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Art styles --- Minimal --- minimal art --- anno 1900-1999 --- kunst --- kunstgeschiedenis --- Kunstgeschiedenis --- 705.8 --- minimalisme --- kunstgeschiedenis, 20e eeuw
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Art styles --- Pop [fine arts styles] --- pop-art --- anno 1900-1999 --- kunst --- kunstgeschiedenis --- Kunstgeschiedenis --- 705.8 --- pop art --- kunstgeschiedenis, 20e eeuw
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- Installation art and experience ##- The dream scene ##- Heightened perception ##- Mimetic engulfment ##- Activated spectatorship.
Installations (Art) --- installatiekunst --- Claire Bishop --- Beeldende kunst ; installaties ; 20ste eeuw ; naslagwerken --- Kunstgeschiedenis ; 1950 - 2000 --- 7.038 --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- installaties --- naslagwerk --- 7.039 --- History --- Sculpture --- history [discipline] --- geschiedenis --- 705.8 --- kunstgeschiedenis --- kunstgeschiedenis, 20e eeuw --- Installations (Art) - History
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705.8 --- conceptuele kunst --- Cornell, Joseph --- kunstgeschiedenis --- surrealisme --- kunstgeschiedenis, 20e eeuw --- Kōneru, Jozefu, --- Criticism and interpretation. --- catalogues raisonnés --- boxes [containers] --- assemblage [sculpture technique] --- peepshows --- display cabinets --- collagists --- Kōneru, Jozefu
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Duchamp, Marcel --- Art --- art [fine art] --- Duchamp Marcel --- kunst --- twintigste eeuw --- ready-mades --- schilderkunst --- grafiek --- dadaïsme --- surrealisme --- 7.071 DUCHAMP --- #A9309H --- Frankrijk --- ed. by Anne d'Harnoncourt and Kynaston McShine --- 705.8 --- Duchamp, Marcel (1887-1968) --- installaties --- kunst ; 20e eeuw --- ready made --- kunstgeschiedenis, 20e eeuw --- Dadaïsme --- Dadaism --- Kunst --- Duchamp, Marcel, --- Dadaïsme. --- ready-mades [found objects]
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British artist Gillian Wearing, winner of the 1997 Turner Prize, uses photography and video to explore the intimacies and complexities of everyday life. Borrowing from popular culture, her work is disturbing and confessional. In 1992 she began the acclaimed series Signs that say what you want them to say and not Signs that say what someone else wants them to say', in which random passers-by are photographed holding messages they've written, such as the mild-mannered young businessman whose sign unexpectedly reads 'I'm Desperate'.Wearing's work borrows from familiar forms of popular culture to produce direct, revealing records of deep-seated human trauma and emotion, often adopting the methods of television documentaries for her 'fly-on-the-wall' view of people's lives. Her videos can be alarming, as in Confess All ... in which masked individuals confess their darkest secrets, or humorous, as in (Slight) Reprise - a sampler of adults playing 'air guitar' in the fantasy rock stadium of their bedrooms. Her art can be disconcerting or uplifting: an honest portrait of the many sides to contemporary life.With exhibitions in Britain, the US, Europe and Japan, Wearing is among the best-known and most internationally recognized of the recent generation of British artists. This is the first publication ever to survey this remarkable young artist's gripping work in its entirety.Russell Ferguson of UCLA's Hammer Museum contextualizes Wearing's work in relation to historical precedents in painting, photography and video art. Curator at the Whitney Museum of American Art Donna De Salvo discusses with the artist her collaborative approach towards her work and its subjects. London-based critic John Slyce focuses on Wearing's work 10-16, a remarkable video installation that charts our transition from childhood to adolescence. The artist has selected transcripts from director Michael Apted's acclaimed British television documentary series Seven Up, an important influence on the process Wearing uses in her own work. Published here for the first time in full are the transcripts of the artist's video works.
multimediakunst --- multimedia works --- Wearing, Gillian --- Photographie --- Vidéo --- Criticism and interpretation --- Russel Ferguson, Donna De Salvo, John Slyce --- Seven Up --- Wearing Gillian --- Groot-Brittannië --- fotografie --- Apted Michael --- kunst --- twintigste eeuw --- videokunst --- video-installaties --- 77.071 WEARING --- 791.45 WEARING --- Young British Artists --- conceptuele kunst --- 705.8 --- kunstgeschiedenis, 20e eeuw --- Criticism and interpretation. --- Wearing, Gillian - Criticism and interpretation --- Wearing, Gillian - Interviews
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Performer, photographer, and painter Teun Hocks is "an innocent Everyman in an always strange and often funny world," as Janet Koplos recently noted. In scenes burlesque to tragicomic, his lonely Buster Keaton-like persona struggles to find stable ground in an unstable universe. Life's complications take the form of impossible Rube Goldbergian contraptions fraught with psychological implications. Each image captures one moment of an implied narrative, triggering questions about how the protagonist ever got himself into such a fix and what in the world will happen next. The wit, elaborate technique, and rich colors of his images combine to form an irrepressibly original oeuvre. In addition to his painted photographs, the book includes drawings, Polaroids, and studio shots, which illuminate his creative process. This is the first English-language volume devoted to the artist. "Hocks is the master of the short story compressed into a single image."—Janet Koplos. Teun Hocks was made possible with generous support from The Netherland-America Foundation and the Mondriaan Foundation, Amsterdam.
fotomontage --- photography [process] --- fotografie --- photomontages --- Hocks, Teun --- 7.071 HOCKS --- 75.071 HOCKS --- 77.071 HOCKS --- Essay by Janet Koplos --- Hocks Teun --- Nederland --- fotografie en schilderkunst --- kunst --- schilderkunst --- twintigste eeuw --- Conceptuele kunst --- Fotografie --- Kunst --- Kunstenaars --- Schilderkunst --- 705.8 --- Kunstgeschiedenis 20e eeuw --- Photographie --- Teun, Hocks --- Hocks, Teun, --- Hocks, Teun, - 1947 --- -Conceptuele kunst --- photomontages [visual works] --- -photography [process]
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20e eeuw --- 705.8 --- Schwartz, Martha --- conceptuele kunst --- land art --- landschapsarchitectuur --- landschapskunst --- tuinarchitectuur --- kunstgeschiedenis, 20e eeuw --- Walker --- 638.3 --- tuinaanleg en -onderhoud, tuinarchitectuur; geschiedenis --- Architecture --- Paysagisme --- Paysage urbain --- Jardin --- Art minimal --- Landschapsarchitectuur --- Landschaps- en tuinarchitecten --- geschiedenis --- minimalisme --- Landschaps- & tuinarchitectuur --- Landschaps- & tuinarchitectuur
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Bourgeois, Louise --- 746.07 --- Beeldhouwkunst ; installaties ; environments ; Louise Bourgeois --- Bourgeois, Louise 1911-2010 (°Parijs, Frankrijk) --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Kunst en feminisme --- Textiele kunst ; installaties ; 20ste eeuw ; Louise Bourgeois --- Thema's in de kunst ; cellen ; afgesloten ruimtes --- 705.8 --- conceptuele kunst --- grafiek --- installaties --- textiel --- textielkunst --- Textielkunst ; textielkunstenaars --- kunstgeschiedenis, 20e eeuw --- Exhibitions --- towels --- cloth --- sheets [bed coverings] --- clothing --- Installations (Art) --- Sculpture, Modern --- Modern sculpture --- Bourgeois, Louise, --- stof [textiel] --- lakens --- handdoeken --- kleding
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Drawing --- installations [visual works] --- light art --- drawing [image-making] --- artists' books [books] --- Art --- Tuttle, Richard --- anno 1900-1999 --- United States --- 7.071 TUTTLE, RICHARD --- 7.07 --- Beeldende kunst ; 1970-1990 ; Richard Tuttle --- Intermedia ; assemblages ; installaties --- 7.071 TUTTLE --- Tuttle Richard --- installaties --- twintigste eeuw --- 705.8 --- kunst ; 20e eeuw --- minimalisme --- post-minimalisme --- Creatieve en vertolkende bezigheden in verband met kunst. Activiteiten van beroepsartiesten--TUTTLE, RICHARD --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- kunstgeschiedenis, 20e eeuw --- art [fine art] --- art [discipline]
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