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Icon design: Professionelle Gestaltung von Computer-Icons
Authors: ---
ISBN: 3830712693 Year: 2001 Publisher: München Stiebner


Book
Edward Hopper, 1882-1967 : transformaties van het werkelijke
Author:
ISBN: 9789077686263 Year: 2007 Volume: 6 Publisher: Hong Kong Taschen


Book
www.animation: Animations Design für das world wide web
Authors: ---
ISBN: 3830713525 Year: 2002 Publisher: München Stiebner


Book
Realisme en naturalisme
Authors: --- --- ---
ISBN: 9026434014 9789026434013 Year: 1979 Volume: 27 27 Publisher: Nijmegen Uitgeverij B. Gottmer


Book
Over de zin van nut: een filosofisch essay
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ISBN: 9789045006307 9045006308 Year: 2008 Publisher: Amsterdam Atlas

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De moderne mens is gesteld op efficiëntie. We willen dat problemen aangepakt worden en voelen ons verantwoordelijk voor het goed functioneren van de wereld. Geconfronteerd met onrecht kunnen we ons moeilijk voorstellen dat we niets zouden doen. Onze cultuur is door en door utilitair en pragmatisch: gericht op nuttigheid en op het oplossen van problemen. Tegelijk voelen we ons ook wel eens onbehaaglijk bij de neveneffecten van een doorgedreven nutsdenken. Een rationele aanpak van problemen leidt niet altijd tot een beter leven en brengt zelfs in gevaar wat ons het meest dierbaar is. We hebben het sterke vermoeden dat wat werkelijk van waarde is, niet in termen van nut valt uit te drukken.Maar wat vormt nu eigenlijk het probleem van het probleemoplossende denken? Wat is de zin van nut? In dit boek gaat Peter Venmans op zoek naar de filosofische bronnen van ons pragmatische levensgevoel. Hij vindt die bij Engelse utilitaristen zoals Jeremy Bentham en John Stuart Mill en bij hun Amerikaanse tegenhangers John Dewey en Richard Rorty


Book
How enemies become friends : the sources of stable peace
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ISBN: 9780691142654 0691142653 0691154384 9786612531514 1282531514 1400834414 9780691154381 Year: 2010 Publisher: Princeton Princeton University Press

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Is the world destined to suffer endless cycles of conflict and war? Can rival nations become partners and establish a lasting and stable peace? How Enemies Become Friends provides a bold and innovative account of how nations escape geopolitical competition and replace hostility with friendship. Through compelling analysis and rich historical examples that span the globe and range from the thirteenth century through the present, foreign policy expert Charles Kupchan explores how adversaries can transform enmity into amity--and he exposes prevalent myths about the causes of peace.Kupchan contends that diplomatic engagement with rivals, far from being appeasement, is critical to rapprochement between adversaries. Diplomacy, not economic interdependence, is the currency of peace; concessions and strategic accommodation promote the mutual trust needed to build an international society. The nature of regimes matters much less than commonly thought: countries, including the United States, should deal with other states based on their foreign policy behavior rather than on whether they are democracies. Kupchan demonstrates that similar social orders and similar ethnicities, races, or religions help nations achieve stable peace. He considers many historical successes and failures, including the onset of friendship between the United States and Great Britain in the early twentieth century, the Concert of Europe, which preserved peace after 1815 but collapsed following revolutions in 1848, and the remarkably close partnership of the Soviet Union and China in the 1950s, which descended into open rivalry by the 1960s.In a world where conflict among nations seems inescapable, How Enemies Become Friends offers critical insights for building lasting peace.Bron : http://press.princeton.edu


Book
Rouge : art et utopie au pays des Soviets
Authors: ---
ISBN: 9782711873845 2711873846 Year: 2019 Publisher: Paris Réunion des musées nationaux

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L’exposition 'Rouge. Art et utopie au pays des Soviets' présente un ensemble de plus de 400 œuvres conçues dans un contexte social et politique particulier. Son parcours chronologique commence en 1917 avec la révolution d’Octobre et se termine en 1953, année de la mort de Staline. Elle interroge la manière dont le projet de société communiste a engendré des formes d’art spécifiques. Des années 1920, marquées par un grand nombre de propositions d’avant-garde, aux années 1930 qui voient l’affirmation d’un dogme esthétique, le parcours aborde tous les domaines des arts visuels : peinture, sculpture, architecture, photographie, cinéma, design, arts graphiques avec des œuvres, pour la plupart jamais montrées en France. Les artistes tels que Rodtchenko, Malevitch, Klutsis … ont voulu accompagner par leurs œuvres l’édification du socialisme et contribuer à la transformation du mode de vie des masses. C’est cette histoire, ses tensions, ses élans comme ses revirements que relate l’exposition en posant la question d’une possible politisation des arts. Exposition organisée par la Réunion des musées nationaux - Grand Palais et le Centre Pompidou Musée national d’art moderne.

Keywords

Art --- URSS --- Catalogues d'exposition. --- Art, Soviet --- Art russe --- Communisme --- Réalisme socialiste --- Staline, Joseph --- Malevitch, Kasimir --- Tatline, Vladimir Evgrafovitch --- Rodtchenko, Alexandre --- Politics --- communism --- socialism --- social realism --- anno 1900-1999 --- Russia --- Kunst --- Sovjet-Unie --- 1918-1945 --- Propaganda --- Politiek --- Russische revolutie --- avant-garde --- communisme --- geschiedenis --- politiek --- propaganda --- sociaal realisme --- tentoonstelling Parijs (1925) --- wereldtentoonstelling 1937 (Parijs) --- Maiakovski, Vladimir Vladimirovitch --- Malevich, Kasimir --- Meyerhold, Vsevolod --- Rodchenko, Aleksandr Mikhailovich --- Tatlin, Vladimir Yevgrafovitch --- 20ste eeuw --- Afrika --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Film --- Geschiedenis --- Voorlichting --- Literatuur --- stijlen in beeldende kunst (sociaal realisme) --- Oorlogspropaganda --- geschiedenis. --- politiek. --- tentoonstelling Parijs (1925). --- wereldtentoonstelling 1937 (Parijs). --- sociaal realisme. --- avant-garde. --- propaganda. --- Russische revolutie. --- communisme. --- Maiakovski, Vladimir Vladimirovitch. --- Malevich, Kasimir. --- Tatlin, Vladimir Yevgrafovitch. --- Rodchenko, Aleksandr Mikhailovich. --- Meyerhold, Vsevolod. --- 20ste eeuw. --- Sovjet-Unie. --- kunst en politiek --- 20e eeuw


Book
Art & graphic design : George Maciunas, Ed Ruscha, Sheila Levrant de Bretteville
Author:
ISBN: 9780300249859 0300249853 Year: 2021 Publisher: New Haven, Conn. Yale University Press

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This fascinating study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha?s brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects?some of which have never been discussed before?combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.Bron: https://www.copyrightbookshop.be/shop/art-graphic-design-george-maciunas-ed-ruscha-sheila-levrant-de-bretteville/


Book
Verborgen verhalen : betekenissen van Vlaamse & Nederlandse schilderijen, 15e-18e eeuw
Authors: --- --- --- --- --- et al.
ISBN: 907658849X Year: 2003 Publisher: Gent Ludion

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Abstract

47

Keywords

Iconografie ; schilderkunst ; Nederlanden ; 15de tot 18de eeuw --- 704 --- Iconografie. --- iconografie --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Noordelijke Nederlanden --- Zuidelijke Nederlanden --- iconography --- realisme --- History --- Painting --- schilderkunst --- painting [image-making] --- realism [artistic form of expression] --- anno 1300-1399 --- anno 1500-1799 --- anno 1400-1499 --- Belgium --- Netherlands --- Art appreciation --- Art --- Painting, Dutch --- Painting, Flemish --- Symbolism in art --- kunst --- musea --- schilderijen --- vijftiende eeuw --- zestiende eeuw --- zeventiende eeuw --- #KVHA:Kunst --- #KVHA:Kunstgeschiedenis --- #KVHA:Realisme --- #KVHA:Schilderkunst --- 75.04 "14/17" --- 75.04 "14/17" Iconografie van de schilderkunst. Iconologie. Onderwerpen voor de schilderkunst--?"14/17" --- Iconografie van de schilderkunst. Iconologie. Onderwerpen voor de schilderkunst--?"14/17" --- Allegory (Art) --- Signs and symbols in art --- Flemish painting --- Dutch painting --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Appreciation of art --- Art criticism --- Themes, motives --- Analysis, interpretation, appreciation --- #GGSB: Kunst --- Schilderkunst --- Symbolen --- Symboliek --- Symbool --- Tekenkunst --- Reception of art --- Reception --- Kunst --- Art, Primitive --- Hollandse school --- Nederlandse school --- Vlaamse school --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Noordelijke Nederlanden. --- Zuidelijke Nederlanden.

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