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The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and public spheres. Internet pioneer Philip Agre observed a discourse deficit in artificial intelligence research and proposed a critical technical practice, a single disciplinary field with “one foot planted in the craft work of design and the other foot planted in the reflexive work of critique. … A critical technical practice rethinks its own premises, re-evaluates its own methods, and reconsiders its own concepts as a routine part of its daily work.” This volume considers the potential for critical technical practice in the evolving situation of composition across a wide range of current practices. In seeking to tell more honest, useful stories of composition, it hopes to contribute to a new discourse around the creation of music.
Composition (Music). --- 592 --- Publicaties onderzoeksinstellingen --- Composition (Music) --- 78 <09> --- 78 <09> Muziekgeschiedenis --- Muziekgeschiedenis --- Composing (Music) --- Music --- Music composing --- Music composition --- Musical composition --- Concertante style --- Composition --- Electronic books --- Books in machine-readable form --- Digital books --- E-books --- Ebooks --- Online books --- Books --- Electronic publications --- Traktaten --- Methodes --- Compositie --- Compositieleer --- Compositietechnieken --- Composition (Musique) --- Philosophy. --- History and criticism. --- Philosophie. --- Histoire et critique.
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Music --- Bio-bibliography --- Fétis, François-Joseph --- Dictionaries --- Books --- Facsimiles --- Biografieën --- 19e eeuw --- België
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Manuscripts. Epigraphy. Paleography --- Music --- Alamire, Petrus --- anno 1500-1599 --- Illumination of books and manuscripts, Flemish --- Manuscripts --- 091:78 --- Academic collection --- Handschriften i.v.m. muziek --- 091:78 Handschriften i.v.m. muziek --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Flemish illumination of books and manuscripts --- Alamire, Petrus, --- Habsburg, House of --- Alamire, Pierre, --- Den Hove, Petrus van, --- Hove, Petrus van den, --- Imhove, Petrus, --- Van den Hove, Petrus, --- 78.16 Leuven --- 78.55 --- 78.24 --- Music - 16th century - Manuscripts - Congresses. --- Illumination of books and manuscripts, Flemish - 16th century - Congresses. --- Muziekhandschriften --- 16e eeuw --- Nederlanden
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Hymns --- Christian hymns --- Hymn books --- Hymnals --- Hymnbooks --- Devotional exercises --- Liturgies --- Poetry --- Sacred songs --- Sacred vocal music --- Canticles --- Christian poetry --- Religious poetry --- Verbal scores --- Zang --- Vespers --- Renaissance --- Oostenrijk --- 16e eeuw
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Manuscripts --- Sacred vocal music --- 091 <45 VIMERCATE> --- 091:78 --- 930.25 <45 VIMERCATE> --- 930.25 <45 VIMERCATE> Archiefwetenschap. Archivistiek--Italië--VIMERCATE --- Archiefwetenschap. Archivistiek--Italië--VIMERCATE --- 091:78 Handschriften i.v.m. muziek --- Handschriften i.v.m. muziek --- 091 <45 VIMERCATE> Handschriftenkunde. Handschriftencatalogi--Italië--VIMERCATE --- Handschriftenkunde. Handschriftencatalogi--Italië--VIMERCATE --- Liturgical music --- Pastoral music (Sacred) --- Vocal music, Sacred --- Sacred music --- Vocal music --- Codices --- Books --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- Archivio plebano di Vimercate --- Auteurs --- Compozioni --- Liturgische muziek
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Book history
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Feininger, Laurence
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Sacred vocal music
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Musique vocale sacrée
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Catalogs
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Catalogues
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Feininger, Lorenzo,
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Library
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Catholic Church
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Biblioteca musicale L. Feininger
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Liturgy
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094.2 <45 TRENTO>
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094:264
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783.2
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093.2 <45 TRENTO>
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Early printed books
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-Incunabula
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-#BIBC:ruil
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Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784-1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about "other" musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought-and argued-about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis's influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.
Tonality --- Music theory --- History --- Fétis, François-Joseph, --- Fétis, François-Joseph, --- Music --- Key (Music theory) --- Keys (Music theory) --- Musical key --- Musical intervals and scales --- Theory --- E-books --- Muziektheorie --- Tonaliteit --- Fétis, François-Joseph (1784-1871) --- 18e eeuw --- Fétis. --- chromaticism. --- music historiography. --- musical modality. --- musical tonality. --- nineteenth-century music. --- non-Western musical scales.
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The practices and perception of music creation have evolved with the cultural, social and technological contexts of music and musicians. But musical authorship, in its many technical and aesthetic modes, remains an important component of music culture. Musicians are increasingly called on to share their experience in writing. However, cultural imperatives to account for composition as knowledge production and to make claims for its uniqueness inhibit the development of discourse in both expert and public spheres. Internet pioneer Philip Agre observed a discourse deficit in artificial intelligence research and proposed a critical technical practice, a single disciplinary field with ?one foot planted in the craft work of design and the other foot planted in the reflexive work of critique. ? A critical technical practice rethinks its own premises, re-evaluates its own methods, and reconsiders its own concepts as a routine part of its daily work.?0This volume considers the potential for critical technical practice in the evolving situation of composition across a wide range of current practices. In seeking to tell more honest, useful stories of composition, it hopes to contribute to a new discourse around the creation of music.
Musicology --- Music --- Musical research --- Research, Musical --- Popular music --- Musical performance --- Performance of music --- Performance --- Research --- Historiography --- E-books --- Musicology. --- Performance. --- Composition (Music) --- Collaborative composition (Music) --- Artistic collaboration --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- Collaboration. --- Composition --- Artistiek onderzoek --- Uitvoeringspraktijk --- Interpretatie --- Pragmatism. --- Musique --- Pragmatisme. --- pragmatism. --- Philosophy and aesthetics. --- Philosophie et esthétique. --- Exécution
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Lute music --- Manuscripts --- Plucked instruments --- #BIBC:02.43 ALAMIRE --- 530 --- 091 <438 KRAKOW> --- 091 <43 BERLIN> --- 091:78 --- 091:78 Handschriften i.v.m. muziek --- Handschriften i.v.m. muziek --- 091 <43 BERLIN> Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--BERLIN --- Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--BERLIN --- 091 <438 KRAKOW> Handschriftenkunde. Handschriftencatalogi--Polen--KRAKOW --- Handschriftenkunde. Handschriftencatalogi--Polen--KRAKOW --- Fretted instruments --- Plectral instruments --- Plucked string instruments --- Plucked stringed instruments --- Stringed instruments, Plucked --- Stringed instruments --- Codices --- Books --- Nonbook materials --- Archival materials --- Charters --- Codicology --- Diplomatics --- Illumination of books and manuscripts --- Paleography --- Transmission of texts --- Thematic catalogs --- Catalogs --- Muziekwetenschappelijke essays --- Biblioteka Jagiellońska --- Bibliotheca Iagellonica --- Jagellonische Bibliothek --- Jagiellonian Library --- Jagielloński Bibliotheek --- Kraków. --- Staatsbibliothek des Generalgouvernements (Poland (Territory under German occupation, 1939-1945)) --- Uniwersytet Jagielloński. --- Bibliothèque Jagellone --- Uniwersytet Jagielloński --- Catalogs. --- Tabulatuur --- Luit --- Gitaar --- Tokkelinstrumenten --- Muzieknotatie --- Catalogi --- Thematische catalogi --- Bibliotheekcatalogi --- Duitsland --- Italië --- Polen --- 16e eeuw --- Frankrijk --- 18e eeuw --- 17e eeuw
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Music --- Painting --- Alamire, Petrus --- Handschriften --- Manuscrits --- Musique --- Muziek --- Nederland --- Pays-Bas --- Illumination of books and manuscripts, Flemish --- Manuscripts --- Alamire, Petrus, --- Manuscrits à peintures --- 091:78 --- 091 <493> --- 091 <064> --- 091.31 <493> --- -Music --- -Academic collection --- #BIBC:02.43 ALAMIRE --- 091.09493 --- 745.67 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Flemish illumination of books and manuscripts --- Handschriften i.v.m. muziek --- Handschriftenkunde. Handschriftencatalogi--België --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Verluchte handschriften--België --- Exhibitions --- General Manuscripts Belgium --- Arts Illumination of manuscripts and books --- 091.31 <493> Verluchte handschriften--België --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 091 <493> Handschriftenkunde. Handschriftencatalogi--België --- 091:78 Handschriften i.v.m. muziek --- Academic collection --- Alamire, Pierre, --- Den Hove, Petrus van, --- Hove, Petrus van den, --- Imhove, Petrus, --- Van den Hove, Petrus, --- Benelux countries --- Catalogs --- Iconografie --- Tentoonstellingscatalogi --- Lage Landen --- Vlaanderen --- 16e eeuw --- Renaissance --- muziek --- miniaturen --- verluchtingen --- gedrukte uitgave van een muziekpartituur --- manuscripten --- Alamire, Petrus (pseud.) --- Karel V (Keizer van het Heilig Roomse Rijk) --- 1500 - 1535 --- 16de eeuw --- Alamire, Petrus (pseud.). --- Karel V (Keizer van het Heilig Roomse Rijk). --- 1500 - 1535. --- 16de eeuw. --- techniek. --- Lam Gods (Gebr Van Eyck). --- olieverf. --- van Eyck, Jan. --- 17de eeuw.
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