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Dance music --- Performance practice (Music) --- Instrumental music --- Music --- Musical performance practice --- Performing practice (Music) --- History and criticism --- History --- Performance --- Dansen --- Frankrijk --- Uitvoeringspraktijk --- 18e eeuw --- 17e eeuw

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uitvoeringspraktijk --- middeleeuwen --- muziekgeschiedenis --- opstellen --- muziekuitvoeringen --- oude muziek --- Music --- anno 1200-1499 --- Performance practice (Music) --- -Performance practice (Music) --- -Arts, Medieval --- -Musical performance practice --- Performing practice (Music) --- Congresses --- Performance --- History --- -Congresses --- Musical performance practice --- 78.51 --- 78.23 --- Muziekgeschiedenis --- Middeleeuwen --- 20e eeuw --- Uitvoeringspraktijk

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Musical instruments --- Performance practice (Music) --- Style, Musical --- Musical style --- Music --- Musical performance practice --- Performing practice (Music) --- Instruments, Musical --- Organology (Music) --- Instrumental music --- Philosophy and aesthetics --- Performance --- History and criticism --- 78.57 --- Historische muziek --- Muziekgeschiedenis

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Why do we feel the need to perform music in a historically informed style? Is this need related to wider cultural concerns? In this 2002 study, John Butt sums up debates on the nature of the early music movement and historically informed performance, calling upon a seemingly inexhaustible fund of ideas gleaned from historical musicology, analytic philosophy, literary theory, historiography and theories of modernism and postmodernism. He develops the critical views of both supporters and detractors of the movement, while claiming ultimately that it has more intellectual and artistic potential than its detractors may have assumed. He also asks whether the phenomenon of historically informed performance reflects changes in the culture of western music and how it, in turn, may have influenced that culture, particularly in regard to such issues as the status of the composer, the work, intentionality and notation.

Music --- Performance practice (Music) --- Pratique de l'exécution (Musique) --- Musique --- History and criticism. --- Histoire et critique --- Historische Musikpraxis. --- Musikästhetik. --- Performance practice (Music). --- Pratique de l'exécution (Musique). --- Uitvoeringspraktijk. --- Histoire et critique. --- 78.50 --- 517 --- Uitvoeringspraktijk --- Historically informed performance (Music) --- Authentic performance (Music) --- HIP (Historically informed performance) --- Period performance (Music) --- Criticism --- Musical performance practice --- Performing practice (Music) --- Performance --- 21e eeuw

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Music --- uitvoeringspraktijk --- orkesten --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- 78.50 --- 78.34.0 --- 78.52 --- Early-music groups --- Orchestra --- Performance practice (Music) --- 517 --- Musical performance practice --- Performing practice (Music) --- Orchestras --- Musical groups --- Early-music ensembles --- Ensembles, Early-music --- Ensembles, Historical performance --- Groups, Early-music --- Groups, Historical performance --- Historical performance ensembles --- Historical performance groups --- History --- Uitvoeringspraktijk --- Performance --- Orkest