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Painting --- Iconography --- Brussels --- #C9201 --- 986.2 --- Brussel --- Brussel Brussel
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Bruxelles --- --Hôtel de Ville --- --Saint Michel --- --Regional documentation --- Regional documentation --- Iconography --- Brussels --- Saint Michel --- --Bruxelles --- --Iconographie --- Michael (Archangel) --- Cult --- Brussels (Belgium) --- --Michael (Archangel) --- --Iconography --- 938.1 --- Brussel--geschiedenis --- Brussel Brussel --- Michael --- Iconographie --- Michael archangelus
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Graphic arts --- comics [documents] --- Iconography --- History of civilization --- Tervuren --- Tervuren (Belgium) --- Dans les bandes dessinées --- Tervuren in stripverhalen --- 829.5
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Iconography --- Carabain, Jacques --- Brussels --- aquarellen --- 1894 - 1897 --- 19de eeuw --- Brussel --- Brussel--19de eeuw --- Brussel in de kunst --- Brussel Brussel 938.1 --- Carabain, Jacques, --- aquarellen. --- 1894 - 1897. --- 19de eeuw. --- Brussel.
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Begraafplaatsen --- Grafmonumenten --- begraafplaatsen --- sociale geschiedenis --- C3 --- kerkhoven --- sociale --- Kunst en cultuur --- cemeteries --- Religious architecture --- Didactics of social education --- guides [people] --- iconography --- audiences --- erfgoed --- 906.1 --- Begrafenissen --- Flanders --- Public buildings --- Manuscripts. Epigraphy. Paleography --- grafmonumenten
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This volume refers to medium-sized panels and fragments of stained-glass windows from the Middle Ages up to the end of the 18th century, found in public buildings, churches, museums and private collections in the present five provinces of Flanders (Belgium). The present volume contains the panels and fragments encountered and researched by the authors since they started their research more than thirty years ago. Many of these panels and fragments are totally unknown to the public as they have never been displayed, nor published. Nevertheless they demonstrate an important aspect of stained-glass production and stained-glass conservation. Where large windows in churches are well known to the public, it is often forgotten that even more stained glass was created for dwellings of the noble or patricians, house chapels, guild rooms, smaller spaces in abbeys, etc. It also became clear that virtually no glass was thrown away and larger fragments and panes were recycled as ‘stop gaps’ or integrated in composite panels, the so called ‘vitraux d’antiquaires’. Furthermore archaeological sites nearly always reveal quite small pieces of glass, which could not be used for repairs or as ‘cullet’ in the glass production cycle. A selection of these archaeological finds is also presented in this volume. At the end of this volume ‘Addenda’ to the previous volumes are also added.
Vitraux --- Iconography --- Applied arts. Arts and crafts --- Painting --- stained glass [visual works] --- anno 1500-1799 --- anno 1400-1499 --- Flanders --- Belgique --- Roundels (Windows) --- Glass painting and staining --- inventories --- panels [surface components] --- polychromy --- glasramen --- geschiedenis --- glasschilderkunst --- Rondels (Fenêtres) --- Vitrail --- Catalogues --- Rondels
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heads [representations] --- stone [worked rock] --- Iconography --- Sculpture --- public art --- outdoor sculpture --- apocalyptic art --- Homo sapiens [species] --- sculpting --- Felis domesticus [species] --- moeder en kind --- equestrians --- Equus caballus [species] --- Don Quichote --- Europa [Mythology] --- Poot, Rik --- anno 2000-2099 --- anno 1900-1999 --- Belgium --- Poot, Rik, --- Art --- Exposition --- Sculpteur --- Vilvoorde --- sculptors --- human figures [visual works] --- Catalogs --- Europa [Mythological character] --- Don Quichote [Fictitious character] --- Poot, Rik. --- Poot, Rik, - 1924- - Catalogs --- Poot, Rik, - 1924 --- -Poot, Rik, - 1924 --- -Poot, Rik, --- -Iconography
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heads [representations] --- Christianity --- religions [belief systems, cultures] --- sepulchral monuments --- metal --- stone [worked rock] --- Iconography --- Art --- Sculpture --- public art --- plaster of Paris --- folklore --- outdoor sculpture --- Homo sapiens [species] --- nudes [representations] --- sculpting --- wood [plant material] --- romantic partners --- terracotta [clay material] --- monuments --- Esbroeck, van, Pol --- Verhaeren, Emile --- anno 1900-1999 --- Belgium --- Beeldhouwkunst --- Van Esbroeck, P. --- Sculptors --- Esbroeck, Pol van, --- -Bronze sculptors --- Artists --- Biography --- Esbroeck, Pol van --- -Biography --- Bronze sculptors --- Van Esbroeck, Pol, --- human figures [visual works] --- 726.8 --- Van Esbroeck, Leopold --- facade sculptures --- Sculptors - Belgium - Biography --- Esbroeck, Pol van, - 1911 --- -Sculptors --- folklore [discipline] --- -Iconography
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Iconography --- Martin, Andreas --- Derons, Ferdinand-Joseph --- Brussels --- City planning --- Architecture --- Urbanisme --- History --- Histoire --- Brussels (Belgium) --- Brussels in art --- Exhibitions --- 18th century --- Pictorial works --- Drawing --- Belgium --- Catalogs --- 938.1 --- Brussel--18de eeuw --- Brussel Brussel --- Boekgeschiedenis (kennisdomein) --- Literatuur, muziek en beeldende kunst/grafiek (kennisdomein) --- Martin, A. --- De Rons, Ferdinand-Joseph --- Derons, F.-J. --- Brussels (Belgium) - In art --- urbanisme --- Gaasbeek, Kasteel van Gaasbeek --- anno 1700-1799
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Sculpture --- Iconography --- Stadhuis [Leuven] --- 949.32 LEUVEN --- 929 <493> --- Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- Biografie. Genealogie. Heraldiek--België --- 929 <493> Biografie. Genealogie. Heraldiek--België --- 949.32 LEUVEN Geschiedenis van België: hertogdom Brabant; provincie Brabant--(reg./lok.)--LEUVEN --- Stadhuis (Louvain, Belgium) --- Statues --- Biographical dictionary --- 718.4 --- Gemeentehuis--Leuven --- Geschiedenis van België: hertogdom Brabant--provincie Brabant--(reg./lok.)--LEUVEN --- Louvain, City
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