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Part songs --- Part songs, Sacred --- -Part songs, Sacred --- -Sacred part songs --- Sacred vocal music --- Partsongs --- Secular part songs --- Vocal music --- -Part songs --- Sacred part songs --- Music --- anno 1400-1499 --- 15th century --- Bibliography --- Part songs [Sacred ] --- Part songs - 15th century - Bibliography --- Part songs, Sacred - 15th century - Bibliography
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Liturgy --- Music --- Chansons polyphoniques sacrées --- Godsdienstige liederen [Meerstemmige ] --- Liederen [Meerstemmige religieuze ] --- Liederen [Religieuze meerstemmige ] --- Part songs [Sacred ] --- Part-songs [Sacred ] --- Polyphonies religieuses --- Polyphonies sacrées --- Sacred part songs --- C1 --- muziek --- liturgie --- Kerken en religie --- Dutch literature
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During the lifetime of Guillaume Du Fay (c. 1400-1474) the motet underwent a profound transformation. Because of the protean nature of the motet during this period, problems of definition have always stood in the way of a full understanding of this crucial shift. Through a comprehensive survey of the surviving repertory, Julie Cumming shows that the motet is best understood on the level of the subgenre. She employs new ideas about categories taken from cognitive psychology and evolutionary theory to illuminate the process by which the subgenres of the motet arose and evolved. One important finding is the nature and extent of the crucial role that English music played in the genre's transformation. Cumming provides a close reading of many little-known pieces; she also shows how Du Fay's motets were the product of sophisticated experimentation with generic boundaries.
Music --- anno 1400-1499 --- Motets --- -Choruses --- Part songs --- Part songs, Sacred --- History and criticism --- Dufay, Guillaume. --- Dufay, Guillelmus --- Du Fay, Guillaume --- Du Fayt, Guillaume --- -History and criticism --- Motet --- Dufay, Guillaume, --- Choruses --- 15th century --- Dufay, Guillaume --- History and criticism.
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During the sixteenth century, the traditional act of dedicating a text took on a new meaning due to the wider dissemination of the printed book. As the dedication and other paratexts thus became an almost indispensable part of the publication, they merit careful examination by those who study the presentation and impact of any printed work in its context. Paratexts bridge the gap between the outside World of the reading public and the enclosed world of the book, and often present biographical information concerning the persons involved in the making of the book. In the present volume, general
Classical Latin literature --- Music --- anno 1500-1599 --- Dedications --- Motets --- Latin literature, Medieval and modern --- History and criticism --- Academic collection --- 870.9004 --- Literature Latin 1350 --- -Conferences - Meetings --- dedications [documents] --- Book dedications --- Books --- Dedications (in books) --- Authorship --- Choruses --- Part songs --- Part songs, Sacred --- -Dedications --- Conferences - Meetings --- neo-Latin [language] --- 16th century --- Congresses --- Latin literature [Medieval and modern ] --- Dedications - Congresses --- Motets - History and criticism - 16th century --- muziekdruk --- Littérature latine médiévale et moderne --- Musique --- History and criticism. --- Édition. --- Édition
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Zonder onderwerpscode: muziek --- anno 1200-1499 --- anno 1500-1599 --- Belgium --- Netherlands --- Cantus planus (Gregoriaans, enz.) --- Chansons polyphoniques --- Chansons polyphoniques françaises --- Chansons polyphoniques latines --- Chansons polyphoniques néerlandaises --- Chansons polyphoniques sacrées --- Chant (Plain, Gregorian, etc.) --- Chant grégorien --- Chants (Plain, Gregorian, etc.) --- Chants grégoriens --- Franco-Roman chants --- Godsdienstige liederen [Meerstemmige ] --- Gregoriaans --- Gregoriaanse gezangen --- Gregorian chant --- Gregorian chants --- Latin part songs --- Liederen [Franse meerstemmige ] --- Liederen [Latijnse meerstemmige ] --- Liederen [Meerstemmige ] --- Liederen [Meerstemmige religieuze ] --- Liederen [Nederlandse meerstemmige ] --- Liederen [Religieuze meerstemmige ] --- Luitmuziek --- Lute music --- Luth [Musique de ] --- Old Roman chants --- Part songs --- Part songs [Sacred ] --- Part-songs [Dutch ] --- Part-songs [French ] --- Part-songs [Latin ] --- Part-songs [Sacred ] --- Plain-chant (Grégorien, etc.) --- Plainchant --- Plainchants --- Plainsong --- Polyphonies religieuses --- Polyphonies sacrées --- Roman songs --- Sacred part songs --- Music --- Musique --- Manuscripts --- Facsimiles --- Manuscrits --- Fac-similés --- 091:78 --- 091 <492> --- 091 <493> --- 091.07 --- #BIBC:02.43 ALAMIRE --- Handschriften i.v.m. muziek --- Handschriftenkunde. Handschriftencatalogi--Nederland --- Handschriftenkunde. Handschriftencatalogi--België --- Handschriften: facsimile's --- 091.07 Handschriften: facsimile's --- 091 <493> Handschriftenkunde. Handschriftencatalogi--België --- 091 <492> Handschriftenkunde. Handschriftencatalogi--Nederland --- 091:78 Handschriften i.v.m. muziek --- Fac-similés --- 15th century --- History and criticism --- 16th century --- Muziekwetenschappen --- Paleografie --- Muzieknotatie --- Bloemlezingen --- Iconografie --- Conservatie --- Polyfonie --- Monodieën --- Middeleeuwen --- Renaissance --- Lage Landen --- Vlaanderen --- 13e eeuw --- 14e eeuw --- 15e eeuw --- 16e eeuw --- Ste Gudule Collection --- Pays-bas --- Catalogues --- Belgique --- 12e-16e siecles --- Pays bas
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When Renaissance music went to press, the composer of the publisher frequently added at least one paratext, which acted in the same way as blurbs do on the dust-jackets of today's books. These texts are treasure trove of information about Renaissance music and its contxt. They inform us about the lives of the composers, the publication and function of polyphonic music, and the music theory of the period. But they also read as a who's who of the courts of Europe and the higher echelons of the Church, and reveal networks netween composers, printer, patrons of music and celebrated authors such as Jean Doratr, Jacques Gohory and Paulus Melissus Schede. This book offers the first critical ediiton of more than 150 such liminary texts. -- Book cover
motetten --- Neo-Latin literature --- Music --- History of the Low Countries --- anno 1500-1599 --- Adresses (Dédicaces) --- Book dedications --- Book--Dedications --- Correspondance latine médiévale et moderne --- Dedications --- Dedications (in books) --- Dedications in books --- Dédicaces --- Dédicaces dans les livres --- Envois (Dédicaces) --- Humanisten -- Brieven --- Humanisten -- Correspondentie --- Humanistenbrieven --- Humanistes -- Correspondance --- Humanistisch-Latijnse brieven --- Humanistische Latijnse poëzie --- Humanists -- Correspondence --- Latijnse brieven [Middeleeuwse en moderne ] --- Latijnse poëzie [Humanistische ] --- Latijnse poëzie [Middeleeuwse en moderne ] --- Latin letters [Medieval and modern ] --- Latin medieval poetry --- Latin poetry [Medieval and modern ] --- Lettres (Genre littéraire) latines humanistes --- Lettres (Genre littéraire) latines médiévales et modernes --- Lettres (Genre littéraire) néo-latines --- Littérature épistolaire latine médiévale et moderne --- Livres--Dédicaces --- Medieval and modern Latin letters --- Medieval poetry [Latin ] --- Middeleeuws-Latijnse brieven --- Middeleeuws-Latijnse poëzie --- Neolatijnse brieven --- Neolatijnse poëzie --- Neolatin poetry --- Nieuwlatijnse poëzie --- Oeuvres--Dédicaces --- Opdrachten --- Opdrachten in boeken --- Poetry [Neolatin ] --- Poésie latine humaniste --- Poésie latine médiévale et moderne --- Poésie néolatine --- Poëzie [Humanistische Latijnse ] --- Poëzie [Neolatijnse ] --- Motets --- Musique --- History and criticism --- Sources --- Histoire et critique --- Dédicaces --- Latin literature, Medieval and modern --- Music publishing --- Music trade --- Publishers and publishing --- Music printing --- Choruses --- Part songs --- Part songs, Sacred --- Books --- Authorship --- History --- Publishing --- 16th century --- Edition musicale --- France --- Flanders (County) --- Editing --- Dedications. --- Dédicaces. --- History and criticism. --- Sources. --- Histoire et critique.
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