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Wicked Arts Assignments zijn gewaagde, ongebruikelijke, dwarse, grappige, poëtische, inspirerende, sociaal betrokken of anderszins uitdagende kunstopdrachten. Iedereen die kunstlessen geeft, kent ze: zon opdracht die ogenschijnlijk simpel is, maar die deelnemers, studenten en leerlingen maximaal uitdaagt. Veel kunstenaars, musici, theatermakers, dansers en kunstdocenten hebben die ene favoriete, vaak gebruikte opdracht waarin alles samenkomt: artistieke visie, pedagogische aanpak en liefde voor bepaalde technieken of methoden.De bijna honderd hier verzamelde kunstopdrachten sluiten aan bij beeldende kunst, performance, theater, muziek, dans en design, maar belangrijker nog: ze stimuleren interdisciplinariteit. Zij weerspiegelen themas, werkwijzen en concepten uit de hedendaagse kunsten en bieden mogelijkheden om over onszelf, kunst en de wereld anders na te denken. Het eerste deel van dit boek geeft inzicht in kunstopdrachten vanuit historische, artistieke en educatieve perspectieven, aangevuld met interviews met experts in hedendaagse kunst en onderwijs. Het tweede deel vormt de betreffende verzameling kunstopdrachten, voorzien van een toelichting en originele uitwerkingen in beeld. De opdrachten kunnen in verschillende contexten worden uitgevoerd: van basisscholen tot hoger onderwijs, van thuis tot de (online) gemeenschap en van Bogotá tot Istanbul. Ze zijn bedoeld om de verbeeldingskracht van zowel docenten als studenten te prikkelen en aan te sporen tot nieuwe, urgente educatieve en artistieke praktijken.https://www.valiz.nl/publicaties/wicked-arts-assignments?highlight=WyJoZWlqbmVuIiwiZW1pZWwiXQ==

611 --- Naslagwerken muziekpedagogiek en didactiek - algemeen onderzoek --- 373.67.02 --- Onderwijs ; kunst- architectuuronderwijs ; didactiek en methode --- Didactics of the arts --- kunstonderwijs --- creativiteit --- kunstopvoeding --- Art --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art education --- Education, Art --- Art schools --- Technique --- Study and teaching --- Analysis, interpretation, appreciation --- Education --- Kunstonderwijs --- Creativiteit --- Dans --- Muziek --- Performance --- Educatie --- Artistieke vorming --- Muziekpedagogie --- Didactiek --- projects [artistic concepts] --- participatory art

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Het Nederlandse collectief We Make Carpets heeft een fascinatie voor eenvoudige gebruiksvoorwerpen. De afgelopen tien jaar hebben zij de wereld veroverd met het maken van site-specific installaties in een wonderlijk proces van herwaardering van deze producten. Duizenden objecten worden door dagenlange noeste arbeid, getoond in aantrekkelijk kleurrijke patronen en texturen. Door het nauwkeurig neerleggen, in een steeds weer andere richting of andere zijde, laat We Make Carpets de toeschouwer alledaagse producten zien zoals hij die nog nooit eerder heeft gezien. Het boek toont 32 installaties gemaakt tussen 2014 en 2020. Paginavullende foto's van de kunstwerken worden begeleid door teksten van curatoren, publiek en directbetrokkenen bij de producties. Het boek geeft inzicht in de werkwijze van We Make Carpets, hun belevingswereld en de diverse locaties waar zij exposeerden zoals 21_21 DESIGN SIGHT in Tokio, Stedelijk Museum Amsterdam, National Gallery of Victoria in Melbourne. Voor het eerst zijn de tijdelijke werken van dit Nederlandse collectief samen gebundeld en permanent zichtbaar.

Installations (Art) --- Art, Modern --- 746.07 --- Kunstenaarscollectieven ; We Make Carpets --- Beeldende kunst ; installaties ; 2014-2020 ; We Make Carpets --- Installaties ; in-situ --- Beeldende kunst ; participatie van de toeschouwer --- Contemporary art --- Modernism (Art) --- Installation art --- Environment (Art) --- Textielkunst ; textielkunstenaars A - Z --- Nolte, Marcia. --- Vleuten, Stijn van der. --- Waardenburg, Bob. --- We Make Carpets. --- 779.8 --- installaties --- 772.82 --- We Make Carpets --- participatieve kunst (participatory art) --- participatory design --- 770.7 --- ontwerpbureaus --- Nederland --- in-situ --- textielkunst, overige --- productdesign, historisch, 1945-, ontwerpbureaus --- interaction design, participatory design, social design --- Art --- site-specific works --- installation artists --- We Make Carpets [Nederland]

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Orta's work examines the social bond within communities and the relationships between individuals and their environments. In the early 1990s Orta began a series of works that combined architecture, fashion and social activism. These works took the form of prototype clothing and portable shelters for emergency situations. Orta's work has since grown to incorporate interdisciplinary workshops, contemporary dance and other actions that explore notions of identity, shared space and networking. These projects include collaborations with such marginalized groups as the unemployed, the homeless and immigrants. Orta has staged also solo exhibitions and performances at the Cartier Foundation of Contemporary Art, Paris (1996), the Museum of Contemporary Art, Sydney (1998) and the Wiener Secession, Vienna (1999). She has exhibited in numerous group exhibitions, including the Venice Biennale (1995), the Johannesburg Biennale (1997) and the Museum of Contemporary Art in Tokyo (1998). In addition Orta frequently works outside the usual world of gallery and museum exhibitions. Orta is currently the first Rootstein Hopkins Chair of Fashion at the London College of Fashion, part of the London Institute and heads the new master programme Man and Humanity at the Design Academy in Eindhoven.

Orta, Lucy --- anno 1900-1999 --- Great Britain --- Installations (Art) --- Interactive art --- Performance art --- 7.071 --- design --- kunst --- Lucy Orta --- mode --- 7.071 ORTA --- installaties --- kunst en architectuur --- kunst en maatschappij --- kunst en mode --- Orta Lucy --- performances --- Roberto Pinto, Nicolas Bourriaud, Maia Damianovic --- Spanje --- textiel --- twintigste eeuw --- 7.039 --- 7.07 --- Architectuur ; kleding ; vormgeving ; voor daklozen --- Beeldende kunst ; 1992-2003 ; Lucy Orta --- Kleding ; schuilkleding ; lichaamsarchitectuur --- Kunst en maatschappij --- Lucy Orta (° 1966, Sutton Coldfield, Gr.-Br.) ; leeft en werkt in Parijs en London --- Mixed media --- Omgevingskunst --- Performances --- Thema's in de kunst ; de stad ; isolement --- Participatory art --- Social practice (Art) --- Installation art --- Art, Modern --- Environment (Art) --- kunstenaars --- Kunstgeschiedenis ; 2000 - 2050 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Criticism and interpretation. --- Artists --- Book

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Thanks to the omnipresence of computers, cell phones, gaming systems, and the internet, a broad audience has traded its past reservations against technology for an almost insatiable curiosity for all things technical. Against this background, unprecedented new tools and possibilities are opening up for the world of design. In addition to sketchbooks and computers, young designers are increasingly using programming languages, soldering irons,sensors, and microprocessors as well as 3D milling or rapid prototyping machines in their work. The innovative use of powerful hardware and software has become affordable and, most of all, much easier to use. Today, the sky is the limit when it comes to ideas for experimental media, unconventional interfaces, and interactive spatial experiences. A Touch of Code shows how information becomes experience. The book examines how surprising personal experiences are created where virtual realms meet the real world and where dataflow confronts the human

Art --- installatiekunst --- anno 2000-2099 --- Installations (Art) --- Interactive art --- Art and technology --- Multimedia (Art) --- Computer art --- Video art --- Sound in art --- Technologie et art --- Installation-art --- Art vidéo --- Multimédia --- Art contemporain --- Rapport art-architecture --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- technologie --- kunst en technologie --- interactiviteit --- interactieve kunst --- interactieve media --- installaties --- computerkunst --- computers --- design --- kunst en design --- Aether architecture --- Boeck Andrea --- Jihyun Kim --- Lui Justin --- Bartholl Aram --- Ars electronica futurelab --- art+com --- Atelier Markgraph --- Meso digital interiors --- interieurvormgeving --- B-human --- bitsbeauty --- Bureau des mésarchitectures --- architectuur --- kunst en architectuur --- Gomez Carlos J. --- Keller Christiane --- De Boeck Christoph --- Cinimod studio --- Cod.act --- Congaz --- Copenhagen institute of interactive design --- interactief design --- Rozin Daniel --- Pearlman Dan --- Bowen David --- Design I/O --- Electroland --- Zananiri Elie --- Envis precisely --- Everyoneelse --- Hojmose Anders --- Ronde Thielke Sebastian --- Vorreiter felix --- Orellana Fernando --- The light surgeons --- Field --- Fishing for compliments --- Flong --- Flying saucer --- Found electronics --- Fietzek Frank --- Winters Uli --- Rallo Gerard --- Gergwerk --- Kaufman Gregory --- Graffiti research lab --- Greyworld --- Id3d-Berlin-Themengestaltung --- Immediate remote interaction systems --- Informationlab --- Betran Ishac --- Berk jed --- Liao Jenhui --- Campbell Jim --- Friedemann Heuer Jonas --- Graef Jürgen --- Griffiths Joseph L. --- Popp Julius --- von Bismarck Julius --- Maus Benjamin --- Stumreich Kathrin --- Ahn Keehyun --- Lee Minsoo --- AnLstudio --- Kitchen Budapest --- KMAst --- LAb[au] --- Moura Leonel --- Les éditions volumiques --- De Rosso Lucca --- Lummo --- Yavuz Mahir --- LLoret Javier --- Iannicelli Marco --- Kison Markus --- Lerner Markus --- Stubbe André --- Bircher Martin --- Kim Luge Martin --- Casalegno Mattia --- Mediaarchitecture --- mischer'traxler --- Waldemeyer Moritz --- Hafermaas Nikolaus --- Goods Dan --- Koblin Aaron --- Roy Niklas --- Suominen Jari --- Völker Nils --- Meindertsma Christien --- Neustart corporate medialab --- Kunz Nicolas --- Flückiger Michael --- Wilshen Oliver --- OMA international --- Oriko --- Telhan Orkan --- Oscar Diaz studio --- Suzuki Yuri --- Beesley Philip --- Hoang Phu --- Rachely Rotem studio --- Notzold Paul --- Lozano-Hemmer Rafael --- Baecker Ralf --- rAndom international --- Wilhelmer Richard --- Mathy Robert --- Loesslein Roland --- We ain't plastic --- Habbyshaw Ryan --- Vanderlin Todd --- Sifteo --- Signal to noise --- Silent sudios --- Hilsing Silke --- Marxen Simon --- Schiessl simon --- Hardmood Beck Felix --- Bassi Andrea --- Wilhelmsen Siren Elise --- Sonice development --- Sosolimited --- Kuzaj Stefan --- Winker Jochen --- Fiedler Steffen --- Comkee --- Strukt design studio --- Unheilbar Architektur --- kunst en wetenschap --- studio klv --- Studio Roosegaarde --- Swampe --- Rorke Tiago --- Tac table --- ThegreenEyl --- Brevet Thibault --- Meister Boris --- Dierichs Tillmann --- Elsholz Stefanie --- Schissler Martin --- Posselt Torsten --- Trikoton --- Troika --- United states of design --- United visual artists --- Vr/urban --- Wandern im Wissen --- Whitevoid --- YesYesNo --- Zimoun --- 745.039 --- 7.039 --- 791.5 --- Gomez Carlos J --- Griffiths Joseph L --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Multi media (Art) --- Arts --- Participatory art --- Social practice (Art) --- Installation art --- Environment (Art) --- Art, Computer --- Computer craft --- Digital art --- New media art --- Technology and art --- Technology --- Time-based art --- Installations (Art) - 21st century. --- Interactive art - 21st century. --- Art and technology - 21st century. --- Multimedia (Art) - 21st century. --- Computer art - 21st century. --- Video art - 21st century. --- Sound in art - 21st century.