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Ceija Stojka (1933-2013), a member of the Lovara community (from the Hungarian Lo = horse, horse traders), a Roma group that settled in Austria, was deported to Auschwitz with a large portion of her family at ten years old. Her father had previously been gassed in the 'euthanasia' facility at Hartheim. Ceija Stojka survived not only the extermination camp at Auschwitz, but also the concentration camps at Ravensbrück and Bergen Belsen, from which she was freed by the British army on 15 April 1945. Together with her brother Karl Stojka, she was the first to break the victims' silence in Austria in the 1980s, and continued to discuss her treatment as a Roma openly from then on. At the end of the 1980s she began teaching herself to draw and paint. The cycle of ink drawings and gouaches 'Even death is afraid of Auschwitz' developed over several years and comprises approximately 250 pages. It offers an impressive artistic narrative of the persecution and genocide of the Roma and Sinti under the Nazis and is being published as completely as possible in this book. The texts by Barbara Danckwortt and Tímea Junghaus explore the artist's traumatic experiences in a concentration camp, and how she used art to work through them. Director Karin Berger describes the close cooperation with Ceija Stojka when making her documentary films. The two editors, Lith Bahlmann und Matthias Reichelt, provide an introduction to the topic and set out the context of the artistic work. An integral part of the book is a DVD featuring the two film portraits of Ceija Stojka by Karin Berger. 0Exhibition: Kunstverein Tiergarten Berlin, Germany (20.06.-26.07.2014) / Schwartzsche Villa, Berlin, Germany (02.07.-31.08.2014).

Drawing, Austrian --- Painting, Austrian --- Holocaust, Jewish (1939-1945), in art --- 7.07 --- 741.07 --- 75.07 --- Stojka, Ceija 1933-2013 (°Kraubath an der Mur, Oostenrijk) --- Thema's in de kunst ; oorlog ; herinnering aan de holocaust --- Austrian drawing --- Austrian painting --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Tekenkunst ; tekenkunstenaars A - Z --- Schilderkunst ; schilders --- Stojka, Ceija --- Auschwitz (Concentration camp) --- KL Auschwitz --- Oświęcim (Concentration camp) --- Konzentrationslager Auschwitz --- Oshṿits (Concentration camp) --- Aušvic (Concentration camp) --- KZ Auschwitz --- Auschwitz I (Concentration camp) --- Concentration camp "Auschwitz" --- CC Auschwitz --- אוישוויץ --- אושוויץ --- אושוויץ (מחנה-ריכוז) --- מחנה אושווינצ׳ים --- Osvent︠s︡im (Concentration camp) --- Aushvit︠s︡ (Concentration camp) --- In art. --- Exhibitions --- Drawing --- Painting --- holocaust --- Освенцим (Concentration camp) --- Aousvits (Concentration camp) --- Аушвіц (Concentration camp)

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Amsterdam, een zonnige zondag ergens in het begin van dé jaren zestig. Mees, een jonge jazzpianist. Zijn vriend Boeli, dichter. De zestienjarige Panda, een onweerstaanbaar lichtzinnig meisje. En nog wat vage figuranten. Een vurrukkullukke zomerdag lang volgen we hen op de voet.

genre-thema"">genre-thema --- Romans. --- Dutch literature --- adolescenten --- jeugdboeken --- jeugdliteratuur --- romans --- Amsterdam --- JB CAMP --- Nederland --- 741 --- 095007.jpg --- Nederlandse romans --- Proza - Nederlands --- Romans

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Tweede Wereldoorlog --- concentratiekampen --- History of Belgium and Luxembourg --- anno 1940-1949 --- Breendonk --- Camps de concentration --- Concentratiekampen --- Guerre mondiale II ; Belgique --- Wereldoorlog II ; België --- België --- 343.819.5 --- #A0311A --- 946 Tweede Wereldoorlog --- #GGSB: Geschiedenis (Belgie) --- Concentratiekamp --- 343.819.5 Concentratiekamp --- België. --- Concentration camps --- World War, 1939-1945 --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Death camps --- Detention camps --- Extermination camps --- Internment camps --- Detention of persons --- Military camps --- Prisoners and prisons, German --- Breendonk (Concentration camp) --- Breendonck (Concentration camp) --- Fort Breendonk (Concentration camp) --- Socioculturele geschiedenis na 1830 (kennisdomein) --- Boekgeschiedenis (kennisdomein) --- Geschiedenis (Belgie)

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erotische kunst --- ruimtelijke kunst --- pornografie --- eroticism --- Koons, Jeff --- Sculpture, American --- Sculpture américaine --- Koons, Jeff, --- 7.07 --- Postmodernisme --- Post-Pop Art --- Koons Jeff --- pop art --- concept art --- conceptuele kunst --- kitsch --- 705.8 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- kunstgeschiedenis, 20e eeuw --- Koons, Jeff °1955 (°York, Pennsylvania, Verenigde Staten) --- Kitsch & Camp ; 1979-1995 ; Jef Koons --- Neo-Geo --- Simulation Art --- 7.038 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Sculpture américaine --- Koons, Jeffrey, --- Kunsi, Jiefu, --- Ḳuns, G'ef, --- קונס, ג'ף

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Breaking the Mould: Sculptures by Women since 1945 will be the first publication to focus on women sculptors in Britain from the post-war period to today: their art, their influences, and their interaction with the art-world structures that surround them.

Presenting multiple voices and perspectives, the book will include an essay by curator Natalie Rudd, alongside complementary texts from artists, writers and curators presenting fresh critical thinking on the subject and will illustrate the work of over 40 artists. The book also features a timeline, highlighting key events and developments over the last 75 years.

Artists featured include: Phyllida Barlow, Rana Begum, Helen Chadwick, Alice Channer, Lygia Clark, Elisabeth Frink, Anya Gallaccio, Mona Hatoum, Barbara Hepworth, Shirazeh Houshiary, Mary Kelly, Karin Jonzen, Liliane Lijn, Kim Lim, Sarah Lucas, Cathy de Monchaux, Margaret Organ, Cornelia Parker, Kathy Prendergast, Rebecca Warren, Rachel Whiteread and Alison Wilding.

Accompanies the touring exhibition starting at Longside Gallery, Yorkshire Sculpture Park 3 Apr – 14 Jun 2020 and travelling to New Art Gallery Walsall, Jul – Sep 2020; Djanogly Gallery, Nottingham Lakeside Arts, Mar – Jun 2021 and Ferens Art Gallery, Hull, Jul – Sep 2021.

Sculpture --- women [female humans] --- Lijn, Liliane --- Hepworth, Barbara --- Frink, Elisabeth --- Gallaccio, Anya --- Wilding, Alison --- Alley, Anthea --- Barlow, Phyllida --- Cluett, Shelagh --- Monchaux, de, Cathy --- Douglas Camp, Sokari --- Finn-Kelcey, Rose --- Gili, Katherine --- Hamilton, Anthea --- Haworth, Jann --- Jonzen, Karin --- Kaur, Permindar --- Marten, Helen --- Nogueira, Lucia --- Pica, Amalia --- Prendergast, Kathy --- Rothschild, Eva --- Ryan, Veronica --- Taylor, Wendy --- Tompkins, Hayley --- Wakely, Shelagh --- Warren, Rebecca --- Young, Rosemary --- Collins, Susan --- Organ, Margaret --- Flood-Paddock, Jessie --- Channer, Alice --- Cuddon, Katie --- Schwindt, Grace --- Rutherford, Meg --- Hatoum, Mona --- Kelly, Mary --- Clark, Lygia --- Lucas, Sarah --- Parker, Cornelia --- Houshiary, Shirazeh --- Chadwick, Helen --- Lim, Kim --- Martin, Mary --- Park, Emma --- Whiteread, Rachel --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009 --- anno 2010-2019 --- Women sculptors --- Sculpture, British --- 73.038 --- 73.039 --- Vrouwelijke kunstenaars --- Beeldhouwkunst ; installaties --- British sculpture --- Sculptresses --- Sculptors --- Women artists --- Beeldhouwkunst ; 1950 - 2000 --- Beeldhouwkunst ; 2000 - 2050 --- Exhibitions --- sculpture [visual works] --- England