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Today the Peruvian artist Teresa Burga (1935–2021) has long been considered to be one of the important pioneers of Pop Art and Concept Art in Latin America; her oeuvre has been displayed at the major institutions and important biennials of this world. For a long time, however, her artistic output was basically neglected on both a national and an international level. Economic crises as well as reprisals and isolation within Peru’s military dictatorship prevented exchange or visibility on a cultural level. Only at an advanced age did she receive the recognition for her work that she so very much deserved. Ever since the 1960s, Teresa Burga showed herself to have a great eye for detail in recording the social conditions around her. Her extensive creative output includes not only paintings and environments that can be assigned to Pop Art, but also conceptual drawings, objects, installations, and cybernetic experimental arrangements. The exhibition Teresa Burga. The Tightrope Walker accordingly concentrates on the extensive graphic oeuvre of the artist, especially the sheets done from 2013 to 2021. Many of the exhibited works are being shown to the public for the first time. The graphic sheets on which the artist worked right up to her death in February 2021 are linked at the Weserburg with drawings, linocuts, and a space-encompassing object installation from the 1960s. In this way, a bridge is extended from the late oeuvre back to the early works. Teresa Burga. The Tightrope Walker has been organized in collaboration with MUSAC, Museo de Arte Contemporáneo de Castilla y León (Spain). The show is being curated by Janneke de Vries at Weserburg Museum für moderne Kunst and Helena López Camacho at MUSAC.
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Keersmaeker, de, Anne Teresa --- Stuart, Meg --- Keersmaeker, De, Anne Teresa
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Art --- Theatrical science --- Drama --- kunstkritiek --- Keersmaeker, de, Anne Teresa --- Keersmaeker, De, Anne Teresa
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MoMA's Performance Exhibition Series presents a program of live performance and dance in conjunction with the group exhibition On Line: Drawing Through the Twentieth Century. The dancing body has long been a subject matter for drawing, as seen in a variety of works included in this exhibition. These documentations show dance in two dimensions, allowing it to be seen in a gallery setting. But if one considers line as the trace of a point in motion-an idea at the core of this project-the very act of dance becomes a drawing, an insertion of line into time and the three-dimensional space of our lived world.
Keersmaeker, de, Anne Teresa --- Modern dance --- Danse moderne --- Pictorial works --- Ouvrages illustrés --- Keersmaeker, Anne Teresa de --- Ouvrages illustrés --- Keersmaeker, De, Anne Teresa
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ballet --- dansers --- biografieën (genre) --- Belgium: persons --- Keersmaeker, de, Anne Teresa --- Danse --- Dansen --- De Keersmaeker, Anne Teresa --- Théâtre --- Toneel --- Keersmaeker, De, Anne Teresa
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791.55 --- Choreografen --- De Keersmaeker, Anne Teresa --- Rosas --- dansen --- fotografie --- dans- en bewegingskunst, dansers --- Keersmaeker, de, Anne Teresa --- Belgium --- Book --- Dancing --- Keersmaeker, De, Anne Teresa
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Anne Teresa De Keersmaeker (°1960) richtte in 1983 het dansgezelschap Rosas op. Haar werk berust op een nauwgezette verkenning van de band tussen dans en muziek en gaat in dialoog met muzikale structuren en partituren uit verschillende tijdperken, van oude muziek tot hedendaagse composities en popmuziek. De Keersmaekers choreografie ontleent vormelijke principes aan de geometrie, de natuur en sociale structuren, wat resulteert in een unieke kijk op de beweging van het lichaam in tijd en ruimte. Het minimalisme uit De Keersmaekers beginjaren maakte in de jaren 1990 gaandeweg plaats voor ingenieuze groepschoreografieën. In 2007 nam het werk van de choreografe echter een nieuwe wending. Het minimalisme keerde terug in een compleet nieuwe vorm, in een uitpuren van de choreografie tot een aantal essentiële principes: soberheid, de ruimtelijke dwang van meetkundige motieven, een herwaardering van basale lichamelijke parameters stappen, ademen, spreken en een hechte relatie met een (muzikale of andere) partituur tijdens het schrijven van de choreografie. De fotografen Anne Van Aerschot en Herman Sorgeloos waren bevoorrechte getuigen van deze evolutie. Hun beelden, voor het eerst in tien jaar verzameld in één uitgave, bieden een uitzonderlijke en glasheldere inkijk in het dansuniversum van Rosas.
dance [discipline] --- choreography --- choreographers --- Keersmaeker, de, Anne Teresa --- Rosas [Brussels] --- Choreography --- dance [performing arts genre] --- Keersmaeker, De, Anne Teresa
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Theatrical science --- theatergeschiedenis --- Keersmaeker, de, Anne Teresa --- Mey, de, Thierry --- Rosas [Brussels] --- La Monnaie [Brussels] --- Keersmaeker, De, Anne Teresa
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The twin title — Golden Hours or As you like it — uncovers a theater play in a dance, a meeting between Brian Eno’s album Another Green World and Shakespeares queer comedy As You Like it, a playabout an idyllic golden world of the Forest of Arden into which lovers flee from a corrupt court. What happens when the speaking in Shakespeare’s rhythms and poetic imagery becomes dancing, or turns into movements, steps and gestures, as well as intentionality and attention emanating from the thinking bodies? How is listening to a talking-dancing partner, who nonetheless remains mute and wordless, embodied? A plot of gazes, hands and feet sticking out of enamored bodies unfolds an enchanted world of characters and their whimsical manners. For this performance, De Keersmaeker explores a cast of eleven young dancers sparking their idiosyncratic movement expressions in a rich, colorful and energetic dancing palette. Striking a delicate balance between formal abstraction and concrete gesture, they dance their intricate entanglements through and through, their masquerade and games of seduction, attraction, repulsion, misunderstanding and silliness. One is absorbed by the intensity and sensuality of a bright but gently ironic world whose language doesn’t need deciphering to be grasped, yet isn’t pantomime.
De Keersmaeker, Anne Teresa --- dans --- choreografie --- choreografen --- België --- eenentwintigste eeuw --- fotografie --- dansfotografie --- De Keersmaeker Anne Teresa --- Rosas --- Van Aerschot Anne --- 792.071 --- Keersmaeker, Anne Teresa de --- Eno, Brian, --- Keersmaeker, Anne Teresa de. --- Golden hours (As you like it) (Choreographic work : Keersmaeker). --- Theatrical science --- choreography --- Keersmaeker, de, Anne Teresa --- Shakespeare, William --- Eno, Brian --- Rosas [Brussels] --- dance [performing arts genre] --- performance art --- Keersmaeker, De, Anne Teresa
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