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Information user --- Copying processes. --- Copying processes --- Library applications --- Library materials --- Reproduction --- Bibliotheekbeheer

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Gogh, van, Vincent --- Painting, Dutch --- Painting --- Peinture néerlandaise --- Peinture --- Reproduction --- Gogh, Vincent van, --- kopieën --- Gogh, Vincent van --- Pictures --- Copying. --- Theses --- Peinture néerlandaise --- kunst (kopie, kopiëren) --- kunst (+ kopie, kopiëren) --- Pictures - Copying. --- kunst (+ kopie, kopiëren). --- Van Gogh, Vincent. --- Van Gogh, Vincent

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Making Copies in European Art 1400-1600 , edited by Maddalena Bellavitis, consists of 16 essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art , in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials.

Painting, Renaissance --- Pictures - Copying --- Art and society - Europe - History - To 1500 --- Art and society - Europe - History - 16th century --- Painting, Renaissance. --- Peinture de la Renaissance. --- Pictures --- Illustrations, images, etc. --- Art and society --- Art --- Copying. --- Reproduction --- Reproduction. --- History --- Aspect social --- Copying --- Influence --- Art and sociology --- Society and art --- Sociology and art --- Paintings, Renaissance --- Renaissance painting --- Social aspects --- History of civilization --- art [discipline] --- cultuurgeschiedenis --- copies [derivative objects] --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Europe

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The art of forgery: Case Studies in Deception' explores the stories, dramas and human intrigues surrounding the world's most famous forgeries - investigating the motivations of the artists and criminals who have faked great works of art, and in doing so conned the public and the art establishment alike.

art history --- Art --- Criminology. Victimology --- forgeries [derivative objects] --- Pictures --- Illustrations, images, etc. --- Forgeries --- History. --- Copying --- Expertising. --- Faux --- Histoire --- Reproduction --- Expertise --- criminology --- forgery [crime] --- counterfeiters --- kunstvervalsingen

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copies [derivative objects] --- Rubens, Peter Paul --- Art, German --- Art, Netherlandish --- Art --- Copying --- Rubens, Peter Paul, --- Copying. --- 759.04 --- 759.9493 --- Arts Painting 1600 - 1800 --- Arts Painting Belgium --- Adaptations, Art --- Netherlandish art --- German art --- Fels (Group of artists) --- Gruppe 1950 (Group of artists) --- HobbypopMUSEUM (Group of artists) --- Kooperative Kunst (Group of artists) --- Kugel (Group of artists) --- Lücke (Group of artists) --- Technique --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Catalogues raisonnés --- Art [German ] --- Art [Netherlandish ] --- Adaptations --- Rubens, Petrus Paulus, --- Art, German - Copying --- Art, Netherlandish - Copying --- Art - Adaptations --- Rubens, Petrus Paulus, - 1577-1640 --- Rubens, Peter Paul, - 1577-1640 - Catalogues raisonnés --- Rubens, petrus paulus (1577-1640) --- Nederlandse school --- invloed van Duitse school --- Rubens, Peter Paul, - 1577-1640