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Exhibitions --- Mines and mineral resources in art --- Mineralogy in archaeology --- Gems --- Marble in art --- Glass in art --- Color in art --- Red in art --- Black in art --- Minerals --- In art --- Musée provincial des Arts anciens du Namurois (Namur) --- Mines and mineral resources in art - Exhibitions --- Mineralogy in archaeology - Exhibitions --- Gems - Exhibitions --- Marble in art - Exhibitions --- Glass in art - Exhibitions --- Color in art - Exhibitions --- Red in art - Exhibitions --- Black in art - Exhibitions

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Painting --- Namur --- Namur (City) --- In art --- Belgium --- Themes, motives

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"All museums are sex museums. In Sex Museums, Jennifer Tyburczy takes a hard look at the formation of Western sexuality—particularly how categories of sexual normalcy and perversity are formed—and asks what role museums have played in using display as a technique for disciplining sexuality. Most museum exhibits, she argues, assume that white, patriarchal heterosexuality and traditional structures of intimacy, gender, and race represent national sexual culture for their visitors. Sex Museums illuminates the history of such heteronormativity at most museums and proposes alternative approaches for the future of public display projects, while also offering the reader curatorial tactics—what she calls queer curatorship—for exhibiting diverse sexualities in the twenty-first century. Tyburczy shows museums to be sites of culture-war theatrics, where dramatic civic struggles over how sex relates to public space, genealogies of taste and beauty, and performances of sexual identity are staged. Delving into the history of erotic artifacts, she analyzes how museums have historically approached the collection and display of the material culture of sex, which poses complex moral, political, and logistical dilemmas for the Western museum. Sex Museums unpacks the history of the museum and its intersections with the history of sexuality to argue that the Western museum context—from its inception to the present—marks a pivotal site in the construction of modern sexual subjectivity."--pub. desc.

Sex in art --- Erotic art --- Sex --- Art --- Museums --- Exhibitions.

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Ancient medicine --- Antieke geneeskunde --- Diseases in art --- Geneeskunde [Antieke ] --- Geneeskunde van de Oudheid --- Maladies dans l'art --- Medicine [Ancient ] --- Médecine ancienne --- Médecine de l'Antiquité --- Ziekten in de kunst --- Art, Classical --- Diseases in art. --- Art antique --- Themes, motives. --- Thèmes, motifs --- Sick in art --- People with disabilities in art --- Medicine, Ancient --- Art, Ancient --- Sick in art. --- People with disabilities in art. --- Medicine, Ancient. --- Art, Ancient. --- Art, Classical. --- Classical art --- Classical antiquities --- Medicine --- Handicapped in art --- Physically handicapped in art --- History of medicine --- Medicine and arts --- Medicine and society --- Greek-roman --- 460bc-576ad --- Medicine and arts. --- Medicine and society. --- 460bc-576ad. --- Thèmes, motifs --- Diseases --- Greece --- History --- Rome

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À l’heure où des tableaux dont l’auteur est une IA se vendent à des prix exorbitants, où des musiques dont l’auteur est une IA font des millions de « vues » sur YouTube et où des romans et des scenarii jaillissent d’une plume IA, il est temps de se poser la question : « L’Intelligence artificielle peut-elle engendrer des artistes authentiques ? » Si nous persistons à dénier aux logiciels IA la possibilité d’un vécu émotif, d’un « je ressens, donc je suis », d’une expérience à la première personne, d’un ancrage social, d’un projet plus intense que la vie, ce n’est sans doute pas demain que l’IA sera admise au rang d’artiste.

Artificial intelligence in literature --- Articicial intelligence in art --- Artificial intelligence --- Artists --- Musical applications --- Social aspects --- Criticism, interpretation, etc --- Computer art --- Conscious automata in art --- History