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This unique book brings together international scholars from around the globe to examine how different feminist theories are being used in early childhood research, policy and pedagogy. The array of feminist discourses captured by the authors offer contextualised possibilities for disrupting dominant patriarchal beliefs and producing change. The authors address and challenge how early childhood experiences, institutions and practices produce gendered effects across and within diverse contexts and demonstrate how feminism(s) in action can be used to reconceptualise research methods, government policy, children’s learning, teaching practice and educational resources. In this way, the book contributes to creating new knowledge connections and community alliances in the global effort to end gender-based inequalities across local and global communities. .
feminisme --- Feminism --- Gender --- International --- Teachers --- Theory --- Primary education --- Policy --- Black feminism --- Book --- Gender equality
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Intimacy and the notion of love are discovered in Bell Hooks’ third sequel in her love series. “Communion: The Female Search for Love” challenges everything that we thought we knew about feminism. Have women indeed championed all things concerning equally? Are they really on the road to total wellness, or are we all just living in the delusion of gender equality being on the horizon? Bell Hooks has answers to some of the most challenging questions. According to the author, a woman’s search for love, not equality, is at the helm of all things. Freedom only comes when she realizes her value and appreciates herself instead of waiting for substantiation from a man. Hooks commands the attention of readers with language that forces them to consider their ideologies in comparison with what is presented in the book. “Communion” is not a book for those who are unwilling to evolve. It is, however, the ideal choice for women who have always silently wondered why intimacy and true fulfillment appear to be more fantasies than realities.
Sociology of the family. Sociology of sexuality --- Sexology --- intermenselijke relaties --- feminisme --- intimiteit --- liefde --- hooks, bell --- Vrouwenemancipatie. --- Essays --- Age --- Female homosexuality --- Love --- Power --- Men --- Women --- Blackness --- Black feminism --- Book
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Kara Walker began this sketchbook in Munich in 1999, when she was 29 years old. Like most sketchbooks it served as a portal between the real world and the realm of her imagination. Although it was never intended to be shared, nevertheless quite a bit of work came out of this particular book, including the installation ?Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On)?, which is in the collection of the Guggenheim Museum. However, that is an exception to the rule. For the most part the pages in this sketchbook reflect uneasy, unrefined, unfinished thoughts and anxieties, written and drawn with no objectives, no ulterior motives, and no filters.
African Americans --- African American women --- 741.07 --- Afro-American women --- Women, African American --- Women, Negro --- Tekenkunst ; tekenkunstenaars A - Z --- Walker, Kara Elizabeth --- Women --- Walker, Kara --- Drawing --- sketchbooks --- Black Feminism --- Vrouwelijke kunstenaars --- Walker, Kara °1969 (°Stockton, California, Verenigde Staten) --- Black Art
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A landmark exhibition on display at the Brooklyn Museum from April 21 through September 17, 2017, We Wanted a Revolution: Black Radical Women, 196585 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It showcases the work of black women artists such as Emma Amos, Maren Hassinger, Senga Nengudi, Lorraine O'Grady, Howardena Pindell, Faith Ringgold, and Betye Saar, making it one of the first major exhibitions to highlight the voices and experiences of women of color. In so doing, it reorients conversations around race, feminism, political action, art production, and art history in this significant historical period. The accompanying Sourcebook republishes an array of rare and little-known documents from the period by artists, writers, cultural critics, and art historians such as Gloria Anzaldúa, James Baldwin, bell hooks, Lucy R. Lippard, Audre Lorde, Toni Morrison, Lowery Stokes Sims, Alice Walker, and Michelle Wallace. These documents include articles, manifestos, and letters from significant publications as well as interviews, some of which are reproduced in facsimile form. The Sourcebook also includes archival materials, rare ephemera, and an art-historical overview essay. Helping readers to move beyond standard narratives of art history and feminism, this volume will ignite further scholarship while showing the true breadth and diversity of black womens engagement with art, the art world, and politics from the 1960s to the 1980s.
Art --- mezzotint [process] --- racial discrimination --- feminism --- #breakthecanon --- Feminist art --- Racism --- Social movements --- Women --- Blackness --- Black feminism --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- United States of America
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This interdisciplinary anthology sheds light on the frameworks and lived experiences of black women faculty in the academy. Contributors for this anthology submitted works from an array of academic disciplines and learning environments, inviting readers to bear witness to black women faculty’s classroom experiences, as well as their pedagogical approaches both inside and outside of the higher education classroom that have fostered transformative teaching-learning environments. Through this multidimensional lens, the editors and contributors view instruction and learning as a political endeavor aimed at changing the way we think about teaching, learning. and praxis. .
Sociology of the family. Sociology of sexuality --- Sociology of education --- Higher education --- HO (hoger onderwijs) --- onderwijs --- vrouwen --- onderwijssociologie --- gender --- Education --- Racism --- Women --- Academic sector --- Blackness --- Black feminism --- Book --- Educational sciences --- Experiences
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How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor adrienne maree brown finds the answer in something she calls &;pleasure activism,&; a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, she challenges us to rethink the ground rules of activism. Her mindset-altering essays are interwoven with conversations and insights from other feminist thinkers, including Audre Lorde, Joan Morgan, Cara Page, Sonya Renee Taylor, and Alexis Pauline Gumbs. Together they cover a wide array of subjects; from sex work to climate change, from race and gender to sex and drugs&;building new narratives about how politics can feel good and how what feels good always has a complex politics of its own. Building on the success of her popular Emergent Strategy, brown launches a new series of the same name with this volume, bringing readers books that explore experimental, expansive, and innovative ways to meet the challenges that face our world today. Books that find the opportunity in every crisis!
Feminism. --- Feminists --- African American feminists. --- African American feminists --- African American women --- Sex workers --- Women --- Pleasure --- SOCIAL SCIENCE / Feminism & Feminist Theory. --- BODY, MIND & SPIRIT / General. --- SOCIAL SCIENCE / Women's Studies. --- Feminists. --- Attitudes. --- Sexual behavior. --- Political activity. --- Social conditions --- Social aspects. --- United States. --- Sociology of the family. Sociology of sexuality --- Social ethics --- feminisme --- politiek --- seksualiteit --- Drugs --- Sexuality --- Sexual intimidation --- Theory --- Black feminism --- Book --- Emotions --- Eroticism --- Experiences
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The work's of New York based artist Kara Walker (b. 1969) have been featured prominently in exhibitions around the world since the mid-1990s. Walker is renowned for her candid explorations of race, gender, sexuality and violence, from drawings, prints, murals, shadow puppets, cut-paper silhouettes, and projections to large-scale sculptural installations, often referencing the history of slavery and the antebellum American South. Now, Walker is creating the latest Hyundai Commission in Tate Modern's Turbine Hall. Documenting the work's creation, this book includes images of the work in process as well as the final installation. Walker introduces a personal selection of archival images and artworks that have influenced her during the genesis of this work. Essays by curator Clara Kim and a specially commissioned piece by the celebrated writer Zadie Smith offer fresh and intriguing insights into Walker's life and career.https://www.copyrightbookshop.be/shop/kara-walker-fons-americanus-hyundai-commission/
Western ArtUnited States;Installation Art;SculptureAfrican-American;Women ArtistsWalker, Kara --- Art --- sculpture [visual works] --- statues --- racial discrimination --- slavery --- fountains --- site-specific works --- African diaspora --- Walker, Kara --- Sculpture, American --- Women sculptors --- Social aspects. --- Attitudes. --- Walker, Kara Elizabeth. --- #breakthecanon --- Beeldhouwkunst --- Silhouet --- Schilderkunst --- African American sculpture --- 7.07 --- Walker, Kara °1969 (°Stockton, California, Verenigde Staten) --- Vrouwelijke kunstenaars --- Black Art --- Black Feminism --- Afro-American sculpture --- Sculpture, African American --- African American art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Walker, Kara Elizabeth --- Slavernij --- Interbellum
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"Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965-85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It is the first exhibition to highlight the voices and experiences of women of color--distinct from the primarily white, middle-class mainstream feminist movement--in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period. Presenting a diverse group of artists and activists who lived and worked at the intersections of avant-garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking."--Brooklyn Museum website, viewed April 11, 2017.
Art --- mezzotint [process] --- racial discrimination --- feminism --- #breakthecanon --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- United States --- United States of America --- Femmes artistes noires américaines --- Noires américaines --- Femmes écrivains noires américaines --- Womanisme --- African American feminists --- African American women authors --- African American radicals --- African American women --- Feminist literature --- Feminism --- Expositions. --- Activité politique --- History --- Exhibitions. --- Political activity --- Sources --- Femmes artistes noires américaines --- Noires américaines --- Femmes écrivains noires américaines --- Feminist art --- Racism --- Social movements --- Women --- Blackness --- Black feminism
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What does diversity do? What are we doing when we use the language of diversity? Sara Ahmed offers an account of the diversity world based on interviews with diversity practitioners in higher education, as well as her own experience of doing diversity work. Diversity is an ordinary, even unremarkable, feature of institutional life. Yet diversity practitioners often experience institutions as resistant to their work, as captured through their use of the metaphor of the "brick wall." On Being Included offers an explanation of this apparent paradox. It explores the gap between symbolic commitments to diversity and the experience of those who embody diversity. Commitments to diversity are understood as "non-performatives" that do not bring about what they name. The book provides an account of institutional whiteness and shows how racism can be obscured by the institutionalization of diversity. Diversity is used as evidence that institutions do not have a problem with racism. On Being Included offers a critique of what happens when diversity is offered as a solution. It also shows how diversity workers generate knowledge of institutions in attempting to transform them.--
Minorities in higher education. --- Racism in higher education. --- Education, Higher --- Cultural pluralism. --- Universities and colleges --- #SBIB:316.8H16 --- Cultural diversity --- Diversity, Cultural --- Diversity, Religious --- Ethnic diversity --- Pluralism (Social sciences) --- Pluralism, Cultural --- Religious diversity --- Culture --- Cultural fusion --- Ethnicity --- Multiculturalism --- Social aspects. --- Sociological aspects. --- Welzijns- en sociale problemen: migranten, rassenrelaties --- Sociology of minorities --- Higher education --- Cultural pluralism --- Minorities in higher education --- Racism in higher education --- Social aspects --- Sociological aspects --- Sociologie van de minderheden --- Hoger onderwijs. Universitair onderwijs --- United Kingdom --- Australia --- Cultural Diversity --- Cultural Pluralism --- Pluralism --- Cultural Diversities --- Diversities, Cultural --- Multiculturalisms --- Pluralisms --- Ethical Relativism --- Cultural Diversity. --- Race --- Racism --- Black feminism --- Book
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Arts and Humanities --- Human Rights, Women's Studies & Child Welfare --- Feminism --- Popular culture --- Feminism. --- Popular culture. --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Emancipation of women --- Feminist movement --- Women --- Women's lib --- Women's liberation --- Women's liberation movement --- Women's movement --- Social movements --- Anti-feminism --- Emancipation --- United States. --- AB --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi͡avks Shtattn --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērik --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si͡evero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si͡evernoĭ Ameriki --- Spojené staty americk --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheirice --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi͡ednani Derz͡havy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi͡a Shtaty Ameryki --- Zlucheni Derz͡havy --- ZSA --- Spojené obce severoamerick --- Sociology of the family. Sociology of sexuality --- ABŞ --- Amerikanʹ Veĭtʹsėndi͡avks Shtattnė --- É.-U. --- ÉU --- Saharat ʻAmērikā --- Spojené obce severoamerické --- Spojené staty americké --- Stáit Aontaithe Mheiriceá --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Féminisme --- Culture populaire --- Femmes dans les médias --- Médias --- Médias féminins --- Aspect moral --- Aspect social --- Évaluation --- Gender Studies & Sexuality --- Feminist magazines --- Black feminism
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