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Aesthetics and technology in building : the Charles Eliot Norton lectures, 1961-1962
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Year: 1965 Publisher: Cambridge, Mass. Harvard University Press

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Waarover men niet spreken kan : elementen voor een agogiek van de kunst
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ISBN: 905487337X 9789054873372 Year: 2002 Publisher: Brussel Vubpress


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De rationele stad : van bouwblok tot wooneenheid
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ISBN: 9058751627 Year: 2003 Publisher: Nijmegen SUN

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Met open zinnen : natuur, landschap, aarde
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ISBN: 9026317433 Year: 2002 Publisher: Amsterdam Ambo

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In dit boek onderzoekt de auteur onze verhouding tot de natuur, het landschap en de aarde. De nadruk ligt daarbij op de rol van de zintuigen en zintuiglijkheid. In 12 hoofdstukken verkent hij een grote verscheidenheid aan onderwerpen, zoals de beleving van de ochtend, de ervaring van het sublieme, de teloorgang van de stilte, de opkomst van de expressionistische en abstracte schilderkunst, de gevolgen van de globalisering voor ons ruimtelijk besef de toewending tot het buiten.

The situationist city
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ISBN: 0262193922 Year: 1998 Publisher: Massachusetts Institute of Technology (MIT),

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From 1957 to 1972 the artistic and political movement known as the Situationist International (SI) worked aggressively to subvert the conservative ideology of the Western world. The movement's broadside attack on "establishment" institutions and values left its mark upon the libertarian left, the counterculture, the revolutionary events of 1968, and more recent phenomena from punk to postmodernism. But over time it tended to obscure situationism's own founding principles. In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of situationist thought, particularly as they applied to the form of the modern city. According to the situationists, the benign professionalism of architecture and design had led to a sterilization of the world that threatened to wipe out any sense of spontaneity or playfulness. The situationists hankered after the "pioneer spirit" of the modernist period, when new ideas, such as those of Marx, Freud, and Nietzsche, still felt fresh and vital. By the late fifties, movements such as British and American pop art and French nouveau realisme had become intensely interested in everyday life, space, and mass culture. The SI aimed to convert this interest into a revolution at the level of the city itself. Simon Sadler searches for the situationist city among the detritus of tracts, manifestos, and works of art that the SI left behind. The book is divided into three parts. The first, "The Naked City," outlines the situationist critique of the urban environment as it then existed. The second, "Formulary for a New Urbanism," examines situationist principles for the city and for city living. The third, "A New Babylon," describes actual designs proposed for a situationist city.

Kleur en architectuur.
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ISBN: 9064500401 Year: 1986 Publisher: Rotterdam Uitgeverij 010

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catalogus bij de tentoonstelling in Museum Boymans-van Beuningen te Rotterdam (28.9.1986 TOT 9.11.86) en in het Groningermuseum (14.12.1986 tot 25.1.1987)

Urban forms : the death and life of the urban block.
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ISBN: 0750656077 Year: 2004 Publisher: Oxford Architectural press

Regarding beauty : a view of the late twentieth century
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ISBN: 3893227792 3893227822 9783893227822 Year: 1999 Publisher: Stuttgart Cantz

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The lavishly illustrated Regarding Beauty surveys late twentieth-century Western art to address why the timeless notion of beauty has recently been so hotly contested and, in the 1980's and 1990's in particular, so highly politicized.... Regarding Beauty argues that beauty has not disappeared from the dialogue of art and that, on the contrary, it has persisted as an essential element in the evolution of art as the 20th century passes into history.

Keywords

beauty --- performance art --- video art --- Painting --- installations [visual works] --- photography [process] --- Iconography --- Art --- Film --- art [fine art] --- painting [image-making] --- Homo sapiens [species] --- Photography --- landscapes [representations] --- Paolini, Giulio --- Celmins, Vija --- Gonzalez-Torres, Felix --- Warhol, Andy --- Ruscha, Ed --- Turrell, James --- Kooning, de, Willem --- Picasso, Pablo --- Sherman, Cindy --- Freud, Lucian --- Semmes, Beverly --- Simpson, Lorna --- Baldessari, John --- Gordon, Douglas --- Bourgeois, Louise --- Dumas, Marlene --- Antoni, Janine --- Kapoor, Anish --- Sugimoto, Hiroshi --- Pistoletto, Michelangelo --- Lichtenstein, Roy --- Kounellis, Jannis --- Klein, Yves --- Mori, Mariko --- Rist, Pipilotti --- Hodges, Jim --- Ray, Charles --- Barney, Matthew --- Graham, Rodney --- Knoebel, Imi --- Martin, Agnes --- Smith, Kiki --- Morimura, Yasumasa --- Richter, Gerhard --- Trockel, Rosemarie --- Polke, Sigmar --- anno 1900-1999 --- Art, Modern --- Aesthetics, Modern --- Esthétique --- Exhibitions. --- Exhibitions --- Expositions --- Neal Benezra, Olga M. Viso ; with an essay by Arthur C. Danto --- kunst --- twintigste eeuw --- esthetica --- kunsttheorie --- schilderkunst --- beeldhouwkunst --- installaties --- Kunst en politiek --- Martin Agnes --- Klein Yves --- Richter Gerhard --- Warhol Andy --- Lichtenstein Roy --- Celmins Vija --- Sugimoto Hiroshi --- Graham Rodney --- Hodges Jim --- Gonzalez-Torres Felix --- Antoni Janine --- Baldessari John --- Barney Matthew --- Bourgeois Louise --- De Kooning Willem --- Dumas Marlene --- Freud Lucian --- Gordon Douglas --- Kapoor Anish --- Knoebel Imi --- Kounellis Jannis --- Mori Mariko --- Morimura Yasumasa --- Paolini Giulio --- Picasso Pablo --- Pistoletto Michelangelo --- Polke Sigmar --- Ray Charles --- Rist Pipilotti --- Semmes Beverly --- Sherman Cindy --- Smith Kiki --- Turrell James --- Trockel Rosemarie --- 7.038 --- 7.01 --- Abstract [fine arts style] --- artistieke fotografie --- multimedia works --- hedendaagse kunst --- Contemporary [style of art] --- multimediakunst --- abstracte schilderkunst --- Esthétique --- Modern aesthetics --- Gonzales-Torres, Felix --- human figures [visual works] --- Art, Modern - 20th century - Exhibitions --- Aesthetics, Modern - 20th century - Exhibitions. --- art [discipline] --- Abstract [modern European style]

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