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534 --- 534 Vibrations. Acoustics --- Vibrations. Acoustics --- Music --- akoestiek --- muziektheorie --- uitvoeringspraktijk --- Akoestiek --- Instrumentenbouw --- Architectuur --- Uitvoeringspraktijk
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klankkleur --- akoestiek --- orkestratie --- Music --- muziektheorie --- 515 --- 534 --- Akoestika --- Vibrations. Acoustics --- Orchestra. --- Acoustics and physics. --- 534 Vibrations. Acoustics --- 78.86.1 --- Akoestiek --- Orkestratie --- 20e eeuw --- Tsjechië --- Instrumentatie --- Frankrijk
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78.86.1 --- Sound. --- Acoustique. --- Electro-acoustics. --- Électroacoustique. --- Akoestiek --- Muziekwetenschappen --- Frankrijk --- 20e eeuw
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Descartes, René --- Music theory --- Early works to 1800 --- Music --- Acoustics and physics --- Muziekcompendium --- René Descartes --- 17e eeuw
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Vocal Cords --- Phonation --- Acoustics. --- Speech Production Measurement. --- Voice Quality. --- Voice --- Qualities, Voice --- Quality, Voice --- Voice Qualities --- Measurement, Speech Production --- Measurements, Speech Production --- Production Measurement, Speech --- Production Measurements, Speech --- Speech Production Measurements --- Speech Intelligibility --- Acoustic --- physiology. --- Acoustics --- Speech Production Measurement --- Voice Quality --- physiology --- Zang --- Muziekpedagogie --- Zangtechniek
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Anatomy and physiology
Hearing. --- Speech. --- Hearing --- Speech --- Talking --- Language and languages --- Oral communication --- Phonetics --- Voice --- Acoustics --- Audition (Physiology) --- Physiological acoustics --- Bioacoustics --- Senses and sensation --- Audiology --- Auditory pathways --- Deafness --- Ear --- Listening --- Public Speaking --- Speaking, Public --- Language Development --- Phonation --- Audition --- Grammatica --- Spraaktherapie --- Spreekvloeiendheidsstoornissen --- Spreekvloeiendheidsstoornis --- Oefening --- Muziekpsychologie --- Akoestiek --- Fysiologie --- Zang --- Stemsoorten --- Zangpedagogie --- Ademhaling --- Pedagogie
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Computer music --- Computermuziek --- Musique par ordinateur --- Music --- Musique --- Periodicals --- Périodiques --- Arts and Humanities --- General and Others --- Arts and Humanities. --- General and Others. --- Musikwahrnehmung --- Zeitschrift --- Périodiques --- Acoustics and physics --- History and criticism --- Psychology --- Philosophy and aesthetics --- Tijdschriften --- Muziekwetenschappen
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Point d'entrée de cet ouvrage, les 420 exemples sonores fournis sur le DVD-Rom placent le lecteur dans une situation d'écoute attentive, à partir de laquelle il va découvrir au fil des chapitres comment analyser la structure acoustique des sons et évaluer leurs qualités musicales. L'analyse s'appuie sur l'usage du sonagramme, représentation visuelle qui révèle la structure spectrale et temporelle des sons, et se lit à la manière d'une partition musicale, sans nécessiter de connaissances avancées en acoustique. Mais l'analyse spectrotemporelle ne suffit pas pour rendre compte des qualités d'un son dont l'écoute diffère d'une personne à l'autre. L'auteur fournit ainsi une synthèse des données récentes sur le système auditif, la reconnaissance des formes et la catégorisation cognitive qui permettent ensuite d'aborder l'étude des qualités musicales des sons - intensité, hauteur, timbre -, les problèmes posés par l'accordage des sons instrumentaux et la grande diversité des écoutes de la voix humaine. Contenu du DVD-Rom d'accompagnement Des "livrets-sons" au format ePub 3 (un par chapitre) pour écouter les sons sur son Smartphone ou sa tablette. Le livre complet au format PDF avec les 420 sons aux formats MP3 et WAV.
Music --- Musical analysis --- Musique --- Analyse musicale --- Acoustics and physics --- Acoustique et physique --- Ecoute musicale (pratique) --- Acoustique --- Hearing --- Écoute musicale (pratique) --- Acoustique. --- Écoute musicale (pratique) --- Muziektheorie --- Akoestiek --- 20e eeuw
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Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openne
Timpani --- Timpani music --- Timbales --- Timbales, Musique de --- Acoustics. --- Construction. --- Interpretation (Phrasing, dynamics, etc.) --- Acoustique --- Facture --- Interprétation --- 78.46 --- 78.52 --- Recorded accompaniments (Timpani) --- Kettledrum --- Timpanum --- Tympani --- Drum --- Pauken
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Harmony --- Music --- Harmonie --- Musique --- Early works to 1800 --- Philosophy and aesthetics --- Acoustics and physics --- Ouvrages avant 1800 --- Philosophie et esthétique --- Acoustique et physique --- 78.17 Rameau --- Rameau, Jean-Philippe, --- 960 --- mémoires --- musique --- levensbeschrijvingen --- biographies et mémoires --- Harmony - Early works to 1800 --- Music - Philosophy and aesthetics - Early works to 1800 --- Music - Acoustics and physics - Early works to 1800 --- Rameau, Jean-Philippe, - 1683-1764 --- 18e eeuw --- Analyses
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