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Na de inspannende arbeid aan een boek over de beeldhouwer Rodin reist de Duitse dichter Rilke in 1903 naar Italië, vanwaar hij met vele mensen correspondeert. Onder hen bevindt zich een leerling van de militaire academie Wiener-Neustadt, Franz Xaver Kappus,die Rilke een paar gedichten ter beoordeling stuurt. Hieruit ontwikkelt zich een briefwisseling die (zonder het aandeel van Kappus) in 1929 na Rilkes dood wordt gepubliceerden onder de titel Briefe an einen jungen dichter een van de populairste werken van Rilke wordt. In een tijdspanne van vijf jaar legt Kappus hem de meest uiteenlopende problemen voor. Uit Rilkes antwoorden is zijn visie op een groot aantal aspecten van het leven te distilleren. Deze opvattingen van Rilke zullen ook nu nog velen aanspreken, bijvoorbeeld zijn hoop dat de tegenstellingen tussen man en vrouw zullen worden opgeheven.
German literature --- Rilke, Rainer Maria --- Roman --- FICTIE
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In the autumn of 1899, it takes the then twenty-three-year-old Rainer Maria Rilke one single night to write Die Weise von Liebe und Tod des Cornets Christoph Rilke (The Lay of Love and Death of Cornet Christoph Rilke). In the years that followed, Rilke continued to work on this peculiar ‘short song in prose’ or ‘poetic narrative’ – polishing and refining its delicate phrasing. The result is a sensuous ‘fever dream’: It is 1664 and the young Christoph Rilke (a distant ancestor of the poet, Rainer Maria Rilke) travels as standard-bearer or ‘cornet’ with a small company of soldiers to the fortress of an Austrian count. The fair-haired cornet loses himself in a night of passion with the countess, and gallops towards a heroic death in a battle against the Turkish army. Rilke’s text inhabits, in every respect, an intermediary space: its prose sings; women have male traits, men, female traits; women are all at once mistress, mother, Virgin Mary and sensual ‘angel of death’. For Anne Teresa De Keersmaeker, Rilke’s Cornet is an old love. Its musicality forms a starting point for her on-going research into the counterpoint between dance and text, movement and speech: ‘For quite some time I’ve been investigating the sources in our body from which movement can spring. Even more so than walking, breathing is one of the most elementary, life-giving patterns of movement. Breathing can become sound, sound can turn into speech, speech into song. The voice cannot lie: it brings out the most intimate core of a human being. There are billions of people, and yet we are able to recognise a single voice blindly. That is why I want to give breath and voice, so to speak, to Rilke’s text by approaching it as a musical score. ‘How can you embody language? Dance a story? What happens when you confront the logic of a text with an autonomous logic of movement? Take for example Noh-theatre: movement underlines, accentuates or illustrates a story, and yet it maintains its own logic, its own beauty – independent of text or story. I want to explore this intermediary space that Rilke’s text opens, the subtle nuances between breathing, speaking and singing, between the male and the female, the lyrical and the prosaic.’
De Keersmaeker, Anne Teresa --- dans --- choreografie --- choreografen --- België --- eenentwintigste eeuw --- De Keersmaeker Anne Teresa --- fotografie --- dansfotografie --- Rosas --- literatuur --- 792.071 --- Keersmaeker, Anne Teresa de --- Rilke, Rainer Maria, --- Keersmaeker, Anne Teresa de. --- Weise von Liebe und Tod des Cornets Christoph Rilke (Rilke, Rainer Maria). --- De Keersmaeker, Anna Teresa --- Theatrical science --- performance art --- choreography --- Keersmaeker, de, Anne Teresa --- Rilke, Rainer Maria --- Rosas [Brussels] --- German literature --- Keersmaeker, De, Anne Teresa
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Music --- Theatrical science --- Weill, Kurt --- History and criticism --- Weill, Kurt, --- Interviews --- Interviews. --- Essays --- Esthetica --- Muziekfilosofie --- Muziekkritiek --- Biografieën --- Autobiografieën --- Duitsland --- Amerika --- Noord-Amerika --- Verenigde Staten van Amerika --- Busoni, Ferruccio (1866-1924) --- Jazz --- Opera's --- Theater --- Muziektheater --- Broadway --- Bach, Johann Sebastian (1685-1750) --- Politiek --- Pedagogie --- Brecht, Bertolt --- Wagner, Richard (1813-1883) --- Nietzsche, Friedrich --- Media --- Radio --- Schoenberg, Arnold (1874-1951) --- Jarnach, Philipp --- Zoon --- Strauss, Johann --- Berg, Alban (1885-1935) --- Pfitzner, Hans --- Weber, Carl Maria von (1786-1826) --- Mahler --- Shaw, Bernard --- Stravinsky, Igor --- Lortzing, Albert --- Kaiser, Georg --- Mann, Heinrich --- Rilke, Rainer Maria --- Bellini, Vincenzo --- Schwarz, Joseph --- Offenbach, Jacques --- Schreker, Franz --- Bronnen, Arnolt --- Beethoven, Ludwig van (1770-1827) --- Graf, Oskar Maria --- Janácek, Leos --- Werfel, Franz --- Mozart, Wolfgang Amadeus (1756-1791) --- Strauss, Richard --- 20e eeuw --- Schubert, Franz (1797-1828)
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color [perceived attribute] --- philosophy of art --- Art --- art [fine art] --- Cash, Johnny --- Halley, Peter --- Vasarely, Victor --- Truitt, Anne --- Ono, Yoko --- Léger, Fernand --- Itten, Johannes --- Rothko, Mark --- Newman, Barnett --- Cruz-Diez, Carlos --- Melville, Herman --- Koolhaas, Rem --- Riley, Bridget --- Moreau, Gustave --- Corbusier, Le --- Shonibare, Yinka --- Ozenfant, Amédée --- Brusatin, Manlio --- Balla, Giacomo --- Smith, Melanie --- Denis, Maurice --- Marden, Brice --- Ruskin, John --- Durham, Jimmie --- Wittgenstein, Ludwig J.J. --- Judd, Donald --- Spengler, Oswald --- Buren, Daniel --- Gleizes, Albert --- Smithson, Robert --- Blanc, Charles-Alexandre-Philippe-Auguste --- Boccioni, Umberto --- Jung, Carl Gustav --- Merleau-Ponty, Maurice --- Bell, Clive --- Reis, Pedro Cabrita --- Michaux, Henri --- Brakhage, Stan --- Olitski, Jules --- Delaunay, Robert --- Stokes, Adrian --- Welling, James --- Matisse, Henri --- Kandinsky, Vasili Vassileevich --- Manzoni, Piero --- Metzinger, Jean --- Rimbaud, Arthur --- Lévi-Strauss, Claude --- Baudelaire, Charles --- Marcos [Subcomandante Insurgente] --- Kundera, Milan --- Gabo, Naum --- Fry, Roger Eliot --- Albers, Josef --- Stockholder, Jessica --- Batchelor, David --- Adorno, Theodor W. --- Pynchon, Thomas --- Frankenthaler, Helen --- Deleuze, Gilles --- Kelly, Ellsworth --- Reed, David --- Nordau, Max --- Eco, Umberto --- Rodtschenko, Alexander Michajlowitsch --- Delaunay, Sonia --- Auster, Paul --- Carrà, Carlo --- Gass, William H. --- Huysmans, Joris-Karl --- Severini, Gino --- Huxley, Aldous --- Whiteread, Rachel --- Doesburg, van, Theo --- Eisenstein, Sergei M. --- Gogh, van, Vincent --- Noland, Kenneth --- Baudrillard, Jean --- Tarantino, Quentin --- Rilke, Rainer Maria --- Kelley, Mike --- Milhazes, Beatriz --- Benjamin, Walter --- Jarman, Derek --- Oiticica, Hélio --- Signac, Paul --- Hiller, Susan --- Richter, Gerhard --- Allais, Alphonse --- Barthes, Roland --- Mondriaan, Piet --- Klein, Yves --- Morris, Robert --- Calvino, Italo --- Gauguin, Paul --- Klee, Paul --- Reinhardt, Ad --- Kristeva, Julia --- Malevitsj, Kasimir --- Derrida, Jacques --- Bochner, Mel --- Berenson, Bernard --- Dean, Tacita --- Russolo, Luigi --- anno 1900-1999 --- anno 2000-2099 --- Color in art --- Color (Philosophy) --- kunst --- kunsttheorie --- kleur --- kleurtheorie --- twintigste eeuw --- eenentwintigste eeuw --- Adorno Theodor --- Albers Josef --- Barthes Roland --- Baudelaire Charles --- Baudrillard Jean --- Benjamin Walter --- Blanc Charles --- Birren Faber --- Bochner Mel --- Brik Osip --- Brusatin Manlio --- Buren Daniel --- Le Corbusier --- Delaunay Robert --- Delaunay Sonia --- Denis Maurice --- van Doesburg Theo --- Durham Jimmie --- de Duve Thierry --- Eco Umberto --- Frankenthaler Helen --- Gauguin Paul --- Halley Peter --- Huysmans Joris-Karl --- Itten Johannes --- Kandinsky Wassily --- Kelley Mike --- Klee Paul --- Klein Yves --- Kristeva Julia --- Lévi-Strauss Claude --- Lichtenstein Jacqueline --- Magnetic Fields --- Malevich Kazimir --- Manzoni Piero --- Mondriaan Piet --- Newman Barnett --- Noland Kenneth --- Oiticica Hélio --- Olitski Jules --- Reinhardt Ad --- Richter Gerhard --- Riley Bridget --- Rilke Rainer Maria --- Rothko Mark --- Ruskin John --- Shonibare Yinka --- Signac Paul --- van Gogh Vincent --- Wittgenstein Ludwig --- 7.017 --- Color in art. --- Art, Modern. --- Kunst ; optische effecten, perspectief, illusie --- 7.048.3 --- Kleur in de kunst ; 20ste en 21ste eeuw --- Iconografie ; licht, beweging, kleur --- Wittgenstein, Ludwig --- Corbusier, le --- Art, Modern --- Colors in art --- Monochrome art --- Modern art --- Nieuwe Ploeg (Group of artists) --- art [discipline] --- Kandinsky, Wassily
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Before John Cage (1912-1992), there was hardly anyone as consistent as he was in questioning the boundaries of music and its connections to other fields of art and the everyday world. Along with Erik Satie, Marcel Duchamp, Nam June Paik, and Joseph Beuys, Cage is one of the greatest strategists and pioneers of twentieth-century music and art. Starting with these key figures, this publication examines twelve fundamental strategies of art and music since 1900: recording, collage, silence, destruction, calculation, coincidence, feeling, thought, belief, furnishing, repetition, and playing. Interdisciplinary essays by art and music theorists as well as exemplary works and original sources by artists, musicians, and composers are featured alongside visual documentation, showing the impressive diversity of parallel and overlapping activities between music and art from Laurie Anderson and Robert Filliou to Anri Sala and Iannis Xenakis.
Art and music --- Music in art --- Cage, John --- C., J. --- Cage, John Milton, --- J. C. --- Keidž, Džon --- Keĭdzh, Dzhon --- Kēji, Jon --- Exhibitions --- Iconography --- Art --- Sculpture --- Graphic arts --- Music --- Film --- phonograph records --- musical instruments --- art [fine art] --- music [performing arts] --- sound [acoustics] --- video art --- performance art --- sculpting --- graphic arts --- kunst --- muziek --- Zappa, Frank --- Berberian, Cathy --- Goebbels, Heiner --- Blake, Peter Thomas --- Keersmaeker, de, Anne Teresa --- Gert, Valeska --- Richter, Hans --- Haubenstock-Ramati, Roman --- Gojowczyk, Hubertus --- Creed, Martin --- Paik, Nam June --- Heartfield, John --- Warhol, Andy --- Satie, Erik --- Hausmann, Raoul --- Ernst, Max --- Cardiff, Janet --- Fox, Terry --- Nicolai, Carsten --- Ono, Yoko --- Brown, Earle --- Bures Miller, George --- Duchamp, Marcel --- Kutiman --- Aladağ, Nevin --- Johns, Jasper --- Atlas, Charles --- Bender, Sonja --- Brötzmann, Peter --- Schönberg, Arnold --- Casavola, Franco --- Clash, The --- Xenakis, Iannis --- Fontaine, Dick --- Morris, Robert --- Clair, René --- Hildebrandt, Gregor --- Khan, Idris --- Kosugi, Takehisa --- Kreidler, Johannes --- Lohner, Henning --- Luciani, Sebastiano Arturo --- Beuys, Joseph --- Muenz, Harald --- Raccoursier, Anne Julie --- Rilke, Rainer Maria --- Klee, Paul --- Schwarz, Lillian --- Sturm, Oliver --- Tse, Su-Mei --- Roth, Dieter --- Voigt, Jorinde --- von der Wense, Jürgen --- Who, The --- Yoshihide, Otomo --- Davis, Miles --- Marinetti, Filippo Tommaso --- Macchi, Jorge --- Reich, Steve --- Rühm, Gerhard --- Klein, Yves --- Boulez, Pierre --- Beckett, Samuel --- Picabia, Francis --- Stockhausen, Karlheinz --- Coltrane, John --- Rauschenberg, Robert --- Vautier, Ben --- Armleder, John M. --- Conner, Bruce --- Depero, Fortunato --- Hendrix, Jimi --- Nauman, Bruce --- Sala, Anri --- Berio, Luciano --- Leitner, Bernhard --- Baldessari, John --- Brecht, George --- Cangiullo, Francesco --- Schwitters, Kurt --- Christiansen, Henning --- Filliou, Robert --- Higgins, Dick --- Hödicke, Karl Horst --- Jones, Joe --- Knizak, Milan --- Maciunas, Georg --- Roehr, Peter --- Vostell, Wolf --- Williams, Emmett --- Feldman, Morton --- Kagel, Mauricio --- Maderna, Bruno --- Schnebel, Dieter --- Eno, Brian --- Schulhoff, Erwin --- Bartók, Béla --- Kjartansson, Ragnar --- Wolpe, Stefan --- Anderson, Laurie --- Einstürzende Neubauten --- Faithless --- anno 1900-1999 --- anno 2000-2099 --- kunst en muziek --- twintigste eeuw --- eenentwintigste eeuw --- Duchamp Marcel --- Satie Erik --- Clair René --- Johns Jasper --- Rilke Rainer Maria --- Klee Paul --- Moholy-Nagy Laszlo --- Cage John --- Morris Robert --- Nicolai Carsten --- Berio Luciano --- Burroughs William S --- Gert Valeska --- Nauman Bruce --- Beuys Joseph --- Beckett Samuel --- Nono Luigi --- Marinetti Filippo Tommaso --- Higgins Dick --- Viola Bill --- Khan Idris --- Schoenberg Arnold --- Xenakis Iannis --- Schwartz Lilian --- Mallarmé Stéphane --- Schwitters Kurt --- Boulez Pierre --- Brown Earle --- Filliou Robert --- Ono Yoko --- Paik Nam June --- Leitner Bernhard --- Anderson laurie --- Flusser Vilém --- Sala Anri --- Mondrian Piet --- Mondriaan Piet --- Knizak Milan --- Baldessari John --- Stockhausen Karlheinz --- Kagel Mauricio --- Sturm Oliver --- Eno Brian --- Novembergruppe --- Roehr Peter --- Williams William Carlos --- Kjartansson Ragnar --- Russolo Luigi --- Depero Fortunato --- Berberian Cathy --- Christiansen Henning --- Rühm gerhard --- Kelley Mike --- Aladag Nevin --- Goebbels Heiner --- 7.036/039 --- 7.049 --- 78.038 --- 78.039 --- Kunst en muziek ; 20ste en 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Muziek ; 1950 - 2000 --- Muziek ; 2000 - 2050 --- Miller, George Bures --- Rühm Gerhard --- 78.02 --- Muziek ; techniek en methode --- art [discipline] --- music [performing arts genre] --- Knížák, Milan --- Keersmaeker, De, Anne Teresa
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