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Sur le devant de la scène : une diva ovationnée, une chanteuse de pop adulée, une pianiste célèbre faisant onduler ses longs cheveux. Mais sur le podium, point de femme dirigeant de la baguette un orchestre symphonique...Cette enquête lève le voile sur les difficultés, les luttes et les victoires des femmes interprètes. Leur rapport à la musique y est repensé dans son ensemble : pourquoi une petite fille se met-elle à la flûte plutôt qu'au trombone ? Comment une jeune femme s'intègre-t-elle dans un orchestre largement composé d'hommes ? Et dans un couple musicien, comment se négocient la pratique musicale, la vie de famille, la visibilité professionnelle? Malgré les exceptions, le monde de la musique conforte les inégalités à l’œuvre dans le reste de la société. Musique savante ou populaire, en termes de parité, tout reste à faire

Musiciennes --- Musique et femmes --- Sexisme dans le milieu artistique. --- Musikerin. --- Geschlechterrolle. --- Femmes et musique --- Sexisme dans le milieu artistique --- Aspect social. --- Condition sociale. --- Histoire. --- Musicien d'orchestre. --- Musicienne professionnelle. --- Musique. --- Sexisme. --- interprète (musique, femme) --- femme --- Conditions sociales. --- Conditions sociales --- Enquêtes. --- Aspect social --- * sociologie. --- musique --- Women musicians --- Social conditions --- Onderzoek --- 21e eeuw --- Didactiek

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The core of this study involves the enormous number of documents on musicians and musical patronage in the Sforza Court recovered in Milanese archives and elsewhere.The core of this history involves the enormous number of documents on musicians and musical patronage recovered in Milanese archives and elsewhere during the course of our research. This evidence bears on the performing organizations of the court chapel and the biscantori of the Duomo, polyphonic sources of both sacred and secular music, the monophonic observance of the liturgy, the recruitment of singers, circumstances and working conditions, requirements of clients, demands and preferences of patrons, the tangled process of the procurement of benefices, jailing, and even espionage. It pertains to the biographies and activities of musicians, including the most influential composer of the late fifteenth century, Josquin Desprez, who we know lived and worked in Milan for more than twenty years, including the entire period of Duke Galeazzo Sforza's renowned chapel of Franco-Flemish singers, one that contained the most illustrious musicians in Europe. Within the chapel a new genre of music was cultivated and musical works that exemplified the high renaissance period were composed and performed. Later, under Ludovico Sforza, Franchino Gafori wrote several theory treatises and compiled polyphonic sources of great importance. Findings in the documents have necessitated a re-evaluation of all three, including the revision of dates for a substantial part of the repertory. All historians are familiar with the long and well established tradition in which the Medici and the city of Florence have been cast as the vanguard of modernism. Although no one would wish to detract from the brilliant history of Florence, recently it has been argued that Milan was the first city state to develop modern government (along with its bureaucracy), and diplomacy, both of which pertain directly to the musicians and music of this study.

Sforza [Family] --- Music --- Music patronage --- Chapels (Music) --- Musicians --- Musique --- Chapelles (Musique) --- Musiciens --- History and criticism. --- Social conditions --- Economic conditions --- Histoire et critique --- Mécénat --- Conditions sociales --- Conditions économiques --- Sforza family --- 780.945 --- Arts Music Italy --- Mécénat --- Conditions économiques --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Business patronage of music --- Corporations --- Maecenatism --- Patronage of music --- Performing arts sponsorship --- History and criticism --- Josquin, --- Sforza family. --- De Pres, Josquin, --- Deprès, Josquin, --- Des Prés, Josquin, --- Des Prez, Josquin, --- Després, Josquin, --- Desprez, Josquin, --- Dupré, Josquin, --- Jodocus, --- Josse, --- Jusquin, --- Pres, Josquin de, --- Pres, Josquin des, --- Prez, Josquin des, --- Milan (Italy) --- Mailand (Italy) --- Milano (Italy) --- Milão (Italy) --- Mediolanum (Italy) --- Comune di Milano (Italy) --- Social life and customs. --- Italy --- 15th century --- Josquin des Prez --- Josquinus Pratensis --- Jodocus Pratensis --- Jodocus a Prato --- Josquin Desprez --- des Prez, Josquin --- Desprez, Josquin --- Des Prés, Josquin --- Després, Josquin --- Lebloitte, Jossequin --- Lebloitte, Josquin --- Music patronage - Italy - Milan --- Music - Italy - Milan - 15th century - History and criticism --- Musicians - Employment - Italy - Milan - 15th century --- Josquin, - des Prez, - -1521 --- Milan (Italy) - Social life and customs. --- Muziekgeschiedenis --- Italië --- Milaan --- 15e eeuw --- Social conditions. --- Economic conditions. --- patronage

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Education of princes --- Music --- Music and aristocracy --- Musicians --- Princes --- Musique --- Musique et aristocratie --- Musiciens --- History --- Social aspects --- Social conditions --- Education --- Histoire --- Aspect social --- Conditions sociales --- Louis --- France --- Kings and rulers --- Social life and customs --- Rois et souverains --- Moeurs et coutumes --- History and criticism --- Louis XIV --- 17th century --- 78.25 --- Social life and customs. --- History and criticism. --- Et la musique --- Et la musique. --- Music - France - 17th century - History and criticism --- Louis - XIV, - King of France, - 1638-1715 --- Muziekgeschiedenis --- Frankrijk --- Versailles --- 17e eeuw --- 18e eeuw

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Music by women composers --- Women composers --- Musique de compositrices --- Compositrices --- History and criticism. --- Histoire et critique --- Female Composers - History - 19th Century. --- Musicology, French. --- Music --- France --- 19th century --- History and criticism --- Biography --- Social conditions --- 78.29.2 --- Music by women composers - France - 19th century - History and criticism. --- Women composers - France. --- Componisten --- Vrouwen --- 19e eeuw --- Frankrijk

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Music --- Ethnology. Cultural anthropology --- Katanga --- Anthropologie socio-culturelle --- Congo (République démocratique du) --- Kongo (Democratische Republiek) --- Socio-culturele antropologie --- Folk songs, Lunda --- Death in literature --- Grief in literature --- Sadness in literature --- Mort dans la littérature --- Chagrin dans la littérature --- Tristesse dans la littérature --- Texts --- Death in literature. --- Grief in literature. --- Sadness in literature. --- Mort dans la littérature --- Chagrin dans la littérature --- Tristesse dans la littérature --- Lunda folk songs --- Folk songs, Lunda - Congo (Democratic Republic) - Katanga --- Folk songs, Lunda - Congo (Democratic Republic) - Katanga - Texts --- Dood --- Afrika --- Commentaar --- Liederen --- Katanga (zaire) --- Mort --- Anthropologie culturelle --- Conditions sociales --- Aspect anthropologique --- Afrique --- Douleur