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Conceptual art --- Art and motion pictures --- Museums and motion pictures --- Broodthaers, Marcel

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1. Camera and Canvas: Emmer, Storck, Resnais and the Post-War Art Film##2. Vasari in Hollywood: Biopics and Artists ##3. Galleries of the Gaze: Museums in Rossellini's Viaggio in Italia and Hitchcock's Vertigo ##4. Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard ##5. Tableaux Vivants 2: Film Stills and Contemporary Photography ##6. The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema

Motion pictures and the arts --- Art and motion pictures --- Motion pictures --- Appreciation --- Philosophy --- Appreciation of motion pictures --- Art and moving-pictures --- Motion pictures and art --- Arts and motion pictures --- Moving-pictures and the arts --- Art and motion pictures. --- Motion pictures and the arts. --- Aesthetics. --- Appreciation. --- Philosophy. --- Art --- Film --- 77.01 --- film --- filmtheorie --- kunst --- documentaire --- film en kunst --- video --- videokunst --- tableaux vivants --- Resnais Alain --- Storck Henri --- Hitchcock Alfred --- Pasolini Pier Paolo --- Godard Jean-Luc --- Sherman Cindy --- Grimonprez Johan --- Rossellini Roberto --- stills --- Campbell Jim --- Drager Christoph --- Wall Jeff --- Marker Chris --- Gordon Douglas --- kunstdocumentaires --- Emmer Luciano --- appropriation art --- 791.43 --- 7.038 --- 7.039 --- 791.45 --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Cinéma et arts --- #SBIB:309H529 --- #SBIB:316.7C212 --- Audiovisuele communicatie: andere benaderingen --- Cultuursociologie: film --- Art et cinéma --- Arts --- Cinéma et arts --- Cinéma --- Esthétique --- Philosophie --- Motion pictures - Appreciation --- Motion pictures - Philosophy

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This book explores the epistemological potential of meta- and inter-images. Since the 1990s, when the question of the visual became central in various arts and humanities disciplines, images that refer to themselves as such or to other images have enjoyed an increasing interest. Meta- and Inter-Images in Contemporary Visual Art and Culture partakes in, enriches and updates these debates. It investigates what meta- and inter-images can make known about the visual, in its own terms, by its own means. This book tackles meta- and inter-images in an array of creative artefacts, practices, and media. It unfolds the epistemological potential of every meta- and inter-image discussed to raise questions such as: What are images? How do they work? By whom, to what purpose, to what effect and in what context/s are they used? How are they created and understood? And how do they challenge our (pre)conceptions of images and the ways we study them?

Communication visuelle --- Illustrations, images, etc. --- Interprétation --- Art and motion pictures. --- Art et cinéma --- mediatheorie --- Scorsese Martin --- Viola Bill --- Kabakov Ilya --- Macuga Goshka --- Hazanavicius Michel --- Matta Roberto --- Balthus Anne --- Schuiten François --- Peeters Benoît --- Art et cinéma --- kunst --- kunsttheorie --- esthetica --- cultuurfilosofie --- film --- filmtheorie --- literatuur --- media --- fotografie --- fotografietheorie --- Lawler Louise --- Sugimoto Hiroshi --- Bochner Mel --- Rauschenberg Robert --- Baldessari John --- 7.039 --- 7.01 --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Art --- Aesthetics of art --- Art, Modern --- Art and society --- Image (Philosophy) --- Art et société --- Image (Philosophie) --- History --- Histoire --- Communication visuelle. --- Interprétation. --- Art and society. --- Art, Modern. --- Filmteori. --- Image (Philosophy). --- Intermedialitet. --- Konstteori. --- 2000-2099. --- Illustrations