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Monuments --- Public sculpture --- Statutes
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Dit volume bevat een overzicht van Tom Frantzens beroemde 'straatbeelden in het straatbeeld'. Van Jacques Brel tot abstracte metafoor en van Brussel tot Parijs, maar steeds even fascinerend.
Sculpture [Belgian ] --- 728.2 --- Frantzen, Tom
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Plaster sculpture --- Conservation and restoration --- 700.3 --- Gips --- Monumentenzorg--Vlaanderen
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Sculpture --- Christian religion --- anno 1400-1499 --- anno 1500-1599 --- Brussels --- Sculpture, Belgian --- Altarpieces --- Christian art and symbolism --- Sculpture belge --- Retables --- Art et symbolisme chrétiens --- retabels --- 15de eeuw --- 16de eeuw --- Brussel --- History --- Art religieux --- Bruxelles --- Moyen-âge --- Sculpteur --- Art et symbolisme chrétiens --- Sculpture [Belgian ] --- 15th century --- 16th century --- Brussels (Belgium) --- 708.1 --- Religieuze kunst--Brussel --- Retabels --- Sculpture, Belgian - History - 15th century. --- Sculpture, Belgian - History - 16th century. --- Sculpture - Belgium - Brussels. --- Altarpieces - Belgium - Brussels. --- Christian art and symbolism - Belgium - Brussels. --- retabels. --- 15de eeuw. --- 16de eeuw. --- Brussel. --- Altarpieces. --- Christian art and symbolism. --- Houtsnijkunst. --- Retabels. --- Retables belges --- Retables de la Renaissance --- Retables médiévaux --- Schnitzaltar. --- Sculpture de la Renaissance --- Sculpture médiévale --- Sculpture, Belgian. --- Sculpture. --- Histoire --- Bruxelles. --- 1400-1599. --- Belgium --- Brüssel.
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Al meer dan 20 jaar werkt Tom Frantzen aan een private beeldentuin in Duisburg bij Tervuren. Dit volume brengt deze museumtuin in de schaduw van het Zoniënwoud, waar kunst een belevenis is, helemaal tot leven.
Sculpture [Belgian ] --- Frantzen, Tom --- 728.2 --- Beeldhouwkunst--België--1960 --- -Frantzen, Tom
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Een surrealistisch, absurd, satirisch en fantastiek overzicht van een aantal excessen uit de wereldgeschiedenis, bijeengebracht in één monumentaal kunstwerk. 'De opmars van de menselijke waanzin' is een uiterst gedetailleerde, bonte stoet van maffe figuurtjes en situaties die aan Pieter Bruegel en Jeroen Bosch doen denken: nu eens kinderlijk naïef, dan weer weerzinwekkend hard.
Sculpture [Belgian ] --- Frantzen, Tom --- 728.2 --- Beeldhouwkunst--België--1960 --- -Frantzen, Tom
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Sculpture --- Conservation and restoration --- Terminology. --- Conservation et restauration --- Terminologie --- 700.3 --- Restauratie --- Conservatie
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Art --- Gooik --- Beeldhouwkunst --- Catalogues d'expositions --- Dessin artistique --- Peinture --- Schilderkunst --- Sculpture --- Tekenkunst --- Tentoonstellingscatalogi --- 708.5 --- Gooik in de kunst
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Franse titel : N17095 : Les sculptures de Bruxelles
sculpting --- Sculpture --- public art --- monuments --- outdoor sculpture --- Iconography --- anno 1800-1999 --- Brussels --- beeldhouwkunst --- monumenten --- standbeelden --- Brussel --- Bruxelles --- Bruxelles (Région) --- Monuments --- Sculpteur --- 73 --- beeldhouwkunst, numismatiek, kunstsmeedwerk en kunstdrijfwerk --- monument, standbeeld --- 720 --- Brussel patrimonium --- België beeldhouwkunst --- sculpture --- Standbeelden--Brussel --- Standbeelden--Brussels Hoofdstedelijk Gewest --- 728.2 --- sculptuur --- Brussel.
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Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. “The Best Sculptor” is how Jan II Borman is described in a document dating from 1513. Ever since, Borman the man and his oeuvre are shrouded in mist. This late-medieval sculptor managed a busy workshop in Brussels, with commissions pouring in from religious institutions as well as from the bourgeoisie and princely rulers. He trained his sons Jan III and Passchier to become master sculptors after his own example and to have at least as shrewd a head for business as he himself. Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. His iconic works are kept in the world’s greatest museums and churches. The book gathers essays by leading academics and presents a summary catalogue of all works attributed to the Borman family.
Sculpture --- altarpieces --- saints --- woodcarvers [woodworkers] --- Borman [Family] --- Belgium --- Borman (Family : --- Exhibitions --- Sculpture de la Renaissance --- Catalogues d'exposition. --- Borman (famille) --- Catalogues raisonnés. --- Sculpture, Flemish --- Flemish sculpture --- Borreman, Jan, --- Borman (Family : active 15th-16th century) --- Borman, Jan, --- Altarpieces, Renaissance --- Altarpieces, Flemish --- Sculptors --- Boarman family --- Wood sculpture, Flemish --- Wood sculpture, Late Gothic --- Altarpieces --- Exhibitions. --- 7 <09> --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- gotiek --- renaissance --- techniek --- Borman (familie) --- 15de eeuw --- 16de eeuw --- Antwerpen --- Brussel --- Leuven --- 726.3 --- Beeldsnijkunst--Brabant (hertogdom) --- Borman, Jan --- Borman --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Sculpture [Renaissance ] --- Borman (Family : - active 15th-16th century) - Exhibitions --- Borman (Family : - active 15th-16th century) --- techniek. --- gotiek. --- Borman (familie). --- 15de eeuw. --- 16de eeuw. --- Leuven. --- Brussel. --- Antwerpen. --- Christelijke kunst --- Borreman (Family : active 15th-16th century)
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