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The image is so well known it is practically iconic: The reclusive poet, feminine and fragile, weaving verse of beguiling complexity from the room in which she kept herself sequestered from the world. The Belle of Amherst, the distinctive American voice, the singer of the soul's mysteries: Emily Dickinson. Yet that image scarcely captures the fullness and vitality of Dickinson's life, most notably her many connections-to family, to friends, to correspondents, to the literary tastemakers of her day, even to the unnamed, and perhaps unknowable, "Master" to whom she addressed three of her most breathtaking works of prose. Through an exploration of a relatively small group of items from Dickinson's vast literary remains, this volume-an accompaniment to an exhibition on Dickinson mounted at The Morgan Library & Museum in New York-demonstrates the complex ways in which these often humble objects came into conversation with other people, places, and events in the poet's life. Seeing the network of connections and influences that shaped Dickinson's life presents us with a different understanding of this most enigmatic yet elegiac poet in American letters, and allows us more fully to appreciate both her uniqueness and her humanity. The materials collected here make clear that the story of Dickinson's manuscripts, her life, and her work is still unfolding. While the image of Dickinson as the reclusive poet dressed only in white remains a popular myth, details of Dickinson's life continue to emerge. Several items included both in the exhibit and in this volume were not known to exist until the present century. The scrap of biographical intelligence recorded by Sarah Tuthill in a Mount Holyoke catalogue, or the concern about Dickinson's salvation expressed by Abby Wood in a private letter to Abiah Root, were acquired by Amherst College in the last fifteen years. What additional pieces of evidence remain to be uncovered and identified in the attics and basements of New England? Published to accompany The Morgan Library & Museum's pathbreaking exhibit I'm Nobody! Who are You? The Life and Poetry of Emily Dickinson-part of a series of exhibits at the Morgan celebrating and exploring the creative lives of significant women authors-The Networked Recluse offers the reader an account of the exhibit itself, together with a series of contributions by curators, scholars of Dickinson, and poets whose own work her words have influenced.
Dickinson, Emily, --- Biography: general --- Biography: literary --- Poetry --- Dickinson, Emily; 1830-1886; Exhibitions; Manuscripts; Facsimiles --- Dickinson, Emily --- Dickinson, Emilia, --- Dickinson, Emily Elizabeth, --- Dikinson, Ėmili, --- D̲ikinson, Emily, --- Ti-chin-sen, Ai-mi-li, --- דיקינסון, אמילי, --- Dykinsan, Ėmili,
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For more than half a century, the story of Emily Dickinson's "Master" documents has been the largely biographical tale of three letters to an unidentified individual. Writing in Time seeks to tell a different story--the story of the documents themselves. Rather than presenting the "Master" documents as quarantined from Dickinson's larger scene of textual production, Marta Werner's innovative new edition proposes reading them next to Dickinson's other major textual experiment in the years between ca. 1858-1861: the Fascicles. In both, Dickinson can be seen testing the limits of address and genre in order to escape bibliographical determination and the very coordinates of "mastery" itself. A major event in Dickinson scholarship, Writing in Time: Emily Dickinson's Master Hours proposes new constellations of Dickinson's work as well as exciting new methodologies for textual scholarship as an act of "intimate editorial investigation."
Dickinson, Emily, --- Criticism, Textual. --- Correspondence. --- Criticism and interpretation. --- Literary studies: poetry & poets --- Manuscripts. --- Dickinson, Emily --- Dickinson, Emilia, --- Dickinson, Emily Elizabeth, --- Dikinson, Ėmili, --- D̲ikinson, Emily, --- Ti-chin-sen, Ai-mi-li, --- דיקינסון, אמילי, --- Dykinsan, Ėmili,
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La poésie d’Emily Dickinson dévoile un lyrisme théâtralisé : chaque poème devient une scène où évolue une voix qui se travestit, s’altère, se diffracte en divers échos. Très influencée par l’œuvre de Shakespeare, mais également par la théâtralité ambiante de l’Amérique victorienne, Dickinson met en scène le sujet lyrique dans ce qu’il a de plus théâtral. La théâtralité de référence étant celle du dramaturge et poète élisabéthain, cette « contamination » du théâtre nous incite à élargir notre conception du lyrisme. Si l’on observe des résurgences ironiques d’une conception traditionnelle du lyrisme comme un épanchement intime, ce dernier est surtout à envisager en termes de dynamique, d’énergie. Le théâtre est pour Emily Dickinson le lieu autre où le lyrisme s’altère plus avant, la structure nodale de l’écriture lyrique et son cœur battant, le lieu de sa revitalisation. Emily Dickinson’s poetry showcases a dramatic kind of lyricism: each poem becomes a scene where the lyric voice changes shape, tone, and even gender. Strongly influenced by Shakespeare’s work and by the extremely theatrical culture of Victorian America, Dickinson stages the lyrical self at its most theatrical. The fact that the Elizabethan playwright and poet’s idiosyncratic theater was the main reference for Dickinson’s conception of drama and theatricality invites us to broaden our conception of lyricism. Although some recurrences of a more traditional approach to lyricism as an outpouring of intimate feelings appear at times – mostly tainted with a great deal of irony – lyricism will mainly be considered as the energy fueling life into the poem. The theater is for Emily Dickinson the spring of this lyrical energy, the transformative force and the crucial structure at the heart of her poetic writing.
Poetry --- Dickinson (Emily) --- Shakespeare --- lyrisme --- théâtralité --- États-Unis --- XIXe siècle --- lyricism --- drama --- United States --- 19th century
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Ce volume réunit, sous la plume des meilleurs spécialistes d'Emily Dickinson, de la poésie et de la fiction américaines, des études issues d'une journée organisée par Agnès Derail-Imbert le 20 février 2010 à l'École normale supérieure. En ouverture de la rencontre, Pascal Aquien posait d'emblée à la poésie de Dickinson la question qui allait traverser toutes les propositions de lecture avancées ce jour-là, en demandant abruptement : « Faut-il comprendre la poésie d'Emily Dickinson ? ». Par l'audace d'une telle interrogation, il établissait avec force l'évidence obscure de cette poésie, comme s'approchant de celle du monde. Il signalait, d'entrée de jeu, le danger qui menace l'herméneute, affronté à l'épreuve de l'inexpliqué, au poids de non-sens du poème, qui exige pourtant d'être lu à la lettre. On trouvera ici des lectures qui se sont nourries d'une longue fréquentation de cette poésie. On fera profit, au passage, de très belles « explications de texte », qui sont autant d'approximations ou d'approches du sens. Mais surtout, chacun se trouvera relancé dans sa lecture personnelle, fortifié et démuni, invité à reprendre la tâche, à refaire ces parcours afin d'en découvrir d'autres. En vue de nouveaux et précaires « arrangements » du sens et de ses éclipses.
Dickinson, Emily, --- Criticism and interpretation. --- Dickinson, Emily --- Dickinson, Emilia, --- Dickinson, Emily Elizabeth, --- Dikinson, Ėmili, --- D̲ikinson, Emily, --- Ti-chin-sen, Ai-mi-li, --- דיקינסון, אמילי, --- Dykinsan, Ėmili, --- Literature: history & criticism --- poésie --- herméneutique --- littérature américaine --- esthétique poétique --- analyses textuels --- études poétiques --- analyses littéraires
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"Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"--
American literature --- Literature publishing --- Editions --- Editing --- Canon (Literature) --- Authorship --- American Literature --- English --- Languages & Literatures --- History --- Appreciation --- Dickinson, Emily, --- Whitman, Walt, --- Appreciation. --- English literature --- Dickinson, Emilia, --- Dickinson, Emily Elizabeth, --- Dickinson, Emily --- Dikinson, Ėmili, --- D̲ikinson, Emily, --- Ti-chin-sen, Ai-mi-li, --- דיקינסון, אמילי, --- Agrarians (Group of writers) --- LITERARY CRITICISM / Semiotics & Theory. --- History. --- Bibliography --- Publications --- Transmission of texts --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Literature --- Authoring (Authorship) --- Writing (Authorship) --- History and criticism --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Dykinsan, Ėmili,
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"Proofs of Genius: Collected Editions from the American Revolution to the Digital Age is the first extensive study of the collected edition as an editorial genre within American literary history. Unlike editions of an author's "selected works" or thematic anthologies, which clearly indicate the presence of non-authorial editorial intervention, collected editions have typically been arranged to imply an unmediated documentary completeness. By design, the collected edition obscures its own role in shaping the cultural reception of the author. In Proofs of Genius, Amanda Gailey argues that decisions to re-edit major authorial corpora are acts of canon-formation in miniature that indicate more foundational shifts in the way a culture views its literature and itself. By combining a theoretically-informed approach with a broad historical view of collected editions from the late eighteenth century to the present (including the rise of digital editions), Gailey fills a gap in the textual scholarship of the editing history of major figures like Emily Dickinson and Walt Whitman and of the American literary canon itself"--
American literature --- Appreciation. --- Dickinson, Emily, --- Whitman, Walt, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Dickinson, Emilia, --- Dickinson, Emily Elizabeth, --- Dickinson, Emily --- Dikinson, Ėmili, --- D̲ikinson, Emily, --- Ti-chin-sen, Ai-mi-li, --- דיקינסון, אמילי, --- Authorship --- Canon (Literature) --- Editing --- Editions --- Literature publishing --- History. --- History --- Appreciation --- English literature --- Agrarians (Group of writers) --- Bibliography --- Publications --- Transmission of texts --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Literature --- Authoring (Authorship) --- Writing (Authorship) --- History and criticism --- Dykinsan, Ėmili,
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Quelle est la nature du recours à la psychanalyse dans le champ littéraire ? S’agit-il d’une « application », dérivée du modèle proposé par Jones dans sa célèbre étude Hamlet et Œdipe, ou d’un geste « ludique », pour reprendre le mot de Barthes ? L’utilisation des mots des psychanalystes se réduit-elle à une simple « manière de parler », pour reprendre l’expression qui signe le malentendu entre Janet et Freud ? Quels sont les effets spécifiques de la conjonction « littérature et psychanalyse » ? Qu’en est-il aujourd’hui du biographisme dérivé de la pathographie d’inspiration freudienne ? Les textes réunis ici s’efforcent de répondre à ces questions, débattues trois ans durant pour le programme « Incidences de la psychanalyse dans les études anglicistes » (Clinamens, ENS Fontenay/Saint-Cloud). Ils ne constituent ni un traité, ni un manifeste, mais le résultat d’une recherche en acte.
Psychoanalysis and literature --- Psychology --- Literature (General) --- littérature de langue anglaise --- psychanalyse --- histoire --- littérature --- Shakespeare, William --- critique --- Poe, Edgar Allan --- Dickinson , Emily --- Shakespeare, William --- Poe, Edgar Allan --- Dickinson , Emily --- Shakespeare, William, --- Poe, Edgar Allan, --- Dickinson, Emily, --- Knowledge and learning. --- Dickinson, Emily --- Dickinson, Emilia, --- Dickinson, Emily Elizabeth, --- Dikinson, Ėmili, --- D̲ikinson, Emily, --- Ti-chin-sen, Ai-mi-li, --- דיקינסון, אמילי, --- Dykinsan, Ėmili, --- Poe, Edgar Allen --- Po, Edgar, --- Boy, Ētkar, --- Poe, E. A. --- Poë, Edgard, --- Pui, ʼAggā ʼAyʻlaṅʻ, --- Pō, Eḍgār Ālen, --- Po, Edhar, --- Poe, Edgar Allen, --- Perry, Edgar A., --- По, Эдгар Аллан, --- По, Эдгар, --- פאו, עדגאר עלען --- פאו, עדגאר עלען, --- פא, אדגאר אלאן --- פא, עדגאר --- פא, עדגאר עלען, --- פו, אדגר --- פו, אדגר אלן --- פו, אדגר אלן, --- アランポオ, --- 愛倫坡, --- Po, Ailun, --- Quarles, --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞,
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Poetesses americaines.
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Poesie americaine
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Sublime (litterature)
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Lyrik
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Lyrikerin
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Geschichte
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Frauenlyrik
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Das Erhabene
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Women and literature.
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Sublime, The, in literature.
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Sex role in literature.
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American poetry
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Rôle selon le sexe dans la litterature.
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Sublime dans la litterature.
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Femmes et litterature
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Women and literature
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Femmes ecrivains
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Histoire et critique.
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Themes, motifs
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Sublime.
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Women authors.
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Histoire.
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History.
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Women authors
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History and criticism.
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Rich, Adrienne Cecile.
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Bishop, Elizabeth
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Moore, Marianne.
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Plath, Sylvia.
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Dickinson, Emily.
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USA
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United States.
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Poésie américaine
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Femmes écrivains américaines
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Poètes américains
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Literature
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Landesgeschichte
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Regionalgeschichte
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Ortsgeschichte
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Zeitgeschichte
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Geschichtsphilosophie
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Vergangenheit
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Lyrische Schriftstellerin
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Lyrikschriftstellerin
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Lyrikautorin
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Gedichtautorin
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Schriftstellerin
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Lyriker
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Gedicht
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Poem
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Dichtung
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Poesie
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Lyrisches Werk
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Lyrikwerk
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Gedichtwerk
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Literatur
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