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Literature --- Sociolinguistics --- 82.085.43 --- Books and reading --- -Literature and technology --- Industry and literature --- Technology and literature --- Technology --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Literaire receptie --- Philosophy --- Appraisal --- Evaluation --- Books and reading. --- Literature and technology. --- Philosophy. --- 82.085.43 Literaire receptie --- Literature and technology --- Literature and philosophy --- Philosophy and literature --- Theory --- 82 --- CDL
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Literatur ist so digital wie die Gesellschaft, in der sie stattfindet. Heute sind Rezeption und Literaturproduktion weitestgehend von digitaler Technik bestimmt.Und doch lassen sich Unterschiede ausmachen, inwieweit die unter den Bedingungen einer digital bestimmten Lebenswelt produzierte Literatur auch diese Bedingtheit reflektiert. Im Gegenwartsroman, in dem Digitalität vor allem auf Beschreibungsebene Eingang findet, werden die Parameter klassischer literarischer Form selten angetastet. Weiter gehen Experimente in sozialen Medien, in denen die Tools der Plattformen neue Schreibweisen hervorbringen. Und wieder Bedeutung gewonnen hat jene Tradition, die man genuin digitale Literatur nennen kann und die nicht nur nebenbei und instrumentell digitale Technik verwendet, sondern ihre Werke ganz wesentlich durch Computer, Algorithmen oder neuronale Netze produziert.Der Sonderband schreibt die erste Bestandsaufnahme digitaler Literatur in TEXT+KRITIK aus dem Jahr 2001 fort und hebt die Differenzen und Kontinuitäten hervor, die sich in diesem Feld seitdem ergeben haben. Als Diskussion des State of the Art in technischer wie literarischer Hinsicht ist er eine Momentaufnahme einer im Umbruch befindlichen Literatur.
Computer. Automation --- Literature --- Livres electroniques. --- Edition electronique. --- Edition sur Internet. --- Littérature et informatique. --- Littérature et sciences. --- Electronic publishing. --- Internet publishing. --- Literature, Modern --- Literature and technology. --- History and criticism.
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Histories of the book often move straight from the codex to the digital screen. Left out of that familiar account are nearly 150 years of audio recordings. Recounting the fascinating history of audio-recorded literature, Matthew Rubery traces the path of innovation from Edison’s recitation of “Mary Had a Little Lamb” for his tinfoil phonograph in 1877, to the first novel-length talking books made for blinded World War I veterans, to today’s billion-dollar audiobook industry. The Untold Story of the Talking Book focuses on the social impact of audiobooks, not just the technological history, in telling a story of surprising and impassioned conflicts: from controversies over which books the Library of Congress selected to become talking books—yes to Kipling, no to Flaubert—to debates about what defines a reader. Delving into the vexed relationship between spoken and printed texts, Rubery argues that storytelling can be just as engaging with the ears as with the eyes, and that audiobooks deserve to be taken seriously. They are not mere derivatives of printed books but their own form of entertainment. We have come a long way from the era of sound recorded on wax cylinders, when people imagined one day hearing entire novels on mini-phonographs tucked inside their hats. Rubery tells the untold story of this incredible evolution and, in doing so, breaks from convention by treating audiobooks as a distinctively modern art form that has profoundly influenced the way we read.
Audiobooks --- Literature and technology --- Talking books --- Blind --- Industry and literature --- Technology and literature --- Technology --- Audio books --- Books, Cassette --- Books, Recorded --- Books on tape --- Cassette books --- Recorded books --- Sound recordings --- History. --- Books and reading --- Book history --- Sociology of literature --- audiobooks --- book history --- Audiobooks. --- Hörbuch. --- Literatur. --- Literature and technology. --- Talking books. --- Technischer Fortschritt. --- Technologie. --- Vertonung. --- Livres audio --- Littérature et technique --- Histoire.
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Russian literature --- Art --- anno 1900-1999 --- Russian Federation --- Technology and the arts. --- Literature and technology. --- Technologie et arts --- Littérature et technologie --- Avant-garde (Aesthetics) --- Aesthetics --- Modernism (Art) --- Russia --- Littérature et technologie --- Industry and literature --- Technology and literature --- Technology --- Arts and technology --- Arts
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In de laatste tien jaar is op weblogs en sociale media een literaire cultuur opgebloeid -- van onderop-- vanuit de grenzeloze mogelijkheden van het internet, zonder bemiddeling van grote institutionele spelers. Tot wat voor soort poëzie heeft dit geleid? En kan er nog vernieuwing zijn als er geen grenzen aan snelheid en toegankelijkheid zijn? Aan de hand van werk van auteurs als Jeroen Mettes, Gertrude Stein, Arjen Duinker, Thoreau, Goldsmith en Scalapino onderzoekt Samuel Vriezen deze vragen. Hij situeert ze in een bredere wereld van muziek, beeldende kunst en politiek, en signaleert de punten waarop het alomvattende netwerk stukloopt. Samuel Vriezen heeft veel gepubliceerd over dit onderwerp -- op zijn weblog 'Vriezen vindt, ' op internetfora, op sociale media en in tijdschriften. Hij heeft zijn teksten grondig bewerkt en uitgebreid voor dit boek. Een bewuste keuze, want er is geen beter hulpmiddel voor een genuanceerd betoog dan een boek, geen indringender dialoogbevorderaar tussen schrijver en lezer dan een boek. Het internet blijft, maar het boek beklijft.
Dutch literature --- Poetry and the Internet --- Poetry --- Literature and society --- Literature and technology --- User-generated content --- Social networks --- Books and reading --- Internet publishing --- Electronic publishing --- Literature and the Internet --- Publishing --- Blogs --- Poetry - Publishing - Blogs --- Social networks - Poetry --- Books and reading - Blogs
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English literature --- Frankenstein (Fictitious character) in literature --- Monsters in literature --- Myth in literature --- Fiction --- Politics and literature --- Literature and technology --- Frankenstein (Personnage fictif) dans la littérature --- Monstres dans la littérature --- Mythe dans la littérature --- Roman --- Politique et littérature --- Littérature et technologie --- History and criticism --- Histoire et critique --- Shelley, Mary Wollstonecraft, --- Influence --- France --- History --- Literature and the revolution --- Histoire --- Littérature et révolution --- 82-392 --- -Frankenstein (Fictitious character) --- Horror tales --- -Literature and technology --- Scientists in literature --- Literature --- Literature and politics --- Industry and literature --- Technology and literature --- Technology --- Horror --- Horror fiction --- Horror stories --- Scary stories --- Scary tales --- Tales, Horror --- Terror --- Terror tales --- Ghost stories --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- Literatuur. Gotische roman(ce) --- Political aspects --- Philosophy --- Shelley, Mary Wollstonecraft --- -Influence --- Frankenstein's monster (Fictitious character) --- Frankenstein, Victor (Fictitious character) --- Literature and technology. --- Monsters in literature. --- Myth in literature. --- Politics and literature. --- Scientists in literature. --- History and criticism. --- Frankenstein's monster (Fictitious character). --- Frankenstein, Victor (Fictitious character). --- Frankenstein (Personnage fictif) dans la littérature --- Monstres dans la littérature --- Mythe dans la littérature --- Politique et littérature --- Littérature et technologie --- Littérature et révolution --- Shelley, Mary Wollstonecraft Godwin, --- Shelli, Mėri, --- Shelley, --- Shelley, Percy Bysshe, --- Shelley, Mary, --- Shelley, Maria, --- שלי, מרי, --- Influence. --- Frankenstein, Victor --- In literature.
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