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Kerle, de, Jacobus --- Composers --- Church music --- Compositeurs --- Musique d'église --- Biography. --- Catholic Church --- Biographies --- Eglise catholique --- Kerle, Jacobus de, --- Musique d'église --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- History and criticism --- Religious aspects --- Christianity --- De Kerle, Jacobus, --- Kerle, Jacob de, --- Biography --- 16th century --- Kerle, Jacobus de
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The important contribution of Heinrich Isaac (ca. 1455-1517) to polyphonic settings of the proper of the mass has long been recognised. The monumental posthumously published collection of his work in the genre, the Choralis Constantinus, was considered as a landmark even in the sixteenth century. Isaac's striking cultivation of polyphonic mass proper settings has its roots in his task, as Hofcomponist to Emperor Maximilian I, of building a musical repertoire for the Imperial court chapel. The repertoire he created awakened a demand for analogous music at other European courts and institutions and led, in 1508, to the commissioning of an extraordinary series of proper cycles from him by the authorities of Constance Cathedral.
Isaac, Heinrich --- Propers (Music) --- Church music --- Propres de la messe (Musique) --- Musique d'église --- Isaac, Heinrich, --- Musique d'église --- Criticism and interpretation --- Counterpoint --- Propers of the Mass (Music) --- Masses --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Catholic Church --- History and criticism --- History --- Religious aspects --- Christianity
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Music --- anno 500-1499 --- Church music --- Musique --- Musique d'église --- History and criticism. --- Catholic Church --- Histoire et critique --- Eglise catholique --- Vellekoop, Kees --- Vellekoop, Kees, --- 78 "04/14" --- Tijdschriften. Periodieken. Serials--Europa --- 05 <4> Tijdschriften. Periodieken. Serials--Europa --- Muziek--Middeleeuwen --- 78 "04/14" Muziek--Middeleeuwen --- Musique d'église --- Criticism --- History and criticism --- Music - 500-1400 - History and criticism. --- Church music - Catholic Church - 500-1400.
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Edité avec l'aide de la Fondation Ochs
Music --- anno 1600-1699 --- Liege --- Motets. --- Choruses, Sacred (Mixed voices) with continuo. --- Church music --- Corpus Christi Festival --- Motets --- Choeurs sacrés (Voix mixtes) acc. de basse continue --- Musique d'église --- Fête-Dieu --- Mary, --- Anne --- Marie, --- Songs and music --- Chants et musique --- Cathédrale Saint-Lambert de Liège. --- Choeurs sacrés (Voix mixtes) acc. de basse continue --- Musique d'église --- Fête-Dieu --- Cathédrale Saint-Lambert de Liège. --- Songs and music.
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Manuscripts. Epigraphy. Paleography --- Iconography --- anno 800-1199 --- Psalters. --- Illumination of books and manuscripts, Medieval. --- Church music. --- Musicians in art --- Psautiers --- Enluminure médiévale --- Musique d'église --- Musiciens dans l'art --- Music in art. --- 091:78 --- 091.31:7.04 --- 091:264-13*3 --- 091:22 --- Illumination of books and manuscripts, Medieval --- Music in art --- Psalters --- Liturgies --- Music --- Musical iconography --- Painting, Medieval --- Handschriften i.v.m. muziek --- Verluchte handschriften: iconografie --- Psalteria--(handschriften) --- Bijbels--(handschriften) --- 091:22 Bijbels--(handschriften) --- 091:264-13*3 Psalteria--(handschriften) --- 091.31:7.04 Verluchte handschriften: iconografie --- 091:78 Handschriften i.v.m. muziek --- Enluminure médiévale --- Musique d'église --- 78.23 --- 78.60.0 --- 78.10 --- 78.79
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Music --- muziekgeschiedenis --- meerstemmigheid --- Vlaamse polyfonie --- muzikale vorming --- muziek --- vocale muziek --- polyfonie --- anno 1400-1499 --- anno 1500-1599 --- Flanders --- Flandre --- Musique --- Muziek --- Vlaanderen --- Polyphonic chansons --- Church music --- Polyphonies françaises --- Musique d'église --- History and criticism --- Histoire et critique --- Counterpoint. --- #gsdbM --- 78 <493-17> --- Counterpoint --- -Music --- -Academic collection --- #GGSB: Muziek --- #BIBC:02.43 ALAMIRE --- kunstboek --- overzicht --- musicologie --- Vlaams Gewest [gewest in land België - BE] --- componisten (x) --- Europa [werelddeel] --- iconografisch materiaal --- C3 --- #A9406A --- 521 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Polyphony --- Music theory --- Muziek--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Kunst en cultuur --- Muziekgeschiedenis (Oudheid - Renaissance) --- History and criticism. --- 78 <493-17> Muziek--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Polyphonies françaises --- Musique d'église --- Academic collection --- Burgundy (France) --- Benelux countries --- Vocal music --- 15th century --- Flanders (Belgium) --- 15th-16th centuries --- 78.24 --- Vlaams Gewest [gewest in land België - BE] --- Muziek--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Muziekgeschiedenis --- Polyfonisten --- Lage Landen --- 15e eeuw --- 16e eeuw --- 17e eeuw
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Philip II of Spain founded the great Spanish monastery and royal palace of El Escorial in 1563, promoting within it a musical foundation whose dual function as royal chapel and monastery in the service of a Counter Reformation monarch was unique; this volume explores the performance and composition of liturgical music there from its beginnings to the death of Charles II in 1700. It traces the ways in which music styles and practices responded to the the changing functions of the institution, challenging notions about Spanish musical patronage, scrutinising musical manuscripts, uncovering the biographical details of hundreds of musicians, and examining musical practices.
Music --- anno 1600-1699 --- anno 1500-1599 --- Spain --- Church music --- Church musicians --- Musique d'église --- Musiciens d'église --- Catholic Church --- Eglise catholique --- Escorial. --- Musique d'église --- Musiciens d'église --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- Liturgical musicians --- Parish musicians --- Pastoral musicians --- Musicians --- History and criticism --- Religious aspects --- Christianity --- Escurial --- Monasterio de El Escorial --- Monasterio de San Lorenzo del Escorial --- Monasterio de San Lorenzo el Real de El Escorial --- Real Monasterio de San Lorenzo del Escorial --- Real Monasterio del Escorial --- Regium Monasterium Scorialensis --- San Lorenzo del Escorial (Monastery) --- Liturgy --- History --- 78.25 --- 78.93 --- Escorial --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- Church music - Spain - San Lorenzo del Escorial - 16th century --- Church music - Spain - San Lorenzo del Escorial - 17th century --- Church music - Catholic Church - 16th century --- Church music - Catholic Church - 17th century --- Church musicians - Spain - San Lorenzo del Escorial
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