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Bad girls of Japan
Authors: ---
ISBN: 1403969469 1403969477 9781403969477 Year: 2005 Publisher: New York (N.Y.) : Palgrave Macmillan,

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Abstract

Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? By tracing the concept of the bad girl in Japan as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. The essays explore deviancy in richly diverse media. Mountain witches, murderers, performance artists, cartoonists, schoolgirls, and shoppers gone wild are all part of the terrain.

Permitted and prohibited desires : mothers, comics, and censorship in Japan
Authors: ---
ISBN: 0520923448 058535281X 9780520923447 9780585352817 9780520219908 0520219902 Year: 2000 Publisher: Berkeley, Calif. ; London : University of California Press,

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Abstract

This provocative study of gender and sexuality in contemporary Japan investigates elements of Japanese popular culture including erotic comic books, stories of mother-son incest, lunchboxes - or obentos - that mothers ritualistically prepare for schoolchildren, and children's cartoons. It provides an analysis of how sexuality, dominance, and desire are reproduced and enacted in late-capitalistic Japan.


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Et la B.D. créa la femme : histoire coquine de l'érotisme dessiné
Author:
ISBN: 9782909362014 2909362019 Year: 1991 Publisher: Le Blanc-Mesnil : Vidéome,

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Erotic grotesque nonsense : the mass culture of Japanese modern times
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ISBN: 1282355961 9786612355967 0520924622 9780520924628 9781282355965 0520222733 9780520222731 9780520260085 0520260082 6612355964 Year: 2006 Volume: 1 Publisher: Berkeley : University of California Press,

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This history of Japanese mass culture during the decades preceding Pearl Harbor argues that the new gestures, relationship, and humor of ero-guro-nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. Miriam Silverberg uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and language of a time when the media reached all classes, connecting the rural social order to urban mores. Employing the concept of montage as a metaphor that informed the organization of Japanese mass culture during the 1920's and 1930's, Silverberg challenges the erasure of Japanese colonialism and its legacies. She evokes vivid images from daily life during the 1920's and 1930's, including details about food, housing, fashion, modes of popular entertainment, and attitudes toward sexuality. Her innovative study demonstrates how new public spaces, new relationships within the family, and an ironic sensibility expressed the attitude of Japanese consumers who identified with the modern as providing a cosmopolitan break from tradition at the same time that they mobilized for war.

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