- Spanish Golden Age --- Spanish literature

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The Dutch Republic was a cultural powerhouse in the modern era, producing lasting masterpieces in painting and publishing-and in the process transforming those fields from modest trades to booming industries. This book asks the question of how such a small nation could become such a major player in those fields. Claartje Rasterhoff shows how industrial organisations played a role in shaping patterns of growth and innovations. As early modern Dutch cultural industries were concentrated geographically, highly networked, and institutionally embedded, they were able to reduce uncertainty in the marketplace and stimulate the commercial and creative potential of painters and publishers-though those successes eventually came up against the limits of a saturated domestic market and an aversion to risk on the part of producers that ultimately brought an end to the boom.

Book history --- Graphics industry --- Painting --- History of the Low Countries --- art market --- golden age [mythology] --- easel paintings [paintings by form] --- book history --- publishers --- gouden eeuw (Holland) --- anno 1500-1799 --- Netherlands --- Publishers and publishing --- Art --- Art and industry --- Branche. --- Buchdruck. --- Malerei. --- Wirtschaft. --- Painting. --- Art and industry. --- Publishers and publishing. --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Advertising, Art in --- Industry and art --- Industries --- Commercial art --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Wirtschaftsleben --- Ökonomie --- Economy --- Holztafelmalerei --- Tafelbild --- Tafelmalerei --- Gemälde --- Malen --- Hochdruck --- Druckwerk --- Wirtschaftszweig --- Wirtschaftssektor --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- History. --- Economic aspects --- Economic aspects. --- Publishing --- Netherlands. --- Niederlande. --- Staat Holland --- Vereinigte Niederlande --- Holland --- Batavische Republik --- Republik der Sieben Vereinigten Provinzen --- Koninkrijk der Nederlanden --- Nederland --- Nederlanden --- Königreich der Niederlande --- Besetzte Niederländische Gebiete --- <> Besette Nederlandsche Gebied --- Pays-Bas --- Royaume des Pays-Bas --- Niederländer --- 1815 --- -Austrian Netherlands --- Aynacha Jach'a Markanaka --- Batavia --- Belanda --- Beulanda --- Çheer Injil --- Çheer y Vagheragh --- Eben Eyong --- Háland --- Herbehereak --- Herbehereetako Erresumaren --- Hò-làn --- Holand --- Holanda --- Holandija --- Holandska --- Hōlani --- Holenda --- Holland Királyság --- Hollandi --- Hollandia --- Hōrana --- Huēyitlahtohcāyōtl in Tlanitlālpan --- Huland --- Hulanda --- Iseldiroedd --- Iseldiryow --- Ísiltír --- Izelvroio --- Karaleŭstva Nidėrlandy --- Katō Chōres --- Kē-tē-kok --- Keninkryk fan 'e Nederlannen --- Kerajaan Landa --- Kéyah Wóyahgo Siʼánígí --- Keyatiya Nederlandan --- Kingdom of the Netherlands --- Konungsríkið Holland --- Kraljevina Holandija --- Kralojstwo Nederlandow --- Kralstvo Holandija --- Kralstvo Niderlandii͡ --- Landa --- Madalmaad --- Mamlakat Hūland --- Mamlekhet Artsot ha-Shefelah --- Nederilande --- Nederlaand --- Nederlân --- Nederlande --- Nederlandene --- Nederlandia --- Nederlando --- Nederlands --- Néderlandzk --- Nederlatt --- Nederlendin Nutg --- Nedŏlland --- Neerlande --- Nethiland --- Niadaland --- Niderland --- Niderland Krallığı --- Niderlanddar --- Niderlande --- Nīderlandeja --- Nīderlandes Karaliste --- Niderlandʺi͡as --- Niderlandʺi͡as Korolʹuv --- Niderlandii͡ --- Niderlandla --- Niderlandlany Korolevstvosu --- Niderlandsem --- Niderlandsen Patshalăkh --- Niderlandtæ --- Niderlandtar --- Niderlandtar Korollege --- Niderlandty Kʺarolad --- Niderlandy --- Niderlandyn Vant Uls --- Niðurlond --- Niederlande --- Nirlan --- Nižozemska --- Nizozemsko --- Nyderlandai --- Nyderlandų Karalyst --- Olanda --- Ollandia --- Oostenrijkse Nederlanden --- Oranda --- Oranda Ōkoku --- Ot͡si͡azorksshi Nederlatt --- Paes Bass --- Paesi Bassi --- Paîs Bas --- Pais Basse --- Países Baixos --- Países Bajos --- Países Baxos --- Paisis Bajus --- Països Baixos --- Paixi Basci --- Pajjiżi l-Baxxi --- Payis-Bâs --- Payises Bashos --- Pays-Bas autrichiens --- Pays-Bas espagnols --- Pays-Bas méridionaux --- Peyiba --- Reeriaght ny Çheer Injil --- Reĝlando Nederlando --- Regni Nederlandiarum --- Regno del Paises Basse --- Regnu di i Paesi Bassi --- Reino di Hulanda --- Reino dos Países Baixos --- Ríocht na hÍsiltíre --- Southern Netherlands --- Spanish Netherlands --- The Netherlands --- Tìrean Ìsle --- Tlanitlālpan --- Ubuholandi --- Ubuhorandi --- Ufalme wa Nchi za Chini --- Uholanzi --- Ulanda --- Ulanna --- Vasileio tōn Katō Chōrōn --- Walanda --- Zuidelijke Nederlanden --- Wirtschaft --- Malerei --- Buchdruck --- Branche --- Austrian Netherlands --- هولندا --- مملكة هولندا --- Mamlakat Hūlandā --- Нидерландтар --- Нидерландтар Короллеге --- Нідэрланды --- Каралеўства Нідэрланды --- Izelvroioù --- Нидерландия --- Niderlandii︠a︡ --- Кралство Нидерландия --- Kralstvo Niderlandii︠a︡ --- Нидерландсем --- Нидерландсен Патшалăхĕ --- Niderlandsen Patshalăkhĕ --- Kéyah Wóyahgo Siʼánígíí --- Ολλανδία --- Κάτω Χώρες --- Βασίλειο των Κάτω Χωρών --- هلند --- Недерлендин Нутг --- 네덜란드 --- Nedŏllandŭ --- Нидерландтæ --- Нидерландты Къаролад --- הולנד --- ממלכת ארצות השפלה --- Нидерландла --- Нидерландланы Королевствосу --- Néderlandzkô --- Нидерланд --- Нидерланддар --- Нидерландъяс --- Niderlandʺi︠a︡s --- Нидерландъяс Корольув --- Niderlandʺi︠a︡s Korolʹuv --- פאייסיס באשוס --- Nyderlandų Karalystė --- Холандија --- Кралство Холандија --- Недерлатт --- Оцязорксши Недерлатт --- Ot︠s︡i︠a︡zorksshi Nederlatt --- Нидерландын Вант Улс --- オランダ --- オランダ王国 --- Holland (Kingdom) --- Batavian Republic --- United Provinces of the Netherlands --- Painting, Dutch --- Dutch painting --- History --- Dutch Golden Age - Economic History - Art Market - Publishing - Economic Geography. --- Art, Primitive