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This book accompanies the exhibition 'In-finitum' at the Palazzo Fortuny in Venice from 6 June until 15 November, 2009. With 'In-finitum', the trilogy which started with 'Artempo: Where Time Becomes Art' (Venice, 2007) and continued with 'Academia: Qui es-tu?' (Paris, 2008) has come full circle. The trilogy as conceived by Axel Vervoordt establishes a perfect balance through the natural time-flow between its three chapters. 'Artempo: Where Time Becomes Art' dealt with the beauty of passing time touching the world, with the mysteriousness of patina and the magical osmosis which exists where cosmos and 'matière' interact. In 'Academia: Qui es-tu?', the transmission of knowledge and wisdom held center stage, a fixed focal point gently rocked however by the continuous perpetuum mobile of questions and answers. The finale, 'In-finitum', will traverse into the other realm as it reaches into the universe of the unfinished and the infinite.
Art --- 7.039 --- 7.074 --- België --- eenentwintigste eeuw --- iconografie --- kunst --- kunstcollecties --- kunstverzamelingen --- oneindigheid --- 700.5 --- Vervoordt, Axel --- tijdsbeleving --- verzamelingen --- beeldende kunst, kunstverzamelen - kunsthandel - kunstvervalsing --- Exhibitions --- Infinite in art --- Space and time in art --- Unfinished works of art --- Art, Incomplete --- Art, Unfinished --- Arts, Incomplete --- Arts, Unfinished --- Incomplete works of art --- Arts --- art [fine art] --- Fontana, Lucio --- Rothko, Mark --- Bruyckere, De, Berlinde --- Stroobant, Dominique --- François, Michel --- Klein, Yves --- Manzoni, Piero --- Noguchi, Isamu --- Wouters, Rik --- Mack, Heinz --- Beeck, Op de, Hans --- Judd, Donald --- Turrell, James --- Kapoor, Anish --- Thater, Diana --- Nevelson, Louise --- Giacometti, Alberto --- Calder, Alexander --- art [discipline]
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"This interdisciplinary volume explores the ways in which time is staged at the threshold between the Middle Ages and the early modern period. Proceeding from the reality that all cultural forms are inherently and inescapably temporal, it seeks to discover the significance of time in mediations and communications of all kinds. By showing how time is displayed in diverse cultural strategies and situations, the essays of this volume show how time is intrinsic to the very concept of tradition. In exploring a variety of medial forms and communicative practices, they also reveal that while the beginning of the age of printing (around 1500) may mark a fundamental change in terms of reproduction and circulation, artefacts and other historical traditions continue to employ earlier systems and practices relating time and space. The volume features articles by leading researchers in their respective fields, including studies on mosaics as a medium reflecting space and time; the triptych's potential as a time machine; winged altarpieces mediating eternity; texts and images of the passion of Christ permeating past, present, and future; dimensions of time embedded in maps; a compendium of world knowledge organized by forms of time and temporality; the figuration of prophecy in times of crisis; the portrayal of time in architecture."--Back cover.
time --- Art --- History of civilization --- anno 1400-1499 --- anno 1500-1599 --- Civilization, Medieval. --- Civilisation médiévale --- Civilization, Modern. --- Civilisation moderne --- Time --- Temps --- Time perception --- Perception du temps --- Social aspects --- History. --- Aspect social --- Histoire --- Civilisation médiévale. --- Civilisation moderne. --- Histoire. --- Civilization, Medieval --- Civilization, Modern --- Space and time --- Time and art --- Medieval influences --- Art and time --- Space of more than three dimensions --- Space-time --- Space-time continuum --- Space-times --- Spacetime --- Time and space --- Fourth dimension --- Infinite --- Metaphysics --- Philosophy --- Space sciences --- Beginning --- Hyperspace --- Relativity (Physics) --- Modern civilization --- Modernity --- Civilization --- Renaissance --- Medieval civilization --- Middle Ages --- Chivalry --- History --- Civilization, Modern - Medieval influences --- Civilisation médiévale.
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130.2 --- 72.01 --- 316.4 --- Cultuurfilosofie ; modernisme ; postmodernisme --- Kunst en maatschappij ; Post-Fordisme --- Kapitalisme --- Filosofie ; Cultuurfilosofie --- Architectuur ; theorie, filosofie, esthetica --- Sociologie ; sociale processen, sociale dynamiek --- Social change --- Philosophy and psychology of culture --- anno 1940-1949 --- anno 1930-1939 --- anno 1920-1929 --- Civilization, Modern - 1950 --- -Capitalism --- Space and time --- Postmodernism --- Capitalism --- Civilization, Modern --- Capitalisme --- Civilisation --- Postmodernisme --- Espace et temps --- 7.01 --- cultuurfilosofie --- David Harvey --- economie --- kunst --- kunsttheorie --- postmodernisme --- sociologie --- twintigste eeuw --- 165.76 --- 165.76 Postmodernisme. Poststructuralisme. Post-modernisme. Post-structuralisme --- Postmodernisme. Poststructuralisme. Post-modernisme. Post-structuralisme --- Space of more than three dimensions --- Space-time --- Space-time continuum --- Space-times --- Spacetime --- Time and space --- Fourth dimension --- Infinite --- Metaphysics --- Philosophy --- Space sciences --- Time --- Beginning --- Hyperspace --- Relativity (Physics) --- Post-modernism --- Postmodernism (Philosophy) --- Arts, Modern --- Avant-garde (Aesthetics) --- Modernism (Art) --- Philosophy, Modern --- Post-postmodernism --- Market economy --- Economics --- Profit --- Capital --- 82.015.9 --- 82.015.9 Literaire stromingen: postmodernisme --- Literaire stromingen: postmodernisme --- 316.32 --- 316.32 Globale samenlevingsvormen --- Globale samenlevingsvormen --- Capitalism. --- Postmodernism. --- Space and time. --- anno 1900-1999 --- POSTMODERNISME --- CIVILISATION MODERNE --- CAPITALISME --- ESPACE ET TEMPS --- 1950 --- -Civilization, Modern --- -POSTMODERNISME --- -Capitalism. --- -Philosophy and psychology of culture
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