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Das Museum im Kulturspeicher Würzburg, mit der Sammlung Peter C.Ruppert eines der Zentren für Konkrete Kunst in Deutschland, hat bereits 2005 den Begriff der 'Konkreten Fotografie' in den Blickpunkt der Forschung gerückt. Zehn Jahre später wagt die Ausstellung Licht- bild und Datenbild – Spuren Konkreter Fotografie ein Update und fragt anhand von Werken vor allem der letzten zehn Jahre erneut nach einer Definition Konkreter Fotografie vor dem Hintergrund des digitalen Wandels. Der Katalog zur Ausstellung zeigt mit einem Ausschnitt aus der Sammlung Peter C.Ruppert einige Klassiker der Konkreten Fotografie; von hier aus verfolgt er die Spuren einer ungegenständlichen, selbstreflexiven Fotografie in der heutigen Kunst. Dabei reagieren einige Fotokünstler auf die Digitalisierung ihres Mediums mit einer Rückwendung zum Apparat und zum Experiment mit Fotopapier und lichtempfindlichem Material, andere nutzen die neuen technischen Möglichkeiten für eine vollständig von der Außenwelt unabhängige Bilderzeugung mittels des Computers. Auf beiden Gebieten sind dem Experiment keine Grenzen gesetzt – die Lust an der Bilderzeugung ohne Abbild als ein Wesensmerkmal des 'Konkreten' bleibt bestehen und äußert sich in aufregend vielschichtiger Weise.

Künstler: Théodore Bally, Kilian Breier, Nina Brauhauser, Marco Breuer, Richard Caldicott, Michel Campeau, Pierre Cordier, Akos Czigány, Inge Dick, Christian Doeller, Philipp Dorl, Christiane Feser, Johannes Franzen, Adam Fuss, Hein Gravenhorst, Franco Grignani, Heinz Hajek-Halke, Raphael Hefti, Heinrich Heidersberger, Stefan Heyne, Karl Martin Holzhäuser, Horáková + Maurer, Roger Humbert, Gottfried Jäger, Peter Keetman, Anton Kehrer, Ola Kolehmainen, Pit Kroke, Jacinthe Lessard-L, René Mächler, Andreas Müller-Pohle, Jaromír Novotný, Jerzy Olek, Michael Reisch, Christiane Richter, Thomas Ruff, Jörg Sasse, Otto Steinert, Claus Stolz, Wolfgang Tillmans, James Welling, Luigi Veronesi

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The Museum im Kulturspeicher Würzburg is one of the foremost centres for concrete art in Germany due to its "Collection Peter C. Ruppert". Already in 2005, it has helped to shift academic attention to the term of "concrete photography". Ten years later, the exhibition "Light Image and Data Image - Traces of Concrete Photography" ventures to update the earlier findings, endeavouring once again to come up with a definition of concrete photography in the light of the digital revolution by displaying works mainly created within the last decade.

Beginning with the "classics" of concrete photography of the Collection Peter C. Ruppert, the exhibition follows the "traces" of non-representational, self-referential photography in contemporary art. Some artists react to the digitalisation of their medium with a return to the "apparatus" and by experimenting with photosensitive materials. Others make use of the new technical possibilities by generating images within their computers, completely independent from the outside world. Both reactions present inifinite opportunities for experiments - the major feature of the "concrete", a passion to create images without representing objects, persists and is expressed in various many-faceted, exciting ways. The Museum im Kulturspeicher Würzburg with its Peter C. Ruppert Collection is one of the centers for Concrete Art in Germany. Back in 2005, the museum proposed the concept of "Concrete Photography" as a productive new field of research. Ten years later, the exhibition Lichtbild und Datenbild – Spuren Konkreter Fotografie ventures to update this investigation, inquiring primarily on the basis of works from the last ten years into how Concrete Photography can be redefined in our digital age. The exhibition catalog shows a few classics of Concrete Photography from the Ruppert Collection and then proceeds to track the traces of nonrepresentational, self-reflexive photography in contemporary art. Some photo artists are responding to the digitization of their medium with a return to the apparatus and to experimentation with photo paper and photosensitive material, while others make use of the new technical possibilities to generate images on the computer that are fully autonomous from the outside world. In both approaches, the experimentation seemingly knows no bounds. The relish in generating images that are more than an imitation of nature thus remains the essential characteristic of the "Concrete" attitude, expressed in myriad exciting ways. 

Artists: Théodore Bally, Kilian Breier, Nina Brauhauser, Marco Breuer, Richard Caldicott, Michel Campeau, Pierre Cordier, Akos Czigány, Inge Dick, Christian Doeller, Philipp Dorl, Christiane Feser, Johannes Franzen, Adam Fuss, Hein Gravenhorst, Franco Grignani, Heinz Hajek-Halke, Raphael Hefti, Heinrich Heidersberger, Stefan Heyne, Karl Martin Holzhäuser, Horáková + Maurer, Roger Humbert, Gottfried Jäger, Peter Keetman, Anton Kehrer, Ola Kolehmainen, Pit Kroke, Jacinthe Lessard-L, René Mächler, Andreas Müller-Pohle, Jaromír Novotný, Jerzy Olek, Michael Reisch, Christiane Richter, Thomas Ruff, Jörg Sasse, Otto Steinert, Claus Stolz, Wolfgang Tillmans, James Welling, Luigi Veronesi

fotografie --- kunst --- Concrete kunst --- abstractie --- abstracte fotografie --- twintigste eeuw --- eenentwintigste eeuw --- Bally Théodore --- Brauhauser Nina --- Breier Kilian --- Breuer Marco --- Caldicott Richard --- Campeau Michel --- Cordier Pierre --- Czigany Akos --- Dick Inge --- Doeller Christian --- Dorl Philipp --- Feser Christiane --- Franzen Johannes --- Fuss Adam --- Gravenhorst Hein --- Grignani Franco --- Hajek-Halke Heinz --- Hefti Raphael --- Heidersberger Heinrich --- Heyne Stefan --- Holzhäuser Karl Martin --- Horakova + Maurer --- Humbert Roger --- Jäger Gottfried --- Keetman Peter --- Kehrer Anton --- Kolehmainen Ola --- Kroke Pit --- Lessard-L Jacinthe --- Mächler René --- Müller-Pohle Andreas --- Novotny Jaromir --- Olek Jerzy --- Reisch Michael --- Richter Christiane --- Ruff Thomas --- Sasse Jörg --- Steinert Otto --- Stolz Claus --- Tillmans Wolfgang --- Veronesi Luigi --- Welling James --- 77.038/039 --- Exhibitions --- Photography --- artistieke fotografie --- Concrete art

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De kunst van de jaren '80 en '90 lijkt een ondoordringbaar netwerk van de meest uiteenlopende -ismen die allemaal met elkaar in tegenspraak zijn. Dit boek biedt een internationaal overzicht van kunstenaars aan het einde van de 20e eeuw. Er worden 137 kunstenaars alfabetisch gepresenteerd - aan elk vanhen worden 4 blzn. besteed. Zo wordt de kunst aan het einde van deze eeuw gedocumenteerd en wordt een blik geworpen op de kunst van het volgende millennium.

Art --- Art, Modern --- Art contemporain --- Artiste --- Groupe material --- Schneider (gregor) --- Absalon --- Ackermann, Franz --- Ahtila, Eija-Liisa --- Althoff, Kai --- Antoni, Janine --- Araki, Nobuyoshi --- Armleder, John M. --- Art Club 2000 --- Atelier Van Lieshout --- Baechler, Donald --- Balka, Miroslaw --- Balkenhol, Stephan --- Barney, Matthew --- Basquiat, Jean-Michel --- Beecroft, Vanessa --- Bickerton, Ashley --- Blecken, R. B. --- Bulloch, Angela --- Bustamante, Jean-Marc --- Calle, Sophie --- Cattelan, Maurizio --- Chapman, Jake & Dinos --- Clark, Larry --- Clegg, Michael --- Currin, John --- Delvoye, Wim --- Demand, Thomas --- Dijkstra, Rineke --- Dion, Mark --- Douglas, Stan --- Dumas, Marlène --- Edmier, Keith --- Eliasson, Olafur --- Emin, Tracey --- Fischli, Peter --- Fleury, Sylvie --- FÖrg, Günther --- Fritsch, Katharina --- General Idea --- Genzken, Isa --- Gillick, Liam --- Gober, Robert --- Goldin, Nan --- Gonzales-torres, Felix --- Gordon, Douglas --- Green, Renée --- GrÜnfeld, Thomas --- Gursky, Andreas --- Guttmann, Martin --- Halley, Peter --- Hatoum, Mona --- Herold, Georg --- Hill, Gary --- Hirst, Damien --- Hofer, Candida --- Höller, Carsten --- Holzer, Jenny --- Honert, Martin --- Horn, Roni --- Hume, Gary --- Huyghe, Pierre --- Hybert, Fabrice --- Jakobsen, Henrik Plenge --- Kabakov, Ilya --- Kelley, Mike --- Kippenberger, Martin --- Knowbotic Research --- Koester, Joachim --- Koons, Jeff --- Kruger, Barbara --- Land, Peter --- Landers, Sean --- Lawler, Louise --- Leonard, Zoe --- Levine, Sherrie --- Locher, Thomas --- Lockhart, Sharon --- Lucas, Sarah --- Majerus, Michel --- Mccarthy, Paul --- Mccollum, Allan --- Merz, Gerhard --- Moffatt, Tracey --- Mori, Mariko --- Mullican, Matt --- Noland, Cady --- Oehlen, Albert --- Orozco, Gabriel --- Oursler, Tony --- Pardo, Jorge --- Parreno, Philippe --- Pernice, Manfred --- Peterman, Dan --- Pettibon, Raymond --- Pierson, Jack --- Pippin, Steven --- Prina, Stephen --- Prince, Richard --- Ray, Charles --- Rehberger, Tobias --- Rhoades, Jason --- Rist, Pipilotti --- Rockenschaub, Gerwald --- Ruff, Thomas --- Samore, Sam --- Sasse, Jörg --- Scher, Julia --- Schulze, Andreas --- Serrano, Andres --- Shaw, Jeffrey --- Sherman, Cindy --- Slominski, Andreas --- Starr, Georgina --- Steinbach, Haim --- Stockholder, Jessica --- Struth, Thomas --- Taaffe, Philip --- Taylor-wood, Sam --- Thater, Diana --- Tillmans, Wolfgang --- Tiravanija, Rirkrit --- Trockel, Rosemarie --- Tuymans, Luc --- Viola, Bill --- Von Bonin, Cosima --- Wall, Jeff --- Wearing, Gillian --- Weiss, David --- West, Franz --- Whiteread, Rachel --- Williams, Christopher --- Wilson, --- Wilson, Jane --- Winters, Terry --- Wool, Christopher --- Zittel, Andrea --- Zobernig, Heimo --- 20e siècle --- Panorama mondial --- video art --- environmental art --- scripts [writing] --- art [fine art] --- computer art [visual works] --- installations [visual works] --- assemblages [sculpture] --- Conceptual --- Höfer, Candida --- Chapman, Jake --- Förg, Günther --- Peyton, Elisabeth --- Schneider, Gregor --- Material Group --- Wilson, Louise --- Wiliams, Christopher --- Bałka, Mirosław --- Bonin, von, Cosima --- Bleckner, Ross --- Taylor-Wood, Sam --- McCarthy, Paul --- McCollum, Allan --- Dumas, Marlene --- Gonzalez-Torres, Felix --- Kabakov, Ilija Iosefovich --- Grünfeld, Thomas --- Atelier Van Lieshout [Rotterdam] --- anno 1980-1989 --- anno 1990-1999 --- hedendaagse kunst --- Contemporary [style of art] --- Artists --- Catalogs. --- Catalogues --- 7.039 --- 7.038 --- jaren 80 --- jaren 90 --- kunst --- kunst 20e eeuw --- 1980 --- -1990 --- -20e eeuw --- 700.1 --- 705.8 --- encyclopedieën --- post postmodernisme --- 7.039 Hedendaagse kunststromingen.Post-moderne kunst --- Hedendaagse kunststromingen.Post-moderne kunst --- kunstgeschiedenis - kunst na 1945 --- beeldende kunst, encyclopedische werken ... --- kunstgeschiedenis, 20e eeuw --- Beeldhouwkunst --- Kunst --- Schilderkunst --- Ruff, Thomas, --- Group Material [New York, N.Y.] --- Knowbotiq [Zurich] --- Actuele kunst --- 20e eeuw --- 21e eeuw --- Tekenkunst --- Design --- Horn, Roni, --- Beeldende kunst : 1980-2000 ; naslagwerken --- 7(03) --- 7.038(03) --- Kunst ; encyclopedieën --- Kunstgeschiedenis ; 1950 - 2000 ; encyclopedieën --- Locher Thomas --- Lockhart Sharon --- Lucas Sarah --- Majerus Michel --- McCarthy Paul --- McCollum Allan --- Merz gerhard --- Moffatt Tracey --- Mori Mariko --- Mullican Matt --- naslagwerk --- Noland Cady --- Oehlen Albert --- Orozco GAbriel --- Oursler Tony --- Pardo Jorge --- Parreno Philippe --- Pernice Manfred --- Peterman Dan --- Pettibon Raymond --- Peyton Elizabeth --- Pierson Jack --- Pippin Steven --- Prina Stephen --- Prince Richard --- Ray Charles --- Rehberger Tobias --- Rhoades Jason --- Rist Pipilotti --- Rockenschaub Gerwadl --- Ruff Thomas --- Samore Sam --- Sasse Jörg --- Scher Julia --- schilderkunst --- Schneider Gregor --- Schulze Andreas --- Serrano Andres --- Shaw Jeffrey --- Sherman Cindy --- Slominski Andreas --- Starr Georgina --- Steinbach Haim --- Stockholder Jessica --- Struth Thomas --- Taaffe Philip --- Taylor-Wood Sam --- Thater Diana --- Tillmans Wolfgang --- Tiravanija Rirkrit --- Trockel Rosemarie --- Tuymans luc --- twintigste eeuw --- van Lieshout Joep --- videokunst --- Viola Bill --- von Bonin Cosima --- Wall Jeff --- Wearing Gillian --- Weiss David --- West Franz --- Whiteread RAchel --- Williams Christopher --- Wilson jane --- Wilson Louise --- Winters Terry --- Wool Christopher --- Zittel Andrea --- Zobernig Heimo --- Ackermann Franz --- Ahtila Eija-Liisa --- Althoff Kai --- Antoni Janine --- Araki Nobuyoshi --- Armleder John M --- Atelier van Lieshout --- Baechler Donald --- balka Miroslaw --- Balkenhol Stephan --- Basquiat Jean-Michel --- Beecroft Vanessa --- beeldhouwkunst --- Bickerton Ashley --- Bleckner Ross --- Bulloch Angela --- Bustamante Jean-Marc --- Calle Sophie --- Cattelan Maurizio --- Chapma Jake --- Chapman Dinos --- Clark Larry --- Clegg & Guttmann --- Currin John --- Delvoye Wim --- Demand Thomas --- Dijkstra Rineke --- Dion Mark --- Douglas Stan --- Dumas Marlene --- Edmier Keith --- Eliasson Olafur --- Emin Tracey --- Fischli Peter --- Fischli & Weiss --- Fleury Sylvie --- Förg Günther --- fotografie --- Fritsch Katharina --- Genzken Isa --- Gerold georg --- Gillick Liam --- Gober Robert --- Goldin Nan --- Gonzalez-Torres Felix --- Gordon Douglas --- Green Renée --- Group Material --- Grünfeld Thomas --- Gursky Andreas --- Halley Peter --- Hatoum Mona --- Hill Gary --- Hirst Damien --- Höfer Candida --- Höller Carsten --- Holzer Jenny --- Honert Martin --- Horn Roni --- Hume Gary --- Huyghe Pierre --- Hybert Fabrice --- installaties --- Jacobsen Henrik Plenge --- Kabakov Ilya --- Kelley Mike --- Kippenberger Martin --- Koester Joachim --- Koons Jeff --- Kruger Barbara --- Landers Sean --- Land Peter --- Lawler Louise --- Leonard Zoe --- Levine Sherrie --- beeldende kunst, encyclopedische werken .. --- Gonzales-Torres, Felix --- beeldende kunst, encyclopedische werken --- Art, Modern - 20th century --- Horn, Roni, 1955 --- -Hume, Gary --- Ruff, Thomas, 1958 --- -Samore, Sam --- Weiss, David 1946-2012 --- art [discipline]