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Études sur l'art et la curiosité
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Year: 1902 Publisher: Paris Société française d'éditions d'art

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Keywords

Art --- art criticism --- kunstkritiek


Book
Histoire de la critique d'art
Authors: ---
Year: 1938 Publisher: Bruxelles Connaissance

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Keywords

Art --- History --- art criticism --- kunstkritiek


Book
Patrick Verelst
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Year: 1984 Publisher: Antwerpen Internationaal Cultureel Centrum

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Book
Das lebende Museum : Erfahrungen eines Kunsthistorikers und Museumdirektors Alexander Dorner
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Year: 1960 Publisher: Hannover Fackelträger

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General knowledge
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ISBN: 186154068X Year: 2000 Publisher: London Booth-Clibborn

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This volume gathers Stephen Bayley's collected writings on design. Since the late 1970s, Bayley has advised Sir Terence Conran, created the influential Boilerhouse Project at the Victoria and Albert Museum, directed London's Design Museum and advised the Labour government. His journalism, although best known for covering taste and design in the widest meaning of the words, has also delved into a much wider range of issues related to popular culture, car culture, art and society.


Book
Het wezenlijke in de kunst
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Year: 1963 Publisher: Utrecht Het Spectrum

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Book
Jan Vaerten : over de inhoud van het kunstwerk: een proeve van ontleding

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Art --- art criticism --- art theory --- Vaerten, Jan


Book
Cours d'esthétique, suivi de : La thèse ... sur le sentiment du beau et de deux fragments inédits
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Year: 1863 Publisher: Paris Librairie de L. Hachette & Cie

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Ex-cavating modernism
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ISBN: 1901033058 Year: 1996 Publisher: London BACKless Books

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Book
After the end of art : contemporary art and the pale of history
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ISBN: 0691163898 9780691163895 Year: 2014 Publisher: Princeton, New Jersey : Princeton University Press,

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"Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities"--Page 4 of cover.

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