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Nocturnal Fabulations is an essay in intercessing. This is not a book that is simply ‘about’ Apichatpong Weerasethakul, though it does engage his work in detail. It is a book that deeply questions what else might be at stake in setting up the conditions for collaboration across two genres: cinema and writing. This collective project is animated by a shared curiosity in the pragmatics of fabulation and its speculative gesture of bringing forth a people to come. In an encounter with Apichatpong’s cinematic dreamscape, the concepts of ecology, vitality and opacity emerge to articulate an ethos of fabulation that deframes experience, recomposes subjectivity and unfixes time.
Motion pictures. --- Motion pictures --- Subjectivity. --- Subjectivity in motion pictures. --- Cinematography. --- Philosophy. --- Apichatpong Weerasethakul, --- Photography --- Chronophotography --- Point of view in motion pictures --- Subjective camera --- Subjectivism --- Knowledge, Theory of --- Relativity --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Animated pictures --- History and criticism --- Weerasethakul, Apichatpong, --- ʻAphichātphong Wīrasētthakun, --- Wīrasētthakun, ʻAphichātphong, --- Veerasethakul, Apichatpong, --- experience --- subjectivity --- cinema --- ecology --- pragmatics of fabulation --- time --- writing --- opacity --- vitality --- apichatpong weerasethakul --- Aesthetics --- Alterity --- Decoupage --- Félix Guattari --- Gilles Deleuze --- Mysterious Object at Noon --- Ontology --- Thailand
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Fabulations nocturnes est un essai d?intercession. Ce n?est pas simplement un livre à propos du cinéaste Apichatpong Weerasethakul, bien qu?il se penche de près sur son ?uvre. C?est plutôt un livre qui interroge en profondeur quoi d?autre pourrait être en cause dans la mise en place des conditions de collaboration entre deux genres ? le cinéma et l?écriture.Ce projet collectif est animé d?un intérêt commun pour la pragmatique de la fabulation et son geste spéculatif générateur d?un peuple à venir. Les concepts d?écologie, de vitalité et d?opacité ont surgi de la rencontre avec le dramscape d?Apichatpong pour venir articuler un ethos de fabulation qui décadre l?expérience, recompose la subjectivité et défixe le temps.
Motion pictures. --- Motion pictures --- Subjectivity in motion pictures. --- Subjectivity. --- Cinematography. --- Philosophy. --- Apichatpong Weerasethakul, --- Photography --- Chronophotography --- Subjectivism --- Knowledge, Theory of --- Relativity --- Point of view in motion pictures --- Subjective camera --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Animated pictures --- History and criticism --- Weerasethakul, Apichatpong, --- ʻAphichātphong Wīrasētthakun, --- Wīrasētthakun, ʻAphichātphong, --- Veerasethakul, Apichatpong, --- experience --- subjectivity --- cinema --- ecology --- pragmatics of fabulation --- time --- writing --- opacity --- vitality --- apichatpong weerasethakul
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