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video art --- Claerbout, David --- Installation. --- Video art --- Video art. --- Videokunst. --- Claerbout, David, --- Claerbout, David. --- Belgium.

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The work of Brussels-based artist Angel Vergara (°1958, Spain) is a continued research into the aesthetical and ethical power of the image. Through mediation and transformation of existing images by means of performance, video, installation and painting, Vergara questions the way images shape our reality.

In his recent painted films, Angel Vergara links audiovisual to painting, putting the act of painting at the heart of his own pictorial production. The exhibition From Scene to Scene in the summer of 2017 at Royal Museum of Fine Arts in Brussels presented five large-format “painted films”, echoing five lectures of poet and art critic Charles Baudelaire in which he defended his views on modernity.

video art --- painting [image-making] --- Art --- Santiago, Angel Vergara --- Kunst --- schilderen [kunst] --- videokunst [kunstwerken] --- Vergara, Angel --- Straatman

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While Oursler's position as a forerunner in video art is well established, his two-dimensional works have always been an essential part of his creative process. He describes his drawings and works on paper as a series of perceptions, scenes, delusions, and diagrams that are a free association of ideas and themes informing his work in video. A diary of his conceptualization process, Oursler uses drawing, painting, and collage as a means of remembering, associating, or layering thoughts. The studies, sketches, and panels explore the supernatural, methods of mass communication, the history and development of media technology, and their effect on the human psyche.

This book offers a chronology of Oursler's two-dimensional work over the past ten years, showcasing his early paintings, painting on sculpture, painting with collage, and the combination of video with the painted panel.

Oursler, Tony --- kunst --- tekenkunst --- schilderkunst --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- Oursler Tony --- video --- videokunst --- video-installaties --- projecties --- 7.071 OURSLER --- video [art discipline] --- multimediakunst --- video [discipline]

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kunst --- Duitsland --- tekenkunst --- videokunst --- video --- installaties --- Wudtke Ina --- 7.071 WUDTKE --- Portrait photography --- History --- 20th century --- Artists --- Bibliography --- installation artists --- multimedia artists --- Wudtke, Ina

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VALIE EXPORT is considered one of the most important artists working in the fields of conceptual media art, performance art and film. She continues to have an ongoing influence on generations of up-and-coming artists with her feminist and media-critical works. Neuer Berliner Kunstverein (n.b.k.) is presenting VALIE EXPORT in a first representative exhibition of works and archival materials at a German institution in 15 years. 

From the beginning of her career, EXPORT has been addressing the issues of an increasingly mediatized society and questioning its functions, guiding principles and mechanisms of communication. In 1968, the year when the womens rights movement and student protests substantially challenged the bourgeois society, EXPORT directed peoples gaze onto the female body and the social inscriptions it carries in works such as Tapp und Tastkino or Aktionshose Genitalpanik. But also beyond these now canonical works, EXPORT created a media-reflexive and political oeuvre in the 1980s and 1990s that directs attention to the tension between the individual and society. In the process, the artist simultaneously explored the limits of what can be seen and said, and created connections across media boundaries between seemingly disparate research areas.

The work complexes presented at the n.b.k. stem from five decades and illustrate the diversity of subjects in VALIE EXPORTs oeuvre. They range from dealing with societys thinking and acting in dichotomies like culture / nature or masculine / feminine, to locating the human and above all female subject in the worldwithin a (constructed) social body that finds it materialization, among other things, in the built city. How architecture, technologies and media (de)form people is the central focus of research in this process. As a result, archival materials and works from the work complex of research on culture and nature from the 1970s are shown as well as those works that focus on the writing subject that constitutes itself in script. In photographs, films and installations from the 1980s and 1990s the artist has been exploring a self that has been fragmented and alienated in the digital age. By creating allegorical images new perspectives are explored, analyzed and exhausted. The exhibition provides insight into VALIE EXPORTs working process, looks at her practice of questioning space, the body and media, and underlines the research quality of the artistic process.

Export, Valie --- kunst --- Oostenrijk --- twintigste eeuw --- eenentwintigste eeuw --- Export Valie --- performances --- archieven --- archivering --- feminisme --- gender studies --- kunst en politiek --- film --- video --- videokunst --- fotografie --- beeldhouwkunst --- installaties --- 7.071 EXPORT --- Exhibitions --- 7.07 --- Export, Valie °1940 (°Linz, Oostenrijk) --- Vrouwelijke kunstenaars --- Avant-garde kunstenaressen --- Kunst en feminisme --- Performances --- Installaties --- Body Art ; performances ; videokunst --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z