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Latin American literature --- Colombian literature --- Caribbean literature --- Literature --- Littérature latino-américaine --- Littérature antillaise --- Littérature --- History and criticism --- Periodicals. --- Histoire et critique --- Périodiques --- Arts and Humanities --- cultural studies --- Latin American studies --- Latin America --- comparative literature --- Caribbean literature --- Caribbean literature. --- Colombian literature. --- Latin American literature. --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- latin american literature --- latin american studies --- latin america --- caribbean literature
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Visualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggests that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.
Philosophy and psychology of culture --- Sociology of culture --- Ethnology. Cultural anthropology --- Literature --- Regional documentation --- History --- etnologie --- cultuur --- geschiedenis --- literatuur --- steden --- anno 1900-1999 --- Caribbean area --- Latin America --- Ecocriticism. --- Latin American literature. --- Literature, Modern --- Culture --- Ethnology --- Culture. --- Cities and towns --- Latin American/Caribbean Literature. --- Contemporary Literature. --- Visual Culture. --- Latin American Culture. --- Urban History. --- 20th century. --- 21st century. --- Study and teaching. --- Latin America. --- History.
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This Palgrave Pivot offers new insights into leading Chicana writer Gloria Anzaldúa, investigating the dynamic composition of her texts, and situating her work in a larger hemispheric tendency of performativity emerging at the turn of the millennium. Presenting Anzaldúa as a quintessential figure of feminist and decolonial theory-making in the Americas, this book argues that the Chicana writer articulated her notions on fluctuations through “performative concepts” which did not respect the borders of single texts or editions, but organically grew through them. The offered close readings of Anzaldúa’s published works, drafts, and archive material demonstrate the constant changes and intertwined phases of her literary and conceptual production. Romana Radlwimmer is Professor of Romance Literatures at the Goethe University of Frankfurt, Germany. She has held teaching and research positions in literary and cultural studies at the Universities of Salamanca, Lisbon, Augsburg, and Tübingen, and was a Fulbright Visiting Scholar at the University of Missouri, US. She is the author of Wissen in Bewegung: LatinaKulturtheorie / Literaturtheorie / Epistemologie (2015), and the editor of the volume Transborder Matters: Circulaciones literarias y transformaciones culturales chicanas y mexicanas (2020). She has published numerous peer-reviewed articles in her fields of research.
Philosophy --- Philosophy and psychology of culture --- Sociology of culture --- Ethnology. Cultural anthropology --- Literature --- etnologie --- cultuur --- filosofie --- literatuur --- Caribbean area --- Latin America --- Latin American literature. --- Feminism and literature. --- Ethnology --- Culture. --- Intermediality. --- Latin American/Caribbean Literature. --- Feminist Literary Theory. --- Latin American Culture. --- Philosophy.
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This delightful collection of essays by Elena Poniatowska presents readers with a wide panorama of important Mexican female artists and writers. Elizabeth Martínez’s excellent translation brings Poniatowska’s keen eye and searing observations beautifully into English, meaning that these extraordinary women, their lives, and their art emerge fully realized from the page. The book is a wonderful read for both those well-versed in Mexican literature and for those wanting to know more about Mexican art and culture! - Paul M. Worley and Melissa Birkhofer, Appalachian State University, North Carolina, translators of Word Mingas: Oralitegraphies and Mirrored Visions on Oralitures and Indigenous Contemporary Literatures by Miguel Rocha Vivas This book consists of a collection of essays by Mexican writer Elena Poniatowska in their first English translation, and a critical introduction. The highly engaging essays explore the lives of seven transformational figures for Mexican feminism. This includes Frida Kahlo, Maria Izquierdo, and Nahui Olin, three outstanding artists of the cultural renaissance of the early twentieth century, and Nellie Campobello, Elena Garro, Rosario Castellanos, and Pita Amor, forerunner writers and poets whose works laid a path for Mexican women writers in the later twentieth century. Poniatowska’s essays discuss their fervent activity, interactions with other prominent figures, details and intricacies about their specific works, their scandalous and irreverent activities to draw attention to their craft, and specific revelations about their lives. The extensive critical introduction surveys the early feminist movement and Mexican cultural history, explores how Mexico became a more closed society by the mid-twentieth century, and suggests further reading and films. This book will be of interest both to the general reader and to scholars interested in feminist/gender studies, Mexican literary and cultural studies, Latin American women writers, the cultural renaissance, translation, and film studies. Elizabeth Coonrod Martinez was Professor at DePaul University, USA, 2010 to 2020, and at Sonoma State University, USA, 1995 to 2010. Her recent books include Teaching Late Twentieth Century Mexicana and Chicana Writers (2021), Josefina Niggli, Mexican American Writer: A Critical Biography (2007), and Lilus Kikus and Other Stories by Elena Poniatowska, translation and introduction (2005). She was Editor of the academic journal Diálogo, an Interdisciplinary Studies journal from 2010 to 2020. Elena Poniatowska is one of the most powerful and important voices of Spanish American literature and journalism. Her chosen genre is literary journalism, much of which is collected in the 7 volume Todo México (1991-1999). Her prolific career has won her many awards including the Mazatlán Prize twice for Hasta no verte Jesús mío (1970) and Tinísima (1992), the Alfaguara Prize for La piel del cielo (2007), and the Cervantes Prize for Literature in 2013. .
Philosophy --- Philosophy and psychology of culture --- Sociology of culture --- Ethnology. Cultural anthropology --- Literature --- etnologie --- cultuur --- filosofie --- literatuur --- anno 1900-1999 --- Caribbean area --- Latin America --- Latin American literature. --- Literature, Modern --- Ethnology --- Culture. --- Feminism and literature. --- Women --- Latin American/Caribbean Literature. --- Twentieth-Century Literature. --- Latin American Culture. --- Feminist Literary Theory. --- Women's History / History of Gender. --- 20th century. --- Latin America. --- Philosophy. --- History.
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This book shows how Latin American writers and artists in the crisis-decades of the 1920s and 1930s used modernist techniques to explore national issues in relation to global capitalism. Drawing on a rich interdisciplinary archive of novels, poetry, essays, photography, and architecture, it includes chapters on major figures and the transformations that marked Latin American cities at the beginning of the twentieth century: the poet Manuel Maples Arce and Mexico City; the essayist José Carlos Mariátegui and Lima; the novelist Roberto Arlt and Buenos Aires; the novelist Patrícia Galvão and São Paulo. Tavid Mulder argues that the Latin American city should be understood as a peripheral metropolis: a social space that is simultaneously peripheral relative to the center of the world economy and a metropolis in relation to the region’s vast, underdeveloped hinterlands. Conceiving of modernist techniques as ways of understanding how the dualisms of Latin American societies—urban and rural, wealth and poverty, cosmopolitan and national—are bound together by the internal contradictions of capitalism, this volume insists on the ability of literary and artistic works to grasp the process through which untenable situations of crisis are not overcome but stabilized in the periphery. It thereby sheds light on issues in Latin America that have become increasingly urgent in the twenty-first century: inequality, indigenous migration, surplus populations, and anomie. Tavid Mulder teaches literature and interdisciplinary studies at Emerson College, US. His work has appeared in journals such as Revista Hispánica Moderna, Mediations, Comparative Literature Studies and A Contracorriente.
Philosophy and psychology of culture --- Sociology of culture --- Ethnology. Cultural anthropology --- Literature --- etnologie --- cultuur --- literatuur --- Amerikaanse cultuur --- anno 1900-1999 --- Caribbean area --- Latin America --- Modernism (Literature) --- Literature. --- Latin American literature. --- Literature, Modern --- Ethnology --- Culture. --- World Literature. --- Latin American/Caribbean Literature. --- Twentieth-Century Literature. --- Latin American Culture. --- 20th century. --- Latin America.
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