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Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a “new” philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans’ objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.

Art --- anno 1600-1699 --- anno 1500-1599 --- Art and science --- History --- Science and art --- Science --- 16th century --- 17th century --- cultuurgeschiedenis --- kunst en wetenschap --- Art et sciences --- Histoire

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Cognitive psychology --- Philosophy of science --- Art and science --- Art --- Cognition and culture --- Culture and cognition --- Cognition --- Culture --- Ethnophilosophy --- Ethnopsychology --- Socialization --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Science and art --- Science --- Philosophy --- Analysis, interpretation, appreciation

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The well-illustrated articles in Observing the World through Images offer insights into the uses of images in astronomy, mathematics, instrument-making, medicine and alchemy, highlighting shared forms as well as those peculiar to individual disciplines. Themes addressed include: the processes of image production and communication; the transformation of images through copying and adaptation for new purposes; genres and traditions of imagery in particular scientific disciplines; the mnemonic and pedagogical value of diagrams; the relationship between text and image; and the roles of diagrams as tools to think with. Contributors include: Isabelle Pantin, Jennifer Rampling, Samuel Gessner, Renee Raphael, Karin Ekholm, Hester Higton, and Katie Taylor.

Book history --- Graphics industry --- Science --- Medicine --- Health Workforce --- Natural science --- Natural sciences --- Science of science --- Sciences --- History. --- Charts, diagrams, etc. --- Scientific illustration --- Visual communication in science --- Art and science --- Art, Modern. --- Modern art --- Nieuwe Ploeg (Group of artists) --- Science and art --- Illustration, Scientific --- Science illustration --- Scientific literature --- Illustration of books --- Drawing --- Technical illustration --- Illustration --- Scientific applications

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Art --- Science --- Aesthetics --- Art and science --- Art et mathématiques --- Art et science --- Art et sciences --- Esthetica --- Esthétique --- Kunst en wetenschap --- Literature and science --- Literatuur en wetenschappen --- Littérature et sciences --- Mathématiques et art --- Science and art --- Science et art --- Sciences et art --- Wetenschap en kunst --- #GGSB: Filosofie --- #GGSB: Wetenschap --- #GGSB: Literatuur (letterkunde) --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Filosofie --- Literatuur (letterkunde) --- Wetenschap --- 830 --- kunsttheorie --- essay --- essai --- Radio broadcasting Aesthetics

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Joris Hoefnagel (1542–1600) a internationalisé la peinture miniature flamande au XVIe siècle comme pratiquement aucun autre artiste. Il a également enrichi les sciences naturelles, en particulier l'entomologie, avec son observation fine avec des représentations exquises. En regardant ses œuvres époustouflantes, il semble d'autant plus étonnant qu'il a développé son talent d'autodidacte. Joris Hoefnagel appartient au cercle des artistes et humanistes hautement qualifiés qui ont travaillé dans les plus importantes cours européennes à la fin du XVIe siècle. C'est dans cet environnement que ses illuminations surgissent dans de vastes codex de contenu spirituel et profane. Après avoir terminé un apprentissage de peintre à Anvers, son fils Jacob Hoefnagel (1573–1632/33) a suivi les traces de son père à la cour impériale de Prague et excellait dans les œuvres de chambre, mais se concentrait principalement sur les scènes mythologiques et allégoriques. Avec un œil analytique et des textes scientifiquement fondés, le volume richement illustré introduit les mondes picturaux des miniaturistes, qui étonnent l'admiration du spectateur alors comme aujourd'hui.

Art and science --- Miniature painting, Flemish --- Flemish miniature painting --- Science and art --- History --- Hoefnagel, Joris, --- Hoefnagel, Jacob, --- Hoefnaghel, Joris, --- Hoefnagelius, Georgious, --- Hoefnagel, Georgius, --- Hoefnagel, Georg, --- 75 HOEFNAGEL, JORIS --- 76:655.5 --- 76 <493> "16" --- 76 <493> "16" Grafische kunsten. Grafiek. Prentkunst--België--17e eeuw. Periode 1600-1699 --- Grafische kunsten. Grafiek. Prentkunst--België--17e eeuw. Periode 1600-1699 --- 75 HOEFNAGEL, JORIS Schilderkunst--HOEFNAGEL, JORIS --- Schilderkunst--HOEFNAGEL, JORIS --- 76:655.5 Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- miniatures [paintings] --- Hoefnagel, Joris --- Hoefnagel, Jacob --- Science --- art [fine art] --- anno 1500-1599 --- Hoefnagel, Joris, - 1542-1601 --- Hoefnagel, Jacob, - 1575-1630? --- invloed van Vlaamse school --- kunst en wetenschap --- art [discipline]