Listing 1 - 10 of 11 | << page >> |
Sort by
|
Choose an application
(YET ANOTHER INTRODUCTION IN PHENOMENOLOGY) In both his published and unpublished works, Edmund Husserl, the "father of phenomenology, struggles repeatedly with the relation of the individual subject and intersubjectivity. Since his phenomenology is based upon the temporalizing foundations of the subject, though, he is often accused of solipsism, and his efforts at integrating the subject with an intersubjective existence are registered as falling short of their goal. Important philosophers who use phenomenology as their basis, such as Martin Heidegger and Maurice Merleau-Ponty, furthermore, while implicitly criticizing his limitations, assume the existence of intersubjective foundations without 2 taking up the existence and formation of these foundations themselves. This book addresses the above problematic at several levels: First, it is a careful analysis of Husserl's understanding of inner time-consciousness. I take up each aspect of temporalizing consciousness (i. e. , Urimpression, retention, and protention), explaining it in light of Husserl's phenomenology and showing how it functions in the whole of the "living present, i. e. , our active, constituting consciousness. These sections of the book are helpful both to the uninitiated student trying to enter the world of Husserl's "inner ti- consciousness" and to the experienced Husserl scholar who desires a closer look at Husserl's theory of temporalizing consciousness. Second, as my analyses take us to Husserl's recently published manuscripts, I provide an explanation of Husserl's later considerations of temporalizing consciousness, showing how he developed his earliest conceptions.
Philosophy --- Psychology --- psychologie --- filosofie --- existentialisme --- Intersubjectivity. --- Time --- Time perception. --- Husserl, Edmund, - 1859-1938. --- Philosophy. --- Husserl, Edmund --- Intersubjectivity --- Time perception
Choose an application
This book is the first anthology to provide a wide-ranging picture of how phenomenology relates to language. It contains both in-depth studies on new aspects of language in Husserl's thought as well as original phenomenological research that explores the respective potentials and limits of linguistic expression and conceptualization. The fourteen texts gathered here may have a single aim, but their content varies depending on the respective author's intention: either to discuss problems of language within the Husserlian framework, to address philosophical issues of language proceeding from a phenomenological viewpoint, or to provide a reflection on phenomenology's relation to language. Thus, rather than being organized by topic, the collection has been arranged into three parts, according to the respective authors' philosophical approaches.
Meaning (Psychology) --- Phenomenology --- Husserl, Edmund, --- Meaning (Psychology). --- Phenomenology. --- Lexicology. Semantics --- Theory of knowledge --- Academic collection --- Philosophy, Modern --- Psychology --- Husserl, Edmund --- Husserl, Edmond --- Husserl, Edmund, - 1859-1938
Choose an application
Leberecht Migge is one of the best known – and least known garden designers of classical modernism. As a protagonist or even originator of landscape architecture in tune with innovative and socially involved building, he promoted that every household should have a garden. All his design work was deemed lost until recently, so that his oeuvre was accessible only in publications. In a spectacular discovery, the Archive of Swiss Landscape Architecture has found 322 sketches, drawings and plans of all kinds by Leberecht Migge, comprising also hitherto unknown designs for private gardens. A relevant selection of this original material is published here for the first time, in bestquality presentation. The volume is rounded off by an assessment of the significance of these designs.
Landschapsarchitecten --- Architectuurtekeningen ; landschapsontwerp ; 20ste eeuw --- Stedenbouw ; Duitsland ; geschiedenis --- Landschappen ; tuinarchitectuur ; parkaanleg ; 20ste eeuw --- Landschapsarchitectuur ; Duitsland --- Woningbouw ; appartementen ; gebouwcomplexen ; wooncomplexen ; woningblokken ; sociale huisvesting --- Van de Velde, Henry 1863-1957 (°Antwerpen, België) --- Taut, Bruno 1880-1938 (°Königsberg, Duitsland) --- Wagner, Martin ; stedenbouwkundige verantwoordelijke ; Berlijn ; 1926-1938 --- Migge, Leberecht --- 712.07 --- Landschaps- en tuinarchitectuur ; tuin- en landschapsarchitecten (A - Z)
Choose an application
The present collection gathers together the contributions of the world leading scholars working in the intersection of phenomenology and mathematics. During Edmund Husserl's lifetime (1859-1938) modern logic and mathematics rapidly developed toward their current outlook and Husserl's writings can be fruitfully compared and contrasted with both 19th century figures such as Boole, Schröder and Weierstrass as well as the 20th century characters like Heyting, Zermelo, and Gödel. Besides the more historical studies, both the internal ones on Husserl alone and the external ones attempting to clarify his role in the more general context of the developing mathematics and logic, Husserl's phenomenology offers also a systematically rich but little researched area of investigation. The present volume aims to establish the starting point for the development, evaluation and appraisal of the phenomenology of mathematics. It gathers the contributions of the main scholars of this emerging field into one publication for the first time. Combining both historical and systematic studies from various angles, the volume charts answers to the question "What kind of philosophy of mathematics is phenomenology?"
Philosophy of science --- Mathematics --- Phenomenology --- Philosophy --- Husserl, Edmund, --- Phenomenology. --- Philosophy. --- Academic collection --- Philosophy, Modern --- Logic of mathematics --- Mathematics, Logic of --- Husserl, Edmund --- Husserl, Edmond --- Mathematics - Philosophy --- Husserl, Edmund, - 1859-1938
Choose an application
Stanislavsky's system of actor-training has revolutionised modern theatre practice, and he is widely recognised to be one of the great cultural innovators of the twentieth century. The Routledge Companion to Stanislavsky is an essential book for students and scholars alike, providing the first overview of the field for the 21st century. An important feature of this book is the balance between Stanislavsky's theory and practice, as international contributors present scholarly and artistic interpretations of his work. With chapters including academic essays and personal narratives, the Companion is divided into four clear parts, exploring Stanislavsky on stage, as an acting teacher, as a theorist and finally as a theatre practitioner. Bringing together a dazzling selection of original scholarship, notable contributions include: Anatoly Smeliansky on Stanislavsky's letters William D. Gunn on staging ideology at the Moscow Art TheatreSharon Marie Carnicke and David Rosen on opera Rosemary Malague on the feminist perspective of new translations W.B. Worthen on cognitive science Julia Listengarten on the avant-garde David Krasner on the System in America and Dennis Beck on Stanislavsky's legacy in non-realistic theatre R. Andrew White is Associate Professor of Theatre at Valparaiso University, where he annually directs productions. He has an MFA in Acting from Carnegie Mellon University and the Moscow Art Theatre School, and has worked as an actor at a variety of theatres in the United States. In addition, his scholarship has appeared in edited works published by Routledge and Palgrave Macmillan, as well as in top American journals including Theatre Survey, TDR/The Drama Review, and New England Theatre Journal.
Method (Acting) --- Méthode (Art dramatique) --- Stanislavsky, Konstantin, --- Method acting. --- Stanislavskij, Konstantin Sergeevič, --- Arts du spectacle --- Stanislavskij, Konstantin Sergeevič --- Method acting --- Arts du spectacle. --- Stanislavsky, Konstantin, - 1863-1938 --- Stanislavskij, Konstantin Sergeevič
Choose an application
Logic and Philosophy of Mathematics in the Early Husserl focuses on the first ten years of Edmund Husserl's work, from the publication of his Philosophy of Arithmetic (1891) to that of his Logical Investigations (1900/01), and aims to precisely locate his early work in the fields of logic, philosophy of logic and philosophy of mathematics. Unlike most phenomenologists, the author refrains from reading Husserl's early work as a more or less immature sketch of claims consolidated only in his later phenomenology, and unlike the majority of historians of logic she emphasizes the systematic strength and the originality of Husserl's logico-mathematical work. The book attempts to reconstruct the discussion between Husserl and those philosophers and mathematicians who contributed to new developments in logic, such as Leibniz, Bolzano, the logical algebraists (especially Boole and Schröder), Frege, and Hilbert and his school. It presents both a comprehensive critical examination of some of the major works produced by Husserl and his antagonists in the last decade of the 19th century and a formal reconstruction of many texts from Husserl's Nachlaß that have not yet been the object of systematical scrutiny. This volume will be of particular interest to researchers working in the history, and in the philosophy, of logic and mathematics, and more generally, to analytical philosophers and phenomenologists with a background in standard logic.
Logic, Symbolic and mathematical --- Mathematics --- Logic of mathematics --- Mathematics, Logic of --- Algebra of logic --- Logic, Universal --- Mathematical logic --- Symbolic and mathematical logic --- Symbolic logic --- Algebra, Abstract --- Metamathematics --- Set theory --- Syllogism --- Philosophy --- Husserl, Edmund, --- Husserl, Edmund --- Husserl, Edmond --- Logic --- Mathématiques --- Logique --- Philosophy. --- Philosophie --- EPUB-LIV-FT LIVHUMAI SPRINGER-B --- Husserl, Edmund (1859-1938) --- Mathématiques --- Philosophie de la logique --- Critique et interprétation
Choose an application
La question de la nature passe aujourd'hui par celle du paysage : ce dernier a pris dans le débat social et culturel une place centrale. Il convenait dès lors de la reconsidérer dans le contexte plus large où ces pratiques ont lieu, en ouvrant des perspectives éthiques sur les rapports de notre société à l'environnement. Parler du paysage c'est convoquer perceptions individuelles et représentations collectives, nature et société, regard esthétique et maîtrise du territoire, psychologie et politique. Ce livre est en même temps un essai d'esthétique, de critique et d'histoire de l'art. Il analyse les articulations entre discours et pratiques artistiques contemporaines dans la nature depuis le Land Art, entre projets et transformations paysagères, et s'interroge sur la façon dont ces différentes attitudes nous concernent et nous rendent plus conscients de notre appartenance et de notre singulière étrangeté du monde.
Landscape --- Natural resources --- Land use planning --- Landscaping --- Urbanization --- Environmental policies --- Smithson, Robert, --- Land art --- Nature (esthétique) --- Paysage --- Smithson, Robert --- Landscape. --- Landscapes --- Nature --- Art. --- Paysages --- Art --- Nature (Aesthetics) --- Earthworks (Art) --- Art, Modern --- Ecologie --- Environnement --- Intervention artistique --- Jardin --- Esthétique --- Histoire de l'art --- Perception de l'art --- Perception de l'espace --- Social aspects. --- Landart --- Paysage. --- Land art. --- Smithson, Robert, 1938-1973 --- Nature (esthétique)
Choose an application
In the temporal becoming of individualizing life the actual present passes into past and comes to be reflected and recaptured in memory. While the vital logos of beingness recollects for its constitutive use (employment) fragments from memory s magazine, ensuring constructive continuity in accordance with its genetic patterns, the creative logos of the human mind also is indebted in contrast to the work of memory in creative imagination for the essential role it plays in the selective transformation, invention, projection that informs the felt and intelligible logos of human selfhood, personality, meaning, fullness, destiny... within the human community and the world of life. As fragmentary and seemingly disjointed as it is in relation to concrete subjective experience, memory as it surges from the past into the actual present, even though subject to transformation, maintains an essential link to constituting reality, yes, but more importantly outlines the future. The creative imagination of the logos of human mind projects horizons for the vertiginous past. An encircling continuity of sense then embraces the earliest evolution of humankind, on the one extreme, and the fulgurations of the sacral logos, on the other. Hence we may consider memory as sustaining the sensing the logos of the human orbit with its horizons. In its innumerably differentiated role we may find its unifying stream only upon the primogenital - ontopoietic - platform of the logos of life.
Biology --- filosofie --- Psychiatry --- psychiatrie --- existentialisme --- Philosophy of nature --- biologie --- persoonlijkheidsleer --- Philosophy --- Psychology --- Philosophy. --- Phenomenology. --- Philosophy of Mind. --- Philosophy of Nature. --- Psychoanalysis. --- Life Sciences, general. --- Philosophy (General). --- Philosophy of mind. --- Philosophy of nature. --- Life sciences. --- Phénoménologie --- Philosophie de l'esprit --- Philosophie de la nature --- Psychanalyse --- Sciences de la vie --- Husserl, Edmund, --- #TS:KOMA --- Periodicals --- Theory of knowledge --- Husserl, Edmund --- Phenomenology --- Husserl, Edmund, - 1859-1938. --- Human beings --- Human beings. --- Memory --- Memory.
Choose an application
Neotraditional town planning responds to the crisis of the contemporary city with clear and well-organized spaces whose atmosphere is marked by public spirit, identification, and order. In four parts, this book articulates guidelines for the planning of new cities, the development of new urban neighborhoods, the restructuring of city centers, and the expansion of cities and urban neighborhoods. Drawing on firsthand experience and examples from the work of the firm Krier Kohl, it offers a detailed account of the path that leads from morphological conception through the various phases of the town-planning design process all the way to execution. A broad spectrum of architectural realizations by practitioners as varied as Michael Graves, Cesar Pelli, and Kohn Pedersen Fox demonstrates that neotraditional town planning can work together productively with architectural conceptions that are stylistically very different.
Environmental planning --- Architecture --- Urbanisme --- Espace (architecture) --- City planning --- Space (Architecture) --- Histoire --- History --- Rob Krier-Christoph Kohl architects (Berlin) --- Rob Krier-Christoph Kohl Architects. --- Stedenbouw --- 711.4 --- 711.417.4 --- Rob Krier (° 1938, Grevenmacher, Luxemburg) Christoph Kohl (° 1961, Bolzano, Zuid Tirol, Italië) --- Nicolas Lebunetel (° 1963, Annecy, Haute-Savoie, Frankrijk) --- Steden ; vormgeving ; analyse --- Stedenbouw ; architectuur ; 1990-2003 ; R. Krier & Chr. Kohl --- 711.4(C) --- Gemeentelijke planologie. Stadsplanning. Stedenbouw --- Planologie: nieuwe steden; new-towns --- Stedenbouw. Ruimtelijke ordening ; vormgeving en analyse van de stad --- 711.417.4 Planologie: nieuwe steden; new-towns --- 711.4 Gemeentelijke planologie. Stadsplanning. Stedenbouw --- Architecture and space --- Space and architectural mass --- Space in architecture --- Composition, proportion, etc. --- Krier-Kohl Architects --- Histoire. --- Negative space (Architecture)
Choose an application
Although the creative impulse surges in revolt against everyday reality, breaking through its confines, it makes pacts with that reality’s essential laws and returns to it to modulate its sense. In fact, it is through praxis that imagination and artistic inventiveness transmute the vital concerns of life, giving them human measure. But at the same time art’s inspiration imbues life with aesthetic sense, which lifts human experience to the spiritual. Within these two perspectives art launches messages of specifically human inner propulsions, strivings, ideals, nostalgia, yearnings prosaic and poetic, profane and sacral, practical and ideal, while standing at the fragile borderline of everydayness and imaginative adventure. Art’s creative perduring constructs are intentional marks of the aesthetic significance attributed to the flux of human life and reflect the human quest for repose. They mediate communication and participation in spirit and sustain the relative continuity of culture and history.
Philosophy. --- Phenomenology. --- Ethics. --- Metaphysics. --- Philosophy of Man. --- Aesthetics. --- Philosophy (General). --- Esthétique --- Morale --- Métaphysique --- Phénoménologie --- Philosophie --- Husserl, Edmund, --- Art --- Inspiration in art --- Techne (Philosophy) --- Philosophy --- Aesthetics -- Congresses. --- Ethics -- Congresses. --- Metaphysics -- Congresses. --- Phenomenology -- Congresses. --- Philosophy -- Congresses. --- Philosophy & Religion --- Visual Arts --- Visual Arts - General --- Art, Architecture & Applied Arts --- Art. --- Architecture. --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Design and construction --- Philosophy, general. --- Building --- Arts --- Aesthetics --- Phenomenology . --- Deontology --- Ethics, Primitive --- Ethology --- Moral philosophy --- Morality --- Morals --- Philosophy, Moral --- Science, Moral --- Values --- Philosophy, Modern --- Mental philosophy --- Humanities --- God --- Ontology --- Philosophy of mind --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Husserl, Edmund, - 1859-1938.
Listing 1 - 10 of 11 | << page >> |
Sort by
|