Abstract | Keywords | Export | Availability | Bookmark

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Truth happens to an idea." So wrote William James in 1907; and twenty-four years later John Dewey argued that artistic experience entailed a process of "doing and undergoing." But what do these ideas have to do with music, or with research conducted in and through music - that is, with "artistic research?" In this collection of essays, fourteen very different authors respond with distinct and challenging perspectives. Some report on their own experiments and experiences; some offer probing analyses of noteworthy practices; some view historical continuities through the lens of pragmatism and artistic experiment. The resulting collection yields new insights into what musicians do, how they experiment, and what they experience - insights that arise not from doctrine, but from diverse voices seeking common ground in and through experimental discourse: artistic research in and of itself.--

Musicology --- Music --- Musical research --- Research, Musical --- Popular music --- Musical performance --- Performance of music --- Performance --- Research --- Historiography --- E-books --- Musicology. --- Performance. --- Composition (Music) --- Collaborative composition (Music) --- Artistic collaboration --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- Collaboration. --- Composition --- Artistiek onderzoek --- Uitvoeringspraktijk --- Interpretatie --- Pragmatism. --- Musique --- Pragmatisme. --- pragmatism. --- Philosophy and aesthetics. --- Philosophie et esthétique. --- Exécution