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655.28.022.36 --- 681.3*I37 --- 681.3*I37 Three-dimensional graphics and realism: animation; visible line/surface algorithms (Computer graphics) --- Three-dimensional graphics and realism: animation; visible line/surface algorithms (Computer graphics) --- Desktop publishing. Electronic publishing --- Computergrafiek
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Hopper, Edward, --- painters [artists] --- American Scene --- realism [artistic form of expression] --- Hopper, Edward --- Criticism and interpretation --- Painters --- United States --- 20th century --- Painting --- Realism in art --- schilderkunst --- 75.071 HOPPER --- Hopper Edward --- Rolf Günter Renner --- Verenigde Staten --- kunst --- twintigste eeuw --- 20ste eeuw --- Schilderkunst --- Verenigde --- Kunst --- 737.8 --- Edward Hopper --- Staten 737.8 Schilder- en tekenkunst ; 20e eeuw --- 20e eeuw --- 75.071 --- schilders --- 19e eeuw --- Tekenkunst
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655.28.022.36 --- 621.39* --- 681.3*I37 --- 681.3*I37 Three-dimensional graphics and realism: animation; visible line/surface algorithms (Computer graphics) --- Three-dimensional graphics and realism: animation; visible line/surface algorithms (Computer graphics) --- 621.39* Internet --- Internet --- Desktop publishing. Electronic publishing --- Animatietechnieken --- Animatietechniek
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Realism in art --- Realism in literature --- Naturalism in literature --- Naturalism in art --- Art --- --Réalisme --- --Naturalisme --- --Littérature --- --Arts, Modern --- Naturalism in art. --- Realism in art. --- naturalisme --- realisme --- schilderkunst --- naturalism [artistic form of expression] --- literature [humanities] --- music [performing arts] --- literatuur --- Realist [modern European fine arts styles] --- muziek --- Art styles --- kunststijlen --- painting [image-making] --- cultuurgeschiedenis --- Literature --- anno 1800-1899 --- Arts, Modern --- 82 --- C3 --- naturalisme (x) --- Realism (Art) --- Idealism in art --- Romanticism in art --- Naturalism (Art) --- Kunst en cultuur --- literature [discipline] --- Realisme --- Naturalisme --- Kunstgeschiedenis --- 19e eeuw --- Kunst --- Afrika --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Geschiedenis --- Voorlichting --- Literatuur --- --Realisme --- 7.036 --- Kunstgeschiedenis ; Realisme. Impressionisme. Naturalisme ; 19de eeuw --- 700 --- kunst algemeen --- art généralités --- Réalisme --- Littérature --- music [performing arts genre] --- literary studies --- Réalisme
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59 p. : ill.
Arts, Modern --- Romanticism in art. --- Art --- --Littérature --- --Romantisme --- --Romanticism in art --- schilderkunst --- romantiek --- painting [image-making] --- History of civilization --- cultuurgeschiedenis --- Romantic [modern European styles] --- anno 1800-1899 --- 7.035 --- architectuur --- beeldhouwkunst --- Duitsland --- Frankrijk --- Groot-Brittannië --- kunst --- literatuur --- muziek --- negentiende eeuw --- Romanticism (Art) --- Idealism in art --- Naturalism in art --- Realism in art --- 78.75 --- Romantiek --- Kunstgeschiedenis --- Romanticism in art --- Groot-Brittannië --- C3 --- Kunst en cultuur --- Littérature --- Romantisme --- Arts, Modern - 19th century --- Romantisme (mouvement artistique)
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De moderne mens is gesteld op efficiëntie. We willen dat problemen aangepakt worden en voelen ons verantwoordelijk voor het goed functioneren van de wereld. Geconfronteerd met onrecht kunnen we ons moeilijk voorstellen dat we niets zouden doen. Onze cultuur is door en door utilitair en pragmatisch: gericht op nuttigheid en op het oplossen van problemen. Tegelijk voelen we ons ook wel eens onbehaaglijk bij de neveneffecten van een doorgedreven nutsdenken. Een rationele aanpak van problemen leidt niet altijd tot een beter leven en brengt zelfs in gevaar wat ons het meest dierbaar is. We hebben het sterke vermoeden dat wat werkelijk van waarde is, niet in termen van nut valt uit te drukken.Maar wat vormt nu eigenlijk het probleem van het probleemoplossende denken? Wat is de zin van nut? In dit boek gaat Peter Venmans op zoek naar de filosofische bronnen van ons pragmatische levensgevoel. Hij vindt die bij Engelse utilitaristen zoals Jeremy Bentham en John Stuart Mill en bij hun Amerikaanse tegenhangers John Dewey en Richard Rorty
Economic utility --- Filosofie --- Pragmatisme --- Pragmatism --- Utilitarianism --- #GGSB: Filosofie --- 17.036.24 --- Ethics --- Hedonism --- Philosophy --- Idealism --- Knowledge, Theory of --- Philosophy, Modern --- Positivism --- Realism --- Experience --- Reality --- Truth --- 17.036.24 Utilitarisme. Utiliteitsmoraal. J. Bentham. J. S. Mill --- Utilitarisme. Utiliteitsmoraal. J. Bentham. J. S. Mill --- Philosophy and psychology of culture --- departement Onderzoek 09 --- pragmatisme --- utilitarisme --- Utilitarianism. --- Pragmatism. --- Oudheid --- China --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw
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Is the world destined to suffer endless cycles of conflict and war? Can rival nations become partners and establish a lasting and stable peace? How Enemies Become Friends provides a bold and innovative account of how nations escape geopolitical competition and replace hostility with friendship. Through compelling analysis and rich historical examples that span the globe and range from the thirteenth century through the present, foreign policy expert Charles Kupchan explores how adversaries can transform enmity into amity--and he exposes prevalent myths about the causes of peace.Kupchan contends that diplomatic engagement with rivals, far from being appeasement, is critical to rapprochement between adversaries. Diplomacy, not economic interdependence, is the currency of peace; concessions and strategic accommodation promote the mutual trust needed to build an international society. The nature of regimes matters much less than commonly thought: countries, including the United States, should deal with other states based on their foreign policy behavior rather than on whether they are democracies. Kupchan demonstrates that similar social orders and similar ethnicities, races, or religions help nations achieve stable peace. He considers many historical successes and failures, including the onset of friendship between the United States and Great Britain in the early twentieth century, the Concert of Europe, which preserved peace after 1815 but collapsed following revolutions in 1848, and the remarkably close partnership of the Soviet Union and China in the 1950s, which descended into open rivalry by the 1960s.In a world where conflict among nations seems inescapable, How Enemies Become Friends offers critical insights for building lasting peace.Bron : http://press.princeton.edu
Peaceful change (International relations) --- Peace-building. --- International relations --- World politics --- National security. --- Balance of power. --- Transformations pacifiques (Relations internationales) --- Consolidation de la paix --- Relations internationales --- Politique mondiale --- Sécurité nationale --- Equilibre des puissances --- History --- Histoire --- #SBIB:327.5H20 --- 823 Diplomatie --- 827 Geopolitiek --- Vredesonderzoek: algemeen --- 827 GeopolitiekVredesonderzoek: algemeen --- Peaceful change (International relations). --- Sécurité nationale --- Balance of power --- National security --- Peace-building --- Peace --- Building peace --- Peacebuilding --- Conflict management --- Peacekeeping forces --- National security policy --- NSP (National security policy) --- Security policy, National --- Economic policy --- Military policy --- Power, Balance of --- Power politics --- Political realism --- Government policy --- International relations - History - 21st century --- World politics - 21st century --- Politiek --- Buitenlandse politiek --- Diplomatie --- Oorlog --- Vredesproblematiek
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L’exposition 'Rouge. Art et utopie au pays des Soviets' présente un ensemble de plus de 400 œuvres conçues dans un contexte social et politique particulier. Son parcours chronologique commence en 1917 avec la révolution d’Octobre et se termine en 1953, année de la mort de Staline. Elle interroge la manière dont le projet de société communiste a engendré des formes d’art spécifiques. Des années 1920, marquées par un grand nombre de propositions d’avant-garde, aux années 1930 qui voient l’affirmation d’un dogme esthétique, le parcours aborde tous les domaines des arts visuels : peinture, sculpture, architecture, photographie, cinéma, design, arts graphiques avec des œuvres, pour la plupart jamais montrées en France. Les artistes tels que Rodtchenko, Malevitch, Klutsis … ont voulu accompagner par leurs œuvres l’édification du socialisme et contribuer à la transformation du mode de vie des masses. C’est cette histoire, ses tensions, ses élans comme ses revirements que relate l’exposition en posant la question d’une possible politisation des arts. Exposition organisée par la Réunion des musées nationaux - Grand Palais et le Centre Pompidou Musée national d’art moderne.
Art --- URSS --- Catalogues d'exposition. --- Art, Soviet --- Art russe --- Communisme --- Réalisme socialiste --- Staline, Joseph --- Malevitch, Kasimir --- Tatline, Vladimir Evgrafovitch --- Rodtchenko, Alexandre --- Politics --- communism --- socialism --- social realism --- anno 1900-1999 --- Russia --- Kunst --- Sovjet-Unie --- 1918-1945 --- Propaganda --- Politiek --- Russische revolutie --- avant-garde --- communisme --- geschiedenis --- politiek --- propaganda --- sociaal realisme --- tentoonstelling Parijs (1925) --- wereldtentoonstelling 1937 (Parijs) --- Maiakovski, Vladimir Vladimirovitch --- Malevich, Kasimir --- Meyerhold, Vsevolod --- Rodchenko, Aleksandr Mikhailovich --- Tatlin, Vladimir Yevgrafovitch --- 20ste eeuw --- Afrika --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Film --- Geschiedenis --- Voorlichting --- Literatuur --- stijlen in beeldende kunst (sociaal realisme) --- Oorlogspropaganda --- geschiedenis. --- politiek. --- tentoonstelling Parijs (1925). --- wereldtentoonstelling 1937 (Parijs). --- sociaal realisme. --- avant-garde. --- propaganda. --- Russische revolutie. --- communisme. --- Maiakovski, Vladimir Vladimirovitch. --- Malevich, Kasimir. --- Tatlin, Vladimir Yevgrafovitch. --- Rodchenko, Aleksandr Mikhailovich. --- Meyerhold, Vsevolod. --- 20ste eeuw. --- Sovjet-Unie. --- kunst en politiek --- 20e eeuw
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This fascinating study of the role that graphic design played in American art of the 1960s and 1970s focuses on the work of George Maciunas, Ed Ruscha, and Sheila Levrant de Bretteville. Examining how each of these artists utilized typography, materiality, and other graphic design aesthetics, Benoît Buquet reveals the importance of graphic design in creating a sense of coherence within the disparate international group of Fluxus artists, an elusiveness and resistance to categorization that defined much of Ruscha?s brand of Pop Art, and an open and participatory visual identity for a range of feminist art practices. Rigorous and compelling scholarship and a copious illustration program that presents insightful juxtapositions of objects?some of which have never been discussed before?combine to shed new light on a period of abundant creativity and cultural transition in American art and the intimate, though often overlooked, entwinement between art and graphic design.Bron: https://www.copyrightbookshop.be/shop/art-graphic-design-george-maciunas-ed-ruscha-sheila-levrant-de-bretteville/
Kunst --- Design --- Grafische kunst --- Grafische technieken --- Grafische vormgeving --- Art and design --- Fluxus (Group of artists) --- Pop art --- Graphic design (Typography) --- 7.038(73) --- 766.038 --- 766:655.2 --- Ruscha, Edward (Ed) °1937 (°Omaha, Nebraska, Verenigde Staten) --- George (Litouws: Jurgis) Maciunas (°Kaunas, Litouwen 1931 - 1978) --- Sheila Levrant de Bretteville (°1940 in Brooklyn, NY, USA) --- Typographic design --- Printing --- Layout (Printing) --- Art, Modern --- Art, Pop --- Neo-Dadaism --- New super-realism --- Dadaism --- Surrealism --- Design and art --- Kunstgeschiedenis ; 1950 - 2000 ; Verenigde Staten --- Gebruiksgrafiek ; 1950 - 2000 --- Gebruiksgrafiek ; typografie --- Maciunas, George, --- Ruscha, Edward --- De Bretteville, Sheila Levrant --- Bretteville, Sheila Levrant de --- Levrant de Bretteville, Sheila --- Ruscha, Ed --- Ruscha, Edward, --- Mačiūnas, Jurgis, --- Criticism and interpretation. --- Art and design. --- Fluxus (Group of artists). --- Graphic design (Typography). --- Pop art. --- Ruscha, Edward. --- Maciunas, George --- Art --- Graphic arts --- graphic design --- graphic artists --- graphic designers --- Maciunas, Georg
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Iconografie ; schilderkunst ; Nederlanden ; 15de tot 18de eeuw --- 704 --- Iconografie. --- iconografie --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Noordelijke Nederlanden --- Zuidelijke Nederlanden --- iconography --- realisme --- History --- Painting --- schilderkunst --- painting [image-making] --- realism [artistic form of expression] --- anno 1300-1399 --- anno 1500-1799 --- anno 1400-1499 --- Belgium --- Netherlands --- Art appreciation --- Art --- Painting, Dutch --- Painting, Flemish --- Symbolism in art --- kunst --- musea --- schilderijen --- vijftiende eeuw --- zestiende eeuw --- zeventiende eeuw --- #KVHA:Kunst --- #KVHA:Kunstgeschiedenis --- #KVHA:Realisme --- #KVHA:Schilderkunst --- 75.04 "14/17" --- 75.04 "14/17" Iconografie van de schilderkunst. Iconologie. Onderwerpen voor de schilderkunst--?"14/17" --- Iconografie van de schilderkunst. Iconologie. Onderwerpen voor de schilderkunst--?"14/17" --- Allegory (Art) --- Signs and symbols in art --- Flemish painting --- Dutch painting --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Appreciation of art --- Art criticism --- Themes, motives --- Analysis, interpretation, appreciation --- #GGSB: Kunst --- Schilderkunst --- Symbolen --- Symboliek --- Symbool --- Tekenkunst --- Reception of art --- Reception --- Kunst --- Art, Primitive --- Hollandse school --- Nederlandse school --- Vlaamse school --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Noordelijke Nederlanden. --- Zuidelijke Nederlanden.
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