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Weiner, Lawrence, --- Exhibitions. --- Weiner, Lawrence --- Open-Air Museum of Sculpture Middelheim [Antwerp] --- Lawrence Weiner (° 1942, South-Bronx, New York, VS) ; leeft en werkt in Amsterdam --- Beeldende kunst ; 2de h. 20ste eeuw ; Lawrence Weiner --- Conceptuele kunst --- Tentoonstellingscatalogi ; Middelheim ; Openluchtmuseum voor Beeldhouwkunst --- 7.07 --- Lawrence Weiner --- Weiner Lawrence --- concept art --- conceptuele kunst --- 7.071 WEINER --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- 7.038 --- (069) --- kunst --- twintigste eeuw --- installaties --- (Musea. Collecties) --- open air exhibitions
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installaties --- Weiner Lawrence --- Yeats W.B. --- Patchen Kenneth --- Verenigde Staten --- conceptuele kunst --- concept art --- woord en beeld --- kunst --- twintigste eeuw --- 7.071 WEINER --- scripts [writing] --- Sculpture, American --- Words in art --- Peinture américaine --- Sculpture américaine --- Mots dans l'art --- Wall drawing (Conceptual art) --- Dessin mural (Art conceptuel) --- Lawrence Weiner (° 1942, South Bronx, New York) leeft en werkt in Amsterdam --- Beeldende kunst 2de h. 20ste eeuw Lawrence Weiner --- Beeldende kunst teksten woorden --- Weiner, Lawrence. --- Peinture américaine --- Sculpture américaine --- Weiner, Lawrence --- Yeats W.B --- Art, American --- Painting, American --- Installations (Art) --- Conceptual art --- Performance art --- Art américain --- Art conceptuel --- Art de performance --- Criticism and interpretation --- Interviews --- sculpting --- Sculpture --- public art --- art [fine art] --- Conceptual --- Art styles --- Iconography --- Art --- anno 1900-1999 --- United States --- Artists --- Exhibitions --- Expositions --- Etats-Unis --- Criticism and interpretation. --- Interviews. --- Weiner, Lawrence Charles --- Kunststijlen --- Iconografie --- Kunst --- Beeldhouwkunst --- openbare kunst --- schriften [schrijven] --- beeldhouwen --- conceptueel --- Verenigde Staten van Amerika --- Typographie --- Interview --- 7.07 --- Beeldende kunst ; 2de h. 20ste eeuw ; Lawrence Weiner --- Beeldende kunst ; teksten ; woorden --- Conceptuele kunst --- Lawrence Weiner (° 1942, South Bronx, New York) ; leeft en werkt in Amsterdam --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Exhibitions. --- 73.07 --- Weiner, Lawrence 1942-2021 (°South Bronx, New York, Verenigde Staten) --- Beeldhouwkunst ; beeldhouwers A - Z --- sculpture [visual works] --- texts [documents] --- art [discipline]
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ruimtelijke kunst --- Cragg, Tony --- Fabro, Luciano --- François, Michel --- Visch, Henk --- Bijl, Guillaume --- Caeckenbergh, van, Patrick --- Delvoye, Wim --- Weiner, Lawrence --- Open-Air Museum of Sculpture Middelheim [Antwerp] --- drawing [image-making] --- labyrinths [motifs] --- Drawing --- Iconography --- Art --- Sculpture --- sculpting --- outdoor sculpture --- Vercruysse, Jan --- Bruyckere, De, Berlinde --- anno 1900-1999 --- Musea --- Musées --- Van Caeckenbergh, Patrick --- Cragg, Tony (Anthony) --- 73 <493 ANTWERPEN> --- kunst --- twintigste eeuw --- collecties --- verzamelingen --- musea --- Antwerpen --- Middelheim --- Bijl Guillaume --- Cragg Tony --- Delvoye Wim --- Fabro Luciano --- François Michel --- Van Caeckenbergh Patrick --- Visch Henk --- Weiner Lawrence --- 7.038 --- 7.078 --- 73.036 --- 709.04 --- 708.9493 --- 709.5 --- Beeldhouwkunst. Sculptuur--België--ANTWERPEN --- Arts 20th century (1900 - 1999) --- Arts Museums Belgium --- Arts Asia --- 73 <493 ANTWERPEN> Beeldhouwkunst. Sculptuur--België--ANTWERPEN --- prints [visual works] --- 73.038 --- Middelheim ; Openluchtmuseum voor Beeldhouwkunst --- Beeldhouwkunst ; 20ste eeuw --- Beeldhouwkunst ; 1950 - 2000 --- Beeldhouwkunst ; installaties ; 20ste eeuw --- sculpture [visual works] --- drawings [visual works] --- accession records
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Graphic signs --- Art --- quotations [texts] --- fine arts [discipline] --- letters [signs] --- words [layout features] --- tekstexpressie --- beeldende kunst --- Weigand, Hans --- Locher, Thomas --- Duchamp, Marcel --- Dwyer, Nancy --- Landers, Sean --- Weiner, Lawrence --- Nannucci, Maurizio --- Perlman, Hirsch --- Shaw, Jeffrey --- Kabakov, Ilija Iosefovich --- Zacharov, Vadim --- Kelley, Mike --- Holzer, Jenny --- Lawler, Louise --- Gerz, Jochen --- Barry, Robert --- Huebler, Douglas --- Levine, Les --- Stalder, Anselm --- Wool, Christopher --- Ken Lum --- Prince, Richard --- Wölfli, Adolf --- Defraoui, Chérif --- Defraoui, Silvie --- Inspection Medical Hermeneutics --- anno 1900-1999
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson.Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice". Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada ; the Situationist International ; Happenings in Eastern Europe, Argentina and Paris ; the 1970s Community Arts Movement ; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Paweł Althamer and Paul Chan.Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
hedendaagse kunst --- art theory --- museology --- Iconography --- art appreciation --- Museology --- Art --- performance art --- interactive art --- Contemporary [style of art] --- politieke kunst --- Breton, André --- Althamer, Paweł --- Weiner, Lawrence --- Kaprow, Allan --- Beuys, Joseph --- Bruguera, Tania --- Abramovic, Marina --- Hirschhorn, Thomas --- Deller, Jeremy --- Cage, John --- anno 2000-2099 --- anno 1900-1999 --- 7.01 --- 82:7 --- Kunsttheorie ; interactieve kunstpraktijk --- Beeldende kunst ; participatie van de toeschouwer --- kunst --- kunsttheorie --- kunst en politiek --- activisme --- performances --- socialisme --- sociologie --- kunst en sociologie --- esthetica --- participatorische esthetica --- relationele esthetica --- Kunst ; theorie, filosofie, esthetica --- Literatuur en kunst --- Interactive art. --- Art interactif --- 82:7 Literatuur en kunst --- Interactive art --- Participatory art --- Performance art --- Social practice (Art) --- Art interactif. --- cultuurparticipatie
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Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Art --- outdoor sculpture --- earthworks [sculpture] --- art [discipline] --- public art --- art theory --- site-specific works --- identity --- public spaces --- interactive art --- Andre, Carl --- LeWitt, Sol --- Buren, Daniel --- Lacy, Suzanne --- Holt, Nancy --- Haacke, Hans --- Morris, Robert --- Smithson, Robert --- Weiner, Lawrence --- Manglano-Ovalle, Iñigo --- Martinez, Daniel Joseph --- Müller, Christian Philipp --- Sperandio, Christopher --- Torres, Rigoberto --- Ukeles, Mierle Laderman --- Noguchi, Isamu --- Serra, Richard --- Moore, Henry --- Acconci, Vito --- Judd, Donald --- Dion, Mark --- Orozco, Gabriel --- Wodiczko, Krysztof --- Calder, Alexander --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009
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Vito Acconci; Edgar Arceneaux; Art & Language; Atlier Lieshout; Francis Bacon; Louise Bourgeois; Constantin Brancusi; Marcel Duchamp; Jack Goldstein; Eva Hesse; Carsten Höller; Robert Irwin; Seydou Keita; Martin Kippenberger; Edward Krasinski; Laboratoire Agit-Art; Paul McCarthy; Takashi Murakami; Bruce Nauman;Mike Nelso; Gabriel Orozco; Martha Rosler; Dieter Roth; Carolee Schneemann; Robert Smithson; Wolfgang Tillmans; Richard Venlet; Ian Wallace; Andy Warhol; Lawrence Weiner; Francesca Woodman
art theory --- studios [work spaces] --- kunstbeschouwing --- hedendaagse kunst --- Contemporary [style of art] --- Art --- art [fine art] --- Nauman, Bruce --- Arceneaux, Edgar --- Höller, Carsten --- Venlet, Richard --- Orozco, Gabriel --- Goldstein, Jack --- Warhol, Andy --- Tillmans, Wolfgang --- Weiner, Lawrence --- McCarthy, Paul --- Smithson, Robert --- Bourgeois, Louise --- Hesse, Eva --- Bacon, Francis --- Wallace, Ian --- Irwin, Robert --- Acconci, Vito --- Woodman, Francesca --- Keita, Seydou --- Duchamp, Marcel --- Krasiński, Edward --- Schneemann, Carolee --- Murakami, Takashi --- Rosler, Martha --- Nelson, Mike --- Kippenberger, Martin --- Roth, Dieter --- Brancusi, Constantin --- Laboratoire Agit-Art [Dakar] --- Atelier Van Lieshout [Rotterdam] --- Art & Language --- anno 2000-2009 --- anno 1900-1999 --- Artists' studios --- Artists' studios. --- Laboratoire Agit'Art [Dakar] --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Corps humain, thème --- Art studios --- Artists' workshops --- Ateliers --- Studios, Artists' --- Workshops, Artists' --- Workshops --- Kunst --- kunst --- kunsttheorie --- ateliers [werkruimten] --- art [discipline]
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Iconography --- Art --- Film --- art [discipline] --- video art --- kunst en technologie --- Horn, Rebecca --- Kriesche, Richard --- Dibbets, Jan --- Oppenheim, Dennis --- Paik, Nam June --- Antin, Eleanor --- Fox, Terry --- Holt, Nancy --- Kahlen, Wolf --- Cameron, Eric --- Davis, Douglas --- Downey, Juan --- Emshwiller, Ed --- Freed, Hermine --- Froese, Dieter --- Gillette, Frank --- Gusella, Ernest --- Hall, David --- Hocking, Ralph --- Iimura, Takahiko --- Korot, Beryl --- Kos, Paul --- Landry, Richard --- Weiner, Lawrence --- Lord, Chip --- Mann, Andy --- Michels, Doug --- Otth, Jean --- Palestine, Charlemagne --- Pezold, Friederike --- Schneider, Ira --- Schreier, Curtis --- Tambelllini, Aldo --- Vasulka, Steina --- Vasulka, Woody --- Walker, Willie --- Yalkut, Jud --- Hoover, Nan --- Rosenbach, Ulrike --- Serra, Richard --- Export, Valie --- Viola, Bill --- Jonas, Joan --- Sonnier, Keith --- Acconci, Vito --- Ruthenbeck, Reiner --- Graham, Dan --- Gilbert and George --- Nauman, Bruce --- Gerz, Jochen --- Baldessari, John --- Benglis, Lynda --- Burden, Chris --- Dominicis, de, Gino --- Kubota, Shigeko --- Levine, Les --- Muntadas, Antonio --- Rückriem, Ulrich --- Wegman, William --- Weibel, Peter --- Knoebel, Imi --- Campus, Peter --- Ant Farm --- Telethon --- anno 1900-1999 --- multimedia works --- multimediakunst
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Art --- art [discipline] --- Modern [style or period] --- moderne kunst --- Andre, Carl --- LeWitt, Sol --- Bengston, Billy Al --- Dibbets, Jan --- Armando --- Stella, Frank --- Hamilton, Richard --- Oldenburg, Claes --- Duchamp, Marcel --- Johns, Jasper --- Albers, Josef --- Newman, Barnett --- Fontana, Lucio --- Morris, Robert --- Weiner, Lawrence --- Engels, Pieter --- Vanderheyden, JCJ --- Beuys, Joseph --- Long, Richard --- Heizer, Michael --- Klein, Yves --- Louis, Morris --- Serra, Richard --- Lichtenstein, Roy --- Merz, Mario --- Rauschenberg, Robert --- Ruscha, Ed --- Schoonhoven, Jan --- Soto, Jesús Rafael --- Struycken, Peter --- Flanagan, Barry --- Dine, Jim --- Kelly, Ellsworth --- Nauman, Bruce --- Riley, Bridget --- Baer, Josephine Gail --- Dekkers, Ad --- Indiana, Robert --- Lohse, Richard Paul --- Maria, de, Walter --- Noland, Kenneth --- Poons, Larry --- Golden, van, Daan --- McCracken, John Harvey --- Raysse, Martial --- Elk, van, Ger --- Schippers, Wim T. --- anno 1960-1969 --- anno 1900-1999
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Art --- Applied arts. Arts and crafts --- gold [metal] --- ash [residue] --- juweelkunst --- juweelkunst --- Horn, Rebecca --- Broodthaers, Marcel --- Chiasera, Paolo --- Krebber, Gereon --- Warhol, Andy --- Bartolini, Massimo --- Nuur, Navid --- Gupta, Subodh --- Reusch, Erich --- Charlier, Jacques --- Avissar, Gili --- Bert, Lore --- Ciupka, Anja --- Fontana, Lucio --- Eskinja, Igor --- Fineisen, Luka --- Gilissen, Filip --- Gonzales-Torres, Felix --- Henderson, Douglas --- Hofer, Andreas --- Klingemann, Stefanie --- Krenz, Bruno --- Polke, Sigmar --- Weiner, Lawrence --- Löbbert, Dirk --- Löbbert, Maïk --- Lafontaine, Marie-Jo --- Beuys, Joseph --- Rosenbohm, Lars --- Stollhans, Jürgen --- Tartler, Ines --- Richter, Gerhard --- François, Michel --- Byars, James L. --- Wieser, Claudia --- Rauch, von, Friederike --- Klein, Yves --- Nazé, Yaël --- Mack, Heinz --- Piene, Otto --- Vries, de, Herman --- Ruthenbeck, Reiner --- Demand, Thomas --- Kapoor, Anish --- Kounellis, Jannis --- Paladino, Mimmo --- Nevelson, Louise --- Althamer, Paweł --- Hammons, David --- Paalen, Wolfgang --- Jaar, Alfredo --- Man Ray --- Bijl, Guillaume
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