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This book on the oeuvre of Virginie Bailly can best be approached as a walk through the oeuvre at a tempo defined by five core concepts: point de vue, luminosity, gesturality, directness and structure. Five broadly spreading branches symbolised by five key works, straight through the landscape of Bailly's visual work with its untold numbers of cross-connections via smaller paths and routes. The decision not to make any divisions by chronology or discipline is based on the idea that this oeuvre flourishes in its own logic. Bailly sees no difference between her video work, installations, drawing and painting. They all stem from the same roots, nourished and guided by observation of optical phenomena and the confrontation with space.
Bailly, Virginie --- kunst --- België --- eenentwintigste eeuw --- Bailly Virginie --- videokunst --- installaties --- schilderkunst --- tekenkunst --- 7.071 BAILLY --- HIS History & Biographies --- history of botany --- arts --- art exhibitions --- botanical art --- drawing and drawing techniques --- multimedia works --- painting [image-making] --- Art --- sculpting --- Sculpture --- Painting --- Film --- video art --- art [fine art] --- Belgium --- Bailley, Virginie --- Criticism and interpretation --- Contemporary art --- Installations (Art) --- 21st century --- Kunst --- Beeldhouwkunst --- Schilderkunst --- multimedia-werken --- tekenen --- schilderen [kunst] --- videokunst [kunstwerken] --- beeldhouwen --- drawing [image-making] --- 7.07 --- Bailly, Virginie °1976 (°Brussel, België) --- Belgische kunstenaars --- Vrouwelijke kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- drawings [visual works] --- sculpture [visual works] --- installations [visual works] --- easel paintings [paintings by form] --- 790 --- hedendaagse kunst --- kunstenaars --- artistes --- paintings [visual works]
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The geometric shapes and natural forms, captured with exceptional precision in Ernst Haeckel's prints, still influence artists and designers to this day. This volume highlights the research and findings of this natural scientist. Powerful modern microscopes have confirmed the accuracy of Haeckel's prints, which even in their day, became world famous. Haeckel's portfolio, first published between 1899 and 1904 in separate installments, is described in the opening essays. The plates illustrate Haeckel's fundamental monistic notion of the "unity of all living things" and the wide variety of forms are executed with utmost delicacy. Incipient microscopic organisms are juxtaposed with highly developed plants and animals. The pages, ordered according to geometric and "constructive" aspects, document the oness of the world in its most diversified forms. This collection of plates was not only well-received by scientists, but by artists and architects as well. Rene Binet, a pioneer of glass and iron constructions, Emile Galle, a renowned Art Nouveau designer, and the photographer Karl Blossfeld all make explicit reference to Haeckel in their work.
Haeckel, Ernst --- history of biology --- Gravure --- Biologie --- Naturalisme --- Darwin, Charles --- Zoology --- Botany --- Nature (Aesthetics) --- Morphology. --- Zoologie --- Botanique --- Nature (Esthétique) --- Morphologie --- Pictorial works --- Ouvrages illustrés --- Morphology --- 741.07 --- 76.07 --- Grafiek ; lithografie ; Adolf Giltsch --- Haeckel, Ernst 1834-1919 (°Potsdam, Duitsland) --- Kunst en natuur ; natuurvormen bij planten en dieren --- Tekeningen ; Ernst Haeckel --- Art and nature --- Nature and art --- Aesthetics --- Biological form --- Biological structure --- Comparative morphology --- Form in biology --- Structure in biology --- Anatomy, Comparative --- Morphogenesis --- Tekenkunst ; tekenkunstenaars A - Z --- Grafische kunst ; grafische kunstenaars A-Z --- Art --- design [discipline] --- Plantae [kingdom] --- Nature --- depictions [visual works] --- Animalia [kingdom] --- scientific illustrations [images] --- natuurbeschrijvingen --- wetenschappelijke illustraties --- vormgeving --- dieren --- planten --- Haeckel, E. --- CDL --- 741.071 HAEC --- Grammar, Comparative and general Morphology
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landscape gardening --- Renaissance --- Environmental planning --- Agricultural techniques --- Architecture --- Vredeman de Vries, Hans --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- gardens [open spaces] --- tuinarchitectuur --- Plant husbandry --- Art --- Art, Renaissance --- Gardens in art --- Art de la Renaissance --- Jardins dans l'art --- Exhibitions --- Expositions --- Vredeman de Vries, Hans, --- Gardens, Renaissance --- Exhibitions. --- renaissance --- tuinkunst --- 16de eeuw --- 17de eeuw --- Nederlanden --- Renaissancistische tuinarchitectuur --- 7.034 --- 712.26 --- Academic collection --- 76 VREDEMAN, JAN --- 76 GALLE, PHILIPS --- 712 --- 712.3 "15" --- Hans Vredeman de Vries 1527-1604 (of : 1624) (° Leeuwarden, Nederland) --- Tuinkunst ; Nederlanden ; 16de en 17de eeuw eeuw ; H. Vredeman De Vries --- Scenografische schilderkunst --- Schilderkunst ; grafiek ; Noordelijke Renaissance --- Thema's in de grafiek ; tuinontwerpen ; geometrische --- Perspectief ; Hans Vredeman de Vries --- Grafiek ; ingekleurde --- Tentoonstellingscatalogi ; Antwerpen ; Rubenshuis --- 75.07 --- 76.07 --- (069) --- Tuinkunst ; Nederlanden ; 16de en 17de eeuw ; Hans Vredeman de Vries --- Renaissance (kunst) --- Particuliere tuinen --- Private parken --- Private tuinen --- Grafische kunsten. Grafiek. Prentkunst--VREDEMAN, JAN --- Particuliere parken --- Grafische kunsten. Grafiek. Prentkunst--GALLE, PHILIPS --- Landschapsarchitectuur --- Tuinarchitectuur. Tuinaanleg--16e eeuw. Periode 1500-1599 --- Tuinarchitectuur --- Schilderkunst ; schilders --- Grafische kunst ; grafische kunstenaars A-Z --- (Musea. Collecties) --- Landschaps- en tuinarchitectuur ; vormgeving privé parken, tuinen --- LGA Landscape & Garden Architecture --- exhibition catalogues --- garden history --- landscape & garden architecture --- 712.3 "15" Tuinarchitectuur. Tuinaanleg--16e eeuw. Periode 1500-1599 --- 76 GALLE, PHILIPS Grafische kunsten. Grafiek. Prentkunst--GALLE, PHILIPS --- 76 VREDEMAN, JAN Grafische kunsten. Grafiek. Prentkunst--VREDEMAN, JAN --- tuinen --- parken --- Renaissance gardens --- Gardens --- Styles --- De Vries, Hans Vredeman, --- Frisius, Johannes Vredmannus, --- Vredemann de Vries, Hans, --- Vries, Hans Vredeman de, --- Vries, Jan Vredeman de, --- Vredeman de Vries, Jan, --- Vredmannus Frisius, Iohannes, --- Vredeman Frison, Ioan, --- Frison, Ioan Vredeman, --- Vredeman Vriese, Ioan, --- Vriese, Ioan Vredeman, --- Vredeman Frison, Iean, --- Vredeman Frison, Jean, --- Frison, Iean Vredeman, --- Frison, Jean Vredeman, --- Vredeman Frisn, Iean, --- Frisn, Iean Vredeman, --- Vredeman Frisius, Ioannes, --- Vredeman, Hans, --- Vredeman, Ioan, --- Vredeman, Jean, --- Vredmann, Johannes, --- I. V. V. --- V. V., I. --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- CDL --- 75.071 VREDEMAN DE VRIES --- Gardens, Renaissance - Exhibitions --- Gardens in art - Exhibitions --- Vredeman de Vries, Hans, - 1527-ca. 1604 - Exhibitions --- Vredeman de Vries, Hans, - 1527-ca. 1604 --- Vredeman de Vries, Hans. --- 16de eeuw. --- 17de eeuw. --- Nederlanden.
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