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Despite our stereotypical ideas on photographic images as snapshots (slices of time), photography is fundamentally a time-based medium. The relationships between photography and time are manifold: time can be directly represented within the image, it can be its theme and philosophical horizon, but it can also represent the global framework in which photographic practices develop and change through time. It is the ambition of this book to bring together the various aspects of time in photography as well as of photography in time, and to illustrate them in a series of case studies that focus on seminal authors (e.g. Fox Talbot, Victor Burgin, Robert Morris) and genres (e.g. spirit photography, montage photobooks and tableau photography), with examples ranging from the very first photographic pictures to the most recent cross-medial uses of photography in and outside art.

Photography --- Art photographique --- Conduite défensive --- Defensief rijden --- Defensive driving --- Fotografie --- Photo --- Photographie --- Routes--Sécurité --- Sécurité routière --- Technique photographique --- Traffic safety --- Verkeer--Veiligheid --- Verkeersveiligheid --- Aesthetics --- Photography, Artistic --- fotografie --- fotografietheorie --- 77.01 --- tijd --- tijdelijkheid --- Academic collection --- Fotografie--Semiotiek van de fotografie. Theorie --- Photographic criticism. --- Time and art. --- Time in art. --- Tijd --- History. --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie. --- Tijd. --- Photographic criticism --- Time and art --- Time in art --- Art and time --- Art --- Photography criticism --- Criticism --- History --- Time --- Philosophy