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Product strategy --- Netherlands --- Reyer Kras --- design --- Industriële vormgeving ; Nederland ; 1850-1997 --- industrieel design --- Grafische vormgeving ; typografie ; Nederland ; 1850-1997 --- Nederland --- Unger, Gerard --- grafische vormgeving --- Digitale kunsten ; vrije --- grafisch design --- 745(492) --- corporate identity --- twintigste eeuw --- meubelkunst --- meubilair --- productdesign --- productontwikkeling --- 745.036 --- Decoratieve kunstnijverheid ; Nederland --- Applied arts. Arts and crafts --- Industrial design --- 749(492) --- Design, Industrial --- Mechanical drawing --- New products --- Design --- Meubelkunst en design ; Nederland
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Applied arts. Arts and crafts --- toegepaste kunsten --- Design --- Furniture design --- Industrial design --- 749.039 --- Interieur ; Kortrijk ; internationale biënnale --- Design, Industrial --- Mechanical drawing --- New products --- Furniture --- Creation (Literary, artistic, etc.) --- History --- Meubelkunst en design ; 2000 - 2050 --- Exhibitions --- Meubles --- Exhibitions. --- Histoire --- Expositions --- 21st century --- Catalogs --- Interior decoration
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"We're filling up the world with technology and devices, but we've lost sight of an important question: What is this stuff for? What value does it add to our lives? So asks author John Thackara in his new book, In the Bubble: Designing in a Complex World." "In the Bubble is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now - not in a remote science-fiction future. We are regaining respect for what people can do that technology can't. In the Bubble describes services designed to help people carry out daily activities in new ways. Many of these services involve technology - ranging from body implants to wide-bodied jets. But objects and systems play a supporting role in a people-centered world. The design focus is on services, not things. And new principles - above all, lightness - inform the way these services are designed and used. At the heart of In the Bubble is a belief, informed by a wealth of real-world examples, that ethics and responsibility can inform design decisions without impeding social and technical innovation."--Jacket.
745.01 --- designfilosofie --- designtheorie --- duurzaam ontwerpen --- 770.6 --- architectuur --- creativiteit --- duurzame ontwikkeling --- ecodesign --- ecologie --- ontwerpmethodiek --- designfilosofie en -theorie --- productdesign, filosofie, esthetiek en kritiek --- Engineering sciences. Technology --- Philosophy and psychology of culture --- Engineering design --- Industrial design --- Design, Industrial --- Mechanical drawing --- New products --- Design --- Design, Engineering --- Engineering --- Strains and stresses --- Engineering design. --- Industrial design. --- BUSINESS/Innovation --- DESIGN/General --- #SBIB:316.7C210 --- Cultuursociologie: kunst: algemeen
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interior architecture [discipline] --- Architecture --- Housekeeping --- Hoffmann, Joseph --- Hoffmann, Josef Franz Maria --- Hoffmann, Josef --- Exhibitions --- Furniture design --- Industrial design --- Interior decoration --- Furniture --- Design --- Decoration, Interior --- Home decoration --- House decoration --- Interior design --- Art --- Buildings --- Decoration and ornament --- Home economics --- House furnishings --- Upholstery --- Design, Industrial --- Mechanical drawing --- New products --- Environmental engineering --- Hoffmann, Josef Franz Maria, --- Hoffmann, Josef, --- Hoffmann, Joseph,
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Cognitive psychology --- Applied arts. Arts and crafts --- Aesthetics of art --- Design, Industrial --- #PBIB:2000.2 --- #PBIB:gift 2000 --- 7.013 --- beeldelementen --- kunst --- vorm --- waarneming --- 415.2 --- Smets, Gerda --- beeldtaal --- didactische werkvormen --- vormgeven --- vormleer --- zintuigen --- Mechanical drawing --- New products --- Design --- algemene psychologie, zintuiglijke indrukken en waarnemingen --- Architectural design. --- Industrial design. --- Industrial design --- form [composition concepts]
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Oorspronkelijk bestond de collectie van het Design museum uit overwegend achttiende-eeuwse stijlmeubels, maar gaandeweg groeide deze culturele instelling uit tot een wereldvermaard museum dat zich toelegt op twintigste-eeuws en hedendaags design. Blikvanger is hun bijzondere art-nouveaucollectie. Belangrijke Belgische kunstenaars (Henry van de Velde, Victor Horta en Paul Hankar), worden geflankeerd door buitenlandse ontwerpers zoals Josef Hoffmann en Otto Wagner. Ook ontwerpen van vertegenwoordigers van het modernisme (Le Corbusier en Gaston Eysselinck) en het postmodernisme (Alessandro Mendini, Aldo Rossi, Hans Mollein en Andrea Branzi) komen ruim aan bod. Het hedendaagse design van binnen- en buitenland wordt vertegenwoordigd door grote namen als Borek Sipek, Maarten Van Severen, Ron Arad, Philippe Starck en vele anderen. Deze publicatie bevat reproducties en notities van en over 175 topstukken uit de verzamelingen.
Applied arts. Arts and crafts --- Design Museum [Ghent] --- Musea --- Design museum Gent --- 1903 - 2007 --- Gent --- museumgebouwen --- art nouveau --- Belgische designers --- België --- meubelontwerp --- Willy Van der Meeren --- Pieter De Bruyne --- Emiel Veranneman --- design --- 745(493) --- 727.7 --- design en industriële vormgeving - België --- gebouwen voor musea, kunstgalerijen - museumarchitectuur --- Industrial design. --- 069(493) --- Musea. Collecties ; België --- Industrial design --- Design, Industrial --- Mechanical drawing --- New products --- Design --- Design Museum Gent. --- Designmuseum (Ghent, Belgium) --- Design Museum Ghent --- History --- 20th century --- Design Museum Gent --- Grafische vormgeving
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Production management --- Loewy, Raymond --- Industrial design --- Exhibitions. --- Loewy, Raymond, --- (069) --- 749.07 --- Industrieel design ; meubelen ; 20ste eeuw ; Raymond Loewy --- Industrieel design ; meubels ; Verenigde Staten --- Raymond Loewy 1893-1962 (° Parijs, Frankrijk) --- Tentoonstellingscatalogi ; Amsterdam ; Stedelijk Museum --- 772.3 --- 774.3 --- Rosenthal --- auto-ontwerpen --- grafische vormgeving ; 1970 --- -meubelen ; 20e eeuw --- productdesign ; geschiedenis 20 eeuw --- (Musea. Collecties) --- Meubelontwerpers ; designers ; interieurarchitecten --- productdesign, historisch, ontwerpers/landen afzonderlijk --- binnenhuis- en meubelkunst, historisch, ontwerpers afzonderlijk --- -Loewy, Raymond --- meubelen ; 20e eeuw --- Design, Industrial --- Loewy, Raymond Fernand, --- Rōwi, Reimondo, --- Mechanical drawing --- New products --- Design
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This title focuses on the social importance of design in Belgium and investigates how design, via its impact on the basic needs of human beings, influences our way of life. 100 designs by various Belgian designers and design studios have been selected based on 10 essential values that refer to our basic needs.Bron : http:/:www.abebooks.com
Applied arts. Arts and crafts --- Belgium --- Design --- 21st century --- Pictorial works --- Industrial design --- 745(493) --- België --- design --- 745.39 --- eenentwintigste eeuw --- interieurvormgeving --- productdesign --- social design --- Triënnale voor vormgeving --- 745.039(493) --- Industriëel design ; België ; 2005-2010 --- Productdesign --- Product Design --- Tentoonstellingscatalogi ; Grand-Hornu ; Musée des Arts Contemporains (MAC) --- Triënnale voor vormgeving in Vlaanderen --- Creation (Literary, artistic, etc.) --- Design, Industrial --- Mechanical drawing --- New products --- Human factors --- design en industriële vormgeving - België --- Meubelkunst en design ; 2000 - 2050 ; België --- Exhibitions --- Grafische vormgeving --- Tentoonstellingen --- Vlaanderen --- Kunsten --- Tentoonstelling --- Kunst --- Emigratie --- design [discipline]
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Nouveau musée et centre d'art, le ADAM (Art & Design Atomium Museum) a pour ambition de devenir une référence muséale en matière d'expositions d'art et de design à Bruxelles. Installé sur le plateau du Heysel, à deux pas de l'Atomium, il dispose de près de 5.000m2 et a pour exposition permanente la collection du Plasticarium. Constituée depuis les années 1980, cette collection est un ensemble singulier et unique au monde qui regroupe plusieurs centaines d'objets en plastique, allant du plus usuel à l'œuvre d'art, en passant par l'objet de design. Si cette collection occupe la large place qu'elle mérite au sein du musée, d'autres espaces proposent des expositions temporaires dédiées à l'art et au design du XXe siècle et d'aujourd'hui. Le présent ouvrage reprend les créations des designers parmi les plus importants dans le domaine du plastique depuis les années 1950 jusqu'à nos jours. Un florilège de formes et de matières magnifiquement illustré par des reproductions en quadrichromie dont beaucoup en pleine page. Un livre référence, qui compte également quelques œuvres d'art ayant recours au plastique, publié en quatre langues (français, néerlandais, anglais, allemand). Textes de Anne Bony, Alexandra Midal et Richard Thommeret. Quadrilingue français, néerlandais, anglais, allemand.
Plastics as art material --- Plastics --- Industrial design --- Matières plastiques (Matériau d'artistes) --- Matières plastiques --- Design --- Collectors and collecting --- History --- Collectionneurs et collections --- Histoire --- plastic [organic material] --- Applied arts. Arts and crafts --- Design, Industrial --- Mechanical drawing --- New products --- Plastic materials --- Plastic products --- Polymers --- Synthetic products --- Condensation products (Chemistry) --- Elastomers --- Plasticity --- Art & Design Atomium Museum --- Plastics in art --- Artists' materials --- #SBIB:316.7C324 --- #SBIB:316.7C210 --- Culturele infrastructuur: musea --- Cultuursociologie: kunst: algemeen --- Plastics as art material. --- ADAM --- plastic [material] --- Art & Design Atomium Museum (Brussels, Belgium) --- Design museum Brussels --- Objets en matières plastiques --- Catalogues
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Custom wheel rims for Mercedes Benz, double-decker train cars for the Belgian railway system, pots and pans for Tupperware and ice coolers for Coca-Cola are but a few of the 1500 sleekly designed products that the Belgian firm Enthoven Associates has created for its impressive roster of international clients over the past 30 years. This well-edited compendium illustrates how the role of product design has evolved within the firm over the past three decades, moving from the vision of an individual designer, Axel Enthoven, to the combined expertise of a team that has expanded to include Alain Denis and Jean-Pierre Geelen. Through images, interviews and essays, it traces the development of the firm's designs, from early aesthetic objects to current projects that combine design with technology, ethics and marketing concepts. (Copié du site "amazon.ca")
design [discipline] --- Applied arts. Arts and crafts --- Architecture --- Enthoven associates --- Denis, Alain --- Geelen, Jean Pierre --- Enthoven, Axel --- industrial design --- België --- transport --- streamline --- Enthoven --- Design --- Design industriel --- Mobilier --- Mobilier de bureau --- Mobilier de cuisine --- Mobilier transport --- Mobilier urbain --- Industrial design --- Enthoven Associates --- 745.071(493) --- meubelontwerpers --- industrieel design --- Axel Enthoven (° 1947, Nederland) --- design --- Industrieel design ; 1973-2007 ; Enthoven Associates --- Industrieel design ; Nederland --- transportdesign --- Belgische designers --- Tentoonstellingscatalogi ; Gent ; Design Museum --- 749.07 --- (069) --- interieurvormgeving --- meubilair --- meubelkunst --- Enthoven Axel --- Geelen Jean Pierre --- Denis Alain --- twintigste eeuw --- eenentwintigste eeuw --- treinen --- trams --- autobussen --- 745.071 ENTHOVEN --- Meubelontwerpers ; designers ; interieurarchitecten --- (Musea. Collecties) --- Exhibitions --- Geelen, Jean-Pierre --- Design, Industrial --- Mechanical drawing --- New products --- Enthoven Associates. --- Enthoven Associates Design Consultants --- mobiliteit (ok) --- Industrial design - Belgium --- productdesign
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