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Making a Laboratory defines a new audiovisual embodied research method that short-circuits experimental practice and video recording to generate new kinds of data and documents. Overturning conventional hierarchies of knowledge, "Dynamic Configurations with Transversal Video" (DCTV) grounds both discursive and audiovisual knowledges within the space of embodied practice, synthesizing insights from historical epistemologist Hans-Jörg Rheinberger and philosopher of science Karen Barad to offer the first rigorous definition of laboratoriality outside a techno-scientific paradigm. In this concise book, nonbinary practitioner-researcher Ben Spatz situates the DCTV method in the context of artistic research and alongside emerging audiovisual methods in other fields, while highlighting its unique characteristics.Across six focused chapters, Making a Laboratory introduces DCTV as a queer feminist adaptation of Jerzy Grotowski's "poor" theater laboratory and defines its core elements, drawing on a range of thinkers including Giorgio Agamben, Rebecca Schneider, and Hito Steyerl, in order to examine power, identity, and documentation in lab practice. Drawing from the ethical consent practices of the BDSM community, it lays the groundwork for a radical reinvention of audiovisuality from the perspective of embodiment - the audiovisual body.Ben Spatz (Senior Lecturer in Drama, Theatre and Performance at the University of Huddersfield) is a nonbinary researcher and theorist of embodied practice. They are the author of What a Body Can Do: Technique as Knowledge, Practice as Research (Routledge 2015) and Blue Sky Body: Thresholds for Embodied Research (Routledge 2020), as well as numerous articles. Ben is also the founding editor of the videographic Journal of Embodied Research (Open Library of Humanities) and the Advanced Methods imprint (punctum books), and is also a co-convener of the Embodied Research Working Group within the International Federation for Theatre Research. They have more than two decades of experience as a performer and director of contemporary performance, working mainly in New York City from 2001 to 2013.

Audio-visual materials.

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Audio-visual translation.

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Mass media --- Medios de comunicación --- Materiales audiovisuales --- Audio-visual materials --- Audio-visual aids --- Audio-visuals --- Audiovisual materials --- Audiovisuals --- AV materials --- Audio-visual education --- Nonbook materials

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The integration of information from various sensory modalities influences behaviour. It can induce behavioural benefits such as faster reaction times and enhanced detection of noisy signals but may also produce illusions, all of which have been characterized by specific neuronal signatures. Yet, while these effects of multisensory integration are largely accepted, the role of attention in this process is still the object of intense debate. On the one hand, it has been suggested that attention may guide multisensory integration in a top-down fashion by selection of specific inputs to be integrated out of the plethora of information in our environment. On the other hand, there is evidence that integration could occur in a bottom-up manner, based on temporal and spatial correlations, and outside the focus of attention. An extreme example is the multisensory enhancement of neural responses in anesthetised animals. Attention itself is not a unitary construct, and may refer to a range of different selection mechanisms. Therefore, the interplay between attention and multisensory integration can take many forms which explain, in part, the diversity of findings and the disputes in the literature. The goal of this Research Topic is to help clarify the picture by trying to answer the following questions from various perspectives: Under which circumstances does multisensory integration take place without attention?, and, When does attention determine the fate of multisensory integration?

Audio-tactile --- cross-modal --- emotion --- Temporal --- Awareness --- congruency --- audio-visual --- spatial

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Apresentamos o Design da Informação interdisciplinar à Ciência da Informação com princípios e metodologias que emergem das relações de complexidade entre as duas áreas para dar conta das demandas criadas e convergidas pela Internet ubíqua e consequente exponencialidade do volume informacional. Este livro foi pensado para profissionais da informação que atuam no momento de mudança de paradigma informacional, no cenário pós-custodial da Sociedade da Informação. Contudo, tanto profissionais quanto sujeitos informacionais de maneira geral, devem conhecer as possibilidades das Tecnologias de Informação e Comunicação para a compreensão das estruturas e das ofertas de informação com que interagem.

Communication --- Visual communication --- Audio-visual aids. --- Digital techniques. --- Digital communications