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Computer. Automation --- Art --- computer art [visual works] --- computerkunst
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Abeele, van den, Michael --- kunst --- eenentwintigste eeuw --- België --- schilderkunst --- beeldhouwkunst --- installaties --- Van den Abeele Michael --- computerkunst --- 7.071 VAN DEN ABEELE
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Mass communications --- Computer. Automation --- multimedia works --- computer art [visual works] --- Contemporary [style of art] --- hedendaagse kunst --- computerkunst --- multimediakunst --- Ascott, Roy --- Beyls, Peter --- Heyrman, Hugo
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Fostering a cross-pollination between the digital and the physical, Nick Ervinck (°1981, Belgium) explores the boundaries between various media. As a pioneer in 3D printed sculptures the artist takes a vanguard position in the field of digital technology while at the same time his works holds numerous references to the tradition of sculpture and architecture. This first monograph focuses on this tension between innovation and tradition and gives an inside to the artist's abundant archive.The concepts body, building, history and nature that are crucial for the artist's oeuvre, are the leitmotifs in the book. The authors explore Ervinck's work from different angles while a great quantity of images show the genesis of form, some of his most succesfull works and futuristic ideas that till this day were impossible to create.Bron: www.standaardboekhandel.be
sculpting --- Sculpture --- digital art [visual works] --- outdoor sculpture --- commissions [orders for works] --- ruimtelijke kunst --- beeldhouwkunst --- Ervinck, Nick --- Ervinck, Nick, --- kunst --- België --- eenentwintigste eeuw --- Ervinck Nick --- computerkunst --- 73.071 ERVINCK --- MAD-faculty 14 --- hedendaagse kunstenaars
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Peter Beyls is a Belgian pioneering interdisciplinary artist who has been exploring computer programming for nearly four decades. His work extends into the visual arts, music and hybrid experimental formats. In light of the publication of a monograph by MER Paperkunsthalle, IMAL organises the first major survey exhibition of Peter Beyls in Belgium featuring a significant selection of works from 1974 until today.A comprehensive selection of machine drawings is shown reflecting the wide range of algorithmic approaches explored by the artist. Initial experiments focus on uncertainty and conditional randomness, typically organised as grid structures. Further grid-based work employs cellular automata; a kind of virtual machines growing complexity from simple beginnings. Inspired on Chomsky's writings, much work explores linguistic principles. At some point, abstract generative thinking gave way to the notion on creative intelligence, the delegation of aspects of human creativity to machines. This work is based on principles of the discipline of artificial intelligence. A major transition gradually evolved starting in the late 1980s; a conceptual swing from knowledge-based systems to self-organisation. The latter approach is characterized as speculative, simple components interact locally to give rise to emergent overall complexity. Since the genesis of intricate structures is captured in a series of drawings, the notion of time is implicit. The exhibition will thus provide an overview of the various computational paradigms implemented by the artist. In addition, a wide range of media and presentation formats are employed such as over 100 machine drawings and unique photographic prints. A few large-scale interactive audio-visual installations provide a dynamic interface between the onlooker and a virtual world inside the computer.
Beyls, Peter --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- artificiële intelligentie --- tekenkunst --- kunst en technologie --- computerkunst --- kunst en muziek --- muziek --- Beyls Peter --- België --- Criticism and interpretation --- MAD-faculty 15 --- hedendaagse kunstenaars --- Art and computers --- Computer art --- Drawing, Belgian --- Beyls, P. --- Beyls, Peter,
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Drawing --- Art --- 7.013 --- 517.9 --- Computerkunst --- Kunst --- Symmetrie --- Esthetica: vorm; ritme; verhoudingen; expressie --- 7.013 Esthetica: vorm; ritme; verhoudingen; expressie --- Painting --- Computer art --- Proportion (Art) --- Symmetry (Art) --- Form (Aesthetics) --- Balance (Art) --- Rhythm (Art) --- Anatomy, Artistic --- Composition (Art) --- Perspective --- Art, Computer --- Computer craft --- Digital art --- New media art --- Rhythm --- Scale (Art)
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Art and technology --- Visual perception --- Art and technology. --- Visual perception. --- kunst --- waarneming --- schaduwvorming --- ruimtelijkheid --- 7.01 --- 77.01 --- 791.41 --- tijdelijkheid --- tijd --- projectie --- schaduw --- ruimte --- van Eyck Jan --- Adams Ansel --- Rembrandt --- zwart --- esthetica --- kleurenleer --- kleur --- schilderkunst --- grafiek --- videokunst --- video --- computers --- computerkunst --- nieuwe media --- film --- fotografie --- lichtkunst --- licht --- perceptie --- kunst en technologie --- technologie --- kunsttheorie --- Optics. Quantum optics --- Science --- general lighting
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Ervinck, Nick --- computerkunst --- Ervinck Nick --- 7.071 ERVINCK --- kunst --- België --- installaties --- beeldhouwkunst --- tekenkunst --- 73.07 --- Beeldhouwkunst ; beeldhouwers A - Z --- Contains audio-visual material --- 7.07 --- Beeldende kunst ; installaties ; 1ste helft 21e eeuw ; N. Ervinck --- Monumentale sculpturen --- 3-D prints --- DVD's --- Ervinck, Nick °1981 (°Roeselare, België) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- België --- Ervinck, Nick °1981 (°Roeselare, België)
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Published in conjunction with an exhibition at Kunstverein München, this catalogue is presented as an integral part of the show, augmenting it through the presentation of subjects, aspects, and themes which are better suited to the printed medium or demand another kind of involvement. Anne-Mie Van Kerckhoven’s works involve painting, drawing, digital media, and video, and reflect her fascination from a female point of view with the representation of women in mass media, the connections between sex and technology, different knowledge systems, and the unconscious. Besides numerous works, projects, and images, the book includes insightful explanations by the artist.
women [female humans] --- installations [visual works] --- graphic arts --- photography [process] --- sexuality --- video art --- painting [image-making] --- Art --- psychology --- Kerckhoven, van, Anne-Mie --- Van Kerckhoven, Anne-Mie --- Kerckhoven, Van, Anne-Mie --- exhibition catalogs --- Painting --- schilderkunst --- drawing [image-making] --- Contemporary [style of art] --- tekenkunst --- computerkunst --- computer art [visual works] --- Art, Dutch --- 7.071 --- kunst --- kunstenaars --- kunstenaarsboeken --- tentoonstellingen --- vrouwelijkheid --- installaties --- eenentwintigste eeuw --- Van Kerckhoven Anne-Mie --- Dutch art --- Nieuwe Ploeg (Group of artists) --- Ploeg (Group of artists) --- Kerckhoven, Annemie van, --- Van Kerckhoven, Annemie, --- Kerckhoven, Anne-Mie van,
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digitale vormgeving --- Graphic arts --- Art --- technologie --- art history --- art [fine art] --- computer art [visual works] --- kunstgeschiedenis --- technology --- Programming --- computerkunst --- Jäger, Gottfried --- Mohr, Manfred --- Balla, Peter --- Nake, Frieder --- Trüstedt, Dieter --- Trüstedt, Ulrike --- Bonacic, Vladimir --- Lecci, Auro --- Holzhäuser, Karl-Martin --- Franke, Herbert W. --- Nees, Georg --- Gravenhorst, Hein --- Schroeder, Manfred R. --- Eusemann, Stephan --- Cordier, Pierre --- Basset, Klaus --- Kage, Manfred --- Rase, Ludwig --- Herbert W. Franke, Gittfried Jäger --- kunst --- twintigste eeuw --- kunst en technologie --- multimedia --- computers --- computergrafiek --- Basset Klaus --- Holzhäuser Karl M. --- Gravenhorst Hein --- Jâger Gottfried --- Cordier Pierre --- Kage Manfred P. --- Trüstedt Ulrike --- Trüstedt Dieter --- Franke Herbert W. --- Balla Peter --- Rase Ludwig --- Bonacic Valdimir --- Eusemann Stephan --- Nees Georg --- Schroeder Manfred R. --- Lecc Auro --- NaAke Frieder --- Mohr Manfred --- 7.01 --- 7.038 --- 766.02 --- X --- magazijn --- jn --- tan --- Bismuth Pierre --- Wyn Evans Cerith --- Kiessling Dieter --- Slominski Andreas --- Rondinone Ugo --- 791.5 --- technology [general associated concept] --- Holzhäuser Karl M --- Kage Manfred P --- Franke Herbert W --- Schroeder Manfred R --- art [discipline]
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