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National socialism and music --- Music --- Music and national socialism --- Congresses --- Germany --- 20th century --- History and criticism --- Music and state --- Muziek --- Nazisme --- Duitsland --- 20e eeuw
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National socialism and music --- Symphony orchestras --- Symphony orchestra --- Musical groups --- Orchestra --- Music and national socialism --- Music --- anno 1930-1939 --- anno 1940-1949 --- Netherlands --- Orkest --- Directie --- Muziekleven --- Politiek --- Nazisme --- Derde Rijk --- Jodendom --- Iconografie --- Duitsland --- Nederland --- 20e eeuw
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Music and Revolution provides a dynamic introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959 and to the policies that have shaped artistic life. Robin D. Moore gives readers a chronological overview of the first decades after the Cuban Revolution, documenting the many ways performance has changed and emphasizing the close links between political and cultural activity. Offering a wealth of fascinating details about music and the milieu that engendered it, the author traces the development of dance styles, nueva trova, folkloric drumming, religious traditions, and other forms. He describes how the fall of the Soviet Union has affected Cuba in material, ideological, and musical terms and considers the effect of tense international relations on culture. Most importantly, Music and Revolution chronicles how the arts have become a point of negotiation between individuals, with their unique backgrounds and interests, and official organizations. It uses music to explore how Cubans have responded to the priorities of the revolution and have created spaces for their individual concerns. Copub: Center for Black Music Research
Music --- Socialism and music. --- Music and socialism --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Political aspects --- History and criticism. --- Cuba --- 20th century --- History and criticism --- Socialism and music --- Muziekgeschiedenis --- Politiek --- 20e eeuw --- 20th century. --- african diaspora. --- art and music. --- black music. --- cuba. --- cuban history. --- cuban revolution. --- cubans. --- cultural historians. --- cultural history. --- dance styles. --- ethnomusicologists. --- ethnomusicology. --- folklore. --- international relations. --- latin american studies. --- music and culture. --- music and politics. --- music historians. --- music history. --- musical styles. --- musicians. --- political history. --- political revolution. --- religious traditions. --- socialism. --- soviet union.
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L'histoire de l'orchestre légendaire est retracée à travers celle de ses membres, mettant en exergue la pérennité d'un style viennois depuis sa création. ©Electre 2017
Symphony orchestras --- National socialism and music --- Orchestres symphoniques --- Nazisme et musique --- History --- Histoire --- Wiener Philharmoniker --- Biografieën --- Muziekgeschiedenis --- Orkest --- Orkesten --- Wenen --- Oostenrijk
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Music --- muziekgeschiedenis --- anno 1900-1999 --- Communism and music --- Communism and music. --- Diktatur. --- Fascism and music --- Fascism and music. --- Music and state --- Music and state. --- Musik. --- National socialism and music --- National socialism and music. --- History --- 1900-1999. --- Geschichte 1900-2000. --- Zonder onderwerpscode: muziek --- gitaarmuziek --- Gitaar --- Muziekpedagogie --- Solostukken --- Duo's
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History of civilization --- Music --- anno 1930-1939 --- anno 1920-1929 --- Germany --- Allemagne --- Duitsland --- Geschiedenis van de nieuwste tijden --- Histoire contemporaine --- Ideologieën --- Idéologies --- Jodendom --- Judaïsme --- Musique --- Muziek --- National socialism and music. --- Jews --- Nazisme et musique --- Juifs --- History and criticism. --- Histoire et critique --- #SBIB:316.7C215 --- #SBIB:309H142 --- Cultuursociologie: muziek --- Populaire muziek: functies, muziekgenres, historiek --- National socialism and music --- Music and national socialism --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- Music&delete& --- History and criticism --- 525 --- Muziekgeschiedenis (20e - 21e eeuw) --- Muziekgeschiedenis --- Derde Rijk --- Nazisme --- Racisme --- Antisemitisme --- Religie --- Sociologie --- Politiek --- 19e eeuw --- 20e eeuw
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National socialism and music. --- Music --- Nazisme et musique --- Musique --- History and criticism. --- Histoire et critique --- Germany --- Allemagne --- History --- Histoire --- World War, 1939-1945 --- Music and war --- 20th century --- History and criticism --- Muziekgeschiedenis --- Derde Rijk --- Nazisme --- 20e eeuw
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History --- Religious architecture --- Advertising. Public relations --- Baroque --- Christian religious orders --- propaganda --- Art --- Society of Jesus --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Art [Baroque ] --- Art baroque --- Barok in de kunst --- Barokkunst --- Baroque art --- Baroque dans l'art --- Contra-reformatie in de kunst --- Contre-réforme dans l'art --- Counter-Reformation in art --- Kunst [Barok] --- Nationaal-socialisme en kunst --- National socialism and art --- National-socialisme et art --- Propaganda in Kunst --- Propaganda in art --- Propagande dans l'art --- Art, Baroque. --- Counter-Reformation in art. --- Jesuit architecture --- Jesuit art --- National socialism and art. --- Propaganda in art. --- 271.5-8 --- #GBIB: jesuitica --- Jezuïeten: speciale gebruiken: specifiek apostolaat; opvoedingssysteem --- 271.5-8 Jezuïeten: speciale gebruiken: specifiek apostolaat; opvoedingssysteem --- Art, Baroque --- Art and national socialism --- Nazi art --- Art, Jesuit --- Christian art and symbolism --- Architecture, Jesuit --- Church architecture --- Europe --- Architectuur --- Kunsten --- Barok --- 17e eeuw --- 18e eeuw
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«My generation is guilty through and through : no justification is possible. At most there may be extenuating circumstances… Fascism — Dallapiccola claimed — had used a new weapon… a weapon much mightier than the magnetic mines: in comparison, even the atomic bomb begins to look trifling. The weapon I refer to is much more subtle and underhand. It took years to realize this and to discover its secret. The first to use it systematically and on a vast scale in the West was Benito Mussolini. This weapon is called Propaganda. With it and with the stifling of the press, its first derivative, a lie can be turned into truth.» [‘Prime composizioni corali. Postscriptum’, 29 January 1962.]
Music --- muziekgeschiedenis --- anno 1940-1949 --- anno 1930-1939 --- Italy --- Composers --- Fascism and music --- National socialism and music --- Musique --- Compositeurs --- Fascisme et musique --- Nazisme et musique --- History and criticism. --- Attitudes --- Histoire et critique --- Fascism and motion pictures --- History and criticism --- Dallapiccola, Luigi, --- Dallapiccola, Luigi --- 20th century --- Politics and government --- 1922-1945 --- Music and state --- Music - Italy - 20th century - History and criticism --- Fascism and motion pictures - Italy. --- Composers - Italy --- Dallapiccola, Luigi, - 1904-1975 --- Italiaans --- Fascisme --- Italië --- 20e eeuw
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politics --- art education --- world's fairs --- 1918 - 1945 --- kunsten --- 7.078.1 --- 7.037(493) --- 7.044 --- Kunst en politiek ; België ; 1918-1945 --- Kunstgeschiedenis ; 20ste eeuw ; 1920-1945 --- Beeldende kunst ; België ; tijdens de bezetting --- Interbellum --- Thema’s in de kunst ; oorlog --- Kunstpolitiek. Cultuurbeleid. Kunstbevordering door de overheid --- Kunstgeschiedenis ; 1900 - 1950 ; België --- Iconografie ; historische voorstellingen --- -Arts Europe Belgium --- 7.078.1 Kunstpolitiek. Cultuurbeleid. Kunstbevordering door de overheid --- 7 <493> --- 949.304 --- 709.493 --- 7 <493> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- History Belgium 1909 --- National Socialism --- politiek --- Art --- art history --- Tweede Wereldoorlog --- museums [buildings] --- kunstonderwijs --- decorative arts --- kunstgeschiedenis --- Internal politics --- anno 1930-1939 --- anno 1940-1949 --- anno 1920-1929 --- Belgium --- kunst --- België --- 20ste eeuw --- Geschiedenis van opvoeding en onderwijs --- Handboeken en inleidingen. --- decorative arts [discipline] --- 700 --- België kunst --- België 20ste eeuw --- kunst algemeen --- art généralités --- Kunsten --- 20e eeuw --- 1918 - 1945. --- 20ste eeuw. --- België. --- world's fairs [exhibitions] --- kunstbeleid --- kunst en politiek
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