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Art --- Gooik --- Beeldhouwkunst --- Catalogues d'expositions --- Dessin artistique --- Peinture --- Schilderkunst --- Sculpture --- Tekenkunst --- Tentoonstellingscatalogi --- 708.5 --- Gooik in de kunst

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Brabant --- Catalogues d'expositions --- Histoire locale --- Plaatselijke geschiedenis --- Tentoonstellingscatalogi --- Exposition --- Histoire --- Zoutleeuw --- #SMV:België Zoutleeuw --- Algemeen publiek --- 908.7 --- Schuttersgilden--Vlaams-Brabant--geschiedenis

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Bouts, Dieric --- Louvain --- Painting --- Art --- Bouts, Dirk --- Catalogues d'expositions --- Kunst --- Tentoonstellingscatalogi --- Bouts, Dieric, --- Exhibitions --- Art flamand --- Bouts, Thierry --- Exposition --- Leuven --- Peintres --- Peinture --- Exhibitions. --- Louvain (Belgium) --- History --- Catalogs --- 736.2 --- Leuven--middeleeuwen --- Bouts, Dieric, - 1415-1475 - Exhibitions --- Bouts, Dieric. --- Bouts, dieric (1415?-1475) --- Catalogues d'exposition --- Bouts, Dieric, - 1415-1475

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This volume refers to medium-sized panels and fragments of stained-glass windows from the Middle Ages up to the end of the 18th century, found in public buildings, churches, museums and private collections in the present five provinces of Flanders (Belgium). The present volume contains the panels and fragments encountered and researched by the authors since they started their research more than thirty years ago. Many of these panels and fragments are totally unknown to the public as they have never been displayed, nor published. Nevertheless they demonstrate an important aspect of stained-glass production and stained-glass conservation. Where large windows in churches are well known to the public, it is often forgotten that even more stained glass was created for dwellings of the noble or patricians, house chapels, guild rooms, smaller spaces in abbeys, etc. It also became clear that virtually no glass was thrown away and larger fragments and panes were recycled as ‘stop gaps’ or integrated in composite panels, the so called ‘vitraux d’antiquaires’. Furthermore archaeological sites nearly always reveal quite small pieces of glass, which could not be used for repairs or as ‘cullet’ in the glass production cycle. A selection of these archaeological finds is also presented in this volume. At the end of this volume ‘Addenda’ to the previous volumes are also added.

Vitraux --- Iconography --- Applied arts. Arts and crafts --- Painting --- stained glass [visual works] --- anno 1500-1799 --- anno 1400-1499 --- Flanders --- Belgique --- Roundels (Windows) --- Glass painting and staining --- inventories --- panels [surface components] --- polychromy --- glasramen --- geschiedenis --- glasschilderkunst --- Rondels (Fenêtres) --- Vitrail --- Catalogues --- Rondels

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Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. “The Best Sculptor” is how Jan II Borman is described in a document dating from 1513. Ever since, Borman the man and his oeuvre are shrouded in mist. This late-medieval sculptor managed a busy workshop in Brussels, with commissions pouring in from religious institutions as well as from the bourgeoisie and princely rulers. He trained his sons Jan III and Passchier to become master sculptors after his own example and to have at least as shrewd a head for business as he himself. Borman was a virtuoso, a master but above all an innovator, who influenced many other sculptors. His iconic works are kept in the world’s greatest museums and churches. The book gathers essays by leading academics and presents a summary catalogue of all works attributed to the Borman family.

Sculpture --- altarpieces --- saints --- woodcarvers [woodworkers] --- Borman [Family] --- Belgium --- Borman (Family : --- Exhibitions --- Sculpture de la Renaissance --- Catalogues d'exposition. --- Borman (famille) --- Catalogues raisonnés. --- Sculpture, Flemish --- Flemish sculpture --- Borreman, Jan, --- Borman (Family : active 15th-16th century) --- Borman, Jan, --- Altarpieces, Renaissance --- Altarpieces, Flemish --- Sculptors --- Boarman family --- Wood sculpture, Flemish --- Wood sculpture, Late Gothic --- Altarpieces --- Exhibitions. --- 7 <09> --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- gotiek --- renaissance --- techniek --- Borman (familie) --- 15de eeuw --- 16de eeuw --- Antwerpen --- Brussel --- Leuven --- 726.3 --- Beeldsnijkunst--Brabant (hertogdom) --- Borman, Jan --- Borman --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Sculpture [Renaissance ] --- Borman (Family : - active 15th-16th century) - Exhibitions --- Borman (Family : - active 15th-16th century) --- techniek. --- gotiek. --- Borman (familie). --- 15de eeuw. --- 16de eeuw. --- Leuven. --- Brussel. --- Antwerpen. --- Christelijke kunst --- Borreman (Family : active 15th-16th century)