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Sensation is the subject of a burgeoning field in the humanities. This volume examines its role in the religious changes and transformations of early modern Europe. Sensation was not only central to the doctrinal disputes of the Reformation, but also critical in shaping new or reformed devotional practices. From this vantage point the book explores the intersections between the world of religion and the spheres of art, music, and literature; food and smell; sacred things and spaces; ritual and community; science and medicine. Deployed in varying, often contested ways, the senses were essential pathways to the sacred. They permitted knowledge of the divine and the universe, triggered affective responses, shaped holy environments, and served to heal, guide, or discipline body and soul. Contributors include Alfred Acres, Barbara Baert, Andrew R. Casper, Wietse de Boer, Sven Dupré, Iain Fenlon, Laura Giannetti, Christine Göttler, Jennifer R. Hammerschmidt, Joseph Imorde, Rachel King, Jennifer Rae McDermott, Walter S. Melion, Matthew Milner, Sarah Joan Moran, Yvonne Petry, and Klaus Pietschmann.

Christian church history --- emotion --- Art --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Senses and sensation --- Senses and sensation in art --- Sens et sensations --- Sens et sensations dans l'art --- Religious aspects --- Christianity --- History. --- Aspect religieux --- Christianisme --- Histoire --- History --- Sensation --- Sensory biology --- Sensory systems --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- Perception --- Religious aspects&delete& --- Christianity&delete& --- Senses and sensation - Religious aspects - Christianity - History --- Senses and sensation in art - History --- Senses and sensation - Europe - History --- religious experience

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This volume explores the diverse manifestations and uses of pleasure in medieval culture. Pleasure is a sensation, an affirmation, a practice, and is at the core of the medieval worldview, no less than pain.Applying a variety of methodological perspectives, the essays collected here analyse the role of pleasure in relation to a variety of subjects such as the human body, love, relationships, education, food, friendship, morality, devotion, and mysticism. They also integrate a wide range of sources including literature (monastic to courtly), medical texts, illuminated prayer books, iconography, and theatrical plays.Each document, each discipline, and thus each essay combine to provide a complex and diversified picture of medieval joys and delights — a picture that shows the extent to which pleasure is engrained in the period’s culture. This collection shows how pleasure in the Middle Ages is at once a coveted feeling and a constant moral concern, both the object and the outcome of a constant negotiation between earthly and divine imperatives.

Plaisir --- Civilization, Medieval --- Recreation --- Pleasure --- Senses and sensation --- History --- History of civilization --- History of Europe --- Religious studies --- anno 500-1499 --- Godsdienstwetenschap --- Cultuurgeschiedenis --- Geschiedenis van Europa --- pleasure --- Civilization [Medieval ]

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Sociology of culture --- 7.01 --- kunsttheorie --- kunst --- cultuurfilosofie --- sociologie --- 130.2 --- kunstonderwijs --- filosofie --- tekenkunst --- 741.071 --- Schröder Lotte Lara --- Fragility (Psychology). --- Touch. --- Senses and sensation in art.

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Affective and dynamic functions --- Appareil gustatif --- Goût --- Gustation --- Organe gustatif --- Perception gustative --- Sens du goût --- Sens et sensation --- Sensation gustative --- Senses and sensation --- Smaak --- Taste --- Tasting (Physiology) --- Zintuigen en gewaarwording --- Dutch literature

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Ce numéro de Marcel Proust Aujourd’hui , ‘Sensations proustiennes’, regroupe une dizaine articles, en français, traitant de de la notion de ‘sensation’ sous plusieurs perspectives : une recherche basée sur la sémiotique et la phénoménologie ; une approche partant des portraits de peintres dans Les Plaisirs et les Jours ; une étude de l’ivresse ; la chambre en tant qu’espace générateur d’une part, polysignifiant de l’autre ; l’érotisme d’Albertine, ainsi que la transposition des sensations dans le domaine du cinéma. En plus des études sur ‘le roman noir’, sur les modalités de la traduction et sur le dynamisme des titres chez Proust complètent ce panorama. Avec des contributions de: Joel Candau ; Thomas Carrier-Lafleur ; Fanny Daubigny ; Rokus Hofstede ; Sjef Houppermans ; Farzaneh Karimian ; Guillaume Lavoie; Cristian Micu ; Bérengère Moricheau-Airaud ; Thomas Muzart ; Philippe Robichaud ; Philippe Willemart ; Manet van Montfrans ; Nell de Hullu-van Doeselaar ; Annelies Schulte Nordholt ; Sjef Houppermans

Senses and sensation in literature. --- Proust, Marcel, --- Criticism and interpretation. --- Prust, Marselʹ, --- Proust, Valentin Louis Georges Eugène Marcel, --- Pʻŭrusŭtʻŭ, Marŭsel, --- Pʻu-lu-ssu-tʻe, --- Пруст, Марсель, --- פרוסט, מארסל --- פרוסט, מרסל --- ,פרוסט, מרסל --- بروست، مارسيل،, --- Proust, Marcel