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Sociology of culture --- Art --- kunstsociologie
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Sociology of literature --- kunstenaarschap --- kunstenaarschap --- kunstsociologie --- Artists
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Music --- hedendaagse kunst --- publiek --- kunstsociologie --- muziekgeschiedenis --- anno 2000-2099
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Art --- perception --- Contemporary [style of art] --- kunstsociologie --- cultuursociologie --- anno 1990-1999 --- anno 2000-2009 --- Belgium
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Iconography --- Art --- Drawing --- installations [visual works] --- art [discipline] --- drawing [image-making] --- kunstsociologie --- installatiekunst --- Kabakov, Ilija Iosefovich --- anno 1900-1999 --- Russia
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Philosophy and psychology of culture --- Political philosophy. Social philosophy --- creativity --- philosophy of art --- kunstfilosofie --- cultuurbeleid --- liberalisme --- kunstsociologie --- creativiteit --- #SBIB:316.7C312 --- Cultuurbeleid: nationaal --- kunst en politiek
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mass media --- Contemporary [style of art] --- kunstsociologie --- hedendaagse kunst --- Bisschop, Geert --- Theys, Frank --- Jolle, 't, Sven --- Buetti, Daniele --- Devos, Danny --- Evrard, David --- Garcia, David --- Orta, Lucy --- Ryslavy, Kurt
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Iconography --- Art --- installations [visual works] --- batik --- photography [process] --- dandyism --- costume [mode of fashion] --- textile materials --- identity --- kunstsociologie --- culturele diversiteit (kunst) --- human figures [visual works] --- Shonibare, Yinka
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Dans The Murmuring of the Artistic Multitude, le sociologue de l'art Pascal Gielen défend l'hypothèse selon laquelle le monde de l'art globalisé est un terrain idéal pour l'exploitation économique. Dans l'ivresse des villes créatives et de l'industrie créative, les gouvernements adoptent ce modèle de travail post-fordiste et s'intègrent donc parfaitement dans l'économie de marché mondiale et néolibérale. Gielen explore cette situation et veut en même temps proposer de nouvelles alternatives dont le monde de l'art a besoin pour maintenir sa propre dynamique et sa propre liberté. Sa recherche le mène vers des lieux d'intimité partagée et de «ralentissement» au milieu du flux mouvementé et mondial des développements et des tendances artistiques. Cette troisième édition a été entièrement révisée et mise à jour avec les plus récentes perspectives de Gielen sur les dimensions politiques de l'art, l'autonomie et la relation entre l'art, l'éthique et la démocratie. In 'The murmuring of the artistic multitude' art sociologist Pascal Gielen defends the hypothesis that the globalized art scene is an ideal production entity for economic exploitation. How can the art world preserve its won dynamic and freedom? Gielen's quest leads to places of intimacy and "slowability" in the hectic global flow of artistic events and artistically-minded trends. This third edition has been thoroughly updated with Gielen's latest insights into the political dimensions of art, autonomy and the relationship between art, ethics, and democracy.
Sociology of culture --- Art --- art criticism --- philosophy of art --- globalization --- kunstkritiek --- cultuursociologie --- globalisering --- Sociologie --- Sociologie de l'art --- Sociologie de la culture --- Politique --- Economie --- Economic aspects --- Political aspects --- Art - Economic aspects --- Art - Political aspects --- kunstsociologie
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Kunsttheorie onderzoek van hedendaagse kunst --- Hirst, Damien --- Kunstsociologie kunstmarkt invloeden op selectie --- Deleuze, Gilles --- Paolini, Giulio --- 7.01 --- Kunst theorie, filosofie, esthetica --- Art, Modern --- Art --- Kunstsociologie ; kunstmarkt ; invloeden op selectie --- Kunsttheorie ; onderzoek van hedendaagse kunst --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Study and teaching (Higher) --- Kunst ; theorie, filosofie, esthetica --- anno 1900-1999 --- anno 2000-2009 --- Art, Primitive
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