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While text processing is often associated with the digital humanities, it is still seen as worlds apart from literary modernism and its aesthetic preoccupations. This book upsets that narrative. Examining literary manuscripts from some of the twentieth century's best-known and lesser-known novelists, from Marcel Proust to Mina Loy, Alex Christie reveals where authors experimented with proto-digital writing methods by hand. Instead of looking to computers as sources of inspiration, the authors discussed turned to twentieth-century media for their ability to reveal new layers of the material world. From analog fantasies of contacting the dead to digital anxieties of invisible information, the aesthetic ambitions of these novels can be traced back to their author's interest in emerging media devices and their technical operation. To capture the magic of such devices through writing, these authors devised radical methods for generating literary text, anticipating today's digital humanities. Alex Christie is Associate Professor of Digital Prototyping at Brock University's Department of Digital Humanities, Canada. He has published in Digital Humanities Quarterly, Journal of Interactive Technology and Pedagogy, and Reading Modernism with Machines; he co-edited American Science Fiction Television and Space; his digital projects include z-axis research and Pedagogy Toolkit.
Mass communications --- Fiction --- Literature --- communicatie --- literatuur --- fantasie (verbeelding) --- anno 1900-1999 --- Literature and technology. --- Mass media and literature. --- Fiction. --- Creative nonfiction. --- Literature, Modern --- Literature. --- Literature and Technology. --- Fiction Literature. --- Non-Fiction Literature. --- Twentieth-Century Literature. --- Literary Methods. --- 20th century.
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The adultery novel, which became a pan-European literary paradigm in the second half of the 19th century, has a fascinating back story. In the wake of the French Revolution, there emerged a slew of secular marriage legislation which produced a metaphorical surplus that is still effective today. Through legal history and canonical literary texts from Rousseau to Goethe and Manzoni to Hugo and Flaubert, “Marriage as a National Fiction” traces how marriage became a figure of reflection for the modern nation-state around 1800. At the same time, law and literature are made fruitful for historical semantics of society and community. This book is a translation of an original German 1st edition “Ehe als Nationalfiktion” by Dagmar Stöferle, published by J.B. Metzler, imprint of Springer-Verlag GmbH Germany, part of Springer Nature in 2020. The translation was done with the help of artificial intelligence (machine translation by the serviceDeepL.com). The author (with the support of Chris Owain Carter) has subsequently revised the text further in an endeavour to refine the work stylistically. .
Human sciences --- Private law --- Mass communications --- Information systems --- Fiction --- Comparative literature --- Literature --- sociale media --- communicatie --- literatuur --- burgerlijk recht --- gerechtelijk recht --- fantasie (verbeelding) --- anno 1800-1899 --- anno 1900-1999 --- Fiction. --- Comparative literature. --- Literature and technology. --- Mass media and literature. --- Digital humanities. --- Civil procedure. --- Literature, Modern --- Fiction Literature. --- Comparative Literature. --- Literature and Technology. --- Digital Humanities. --- Civil Procedure Law. --- Nineteenth-Century Literature. --- 19th century.
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