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This book is intended as a preliminary work for a uniform description of language, especially overall organization and architecture of grammar and its connection with semantics. An array of general logical intuitions, concerning the initial requirements for building and interpreting compound expressions, stemming from Frege, Husserl and Ajdukiewicz, is spelled out to form a general framework, allowing for critical evaluation of today’s leading paradigms, such as Generative Grammar, Montague Grammar or Type-Logical Grammar. The main message of the book is that categorial grammar is not only one of the competing theories of syntax, but – according to some general features – is the most plausible framework for logical syntax of natural language. With profound motivation the book proposes an original treatment of quantification and formulates insightful general principles of syntactic analysis.

Grammar --- Philosophy of language

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This book proposes a new solution to the problem of vagueness. There are several different ways of addressing this problem and no clear agreement on which one is correct. The author proposes that it should be understood as the problem of explaining vague predicates in a way that systematizes six intuitions about the phenomenon and satisfies three criteria of adequacy for an ideal theory of vagueness. The third criterion, which is called the "criterion of precisification", is the most controversial one. It is based on the intuition that a predicate is vague only if it is imprecise. The author considers some different definitions of linguistic imprecision, proposing that a predicate is imprecise if and only if there is no sharp boundary between objects to which its application yields some particular truth-value and objects to which its application does not yield that truth-value. The volume critically reviews the current theories of vagueness and proposes a new one, the Theory of Vagueness as Arbitrariness, which defines a vague predicate as an arbitrary predicate that must be precisified in order to contribute to a sentence that has truth-conditions. The main advantages of this theory over the current alternatives are that it satisfies all three criteria and systematizes the relevant intuitions.

Philosophy of language --- taalfilosofie

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This volume offers the reader a singular overview of current thinking on indirect reports. The contributors are eminent researchers from the fields of philosophy of language, theoretical linguistics, and communication theory, who answer questions on this important issue. This exciting area of controversy has until now mostly been treated from the viewpoint of philosophy. This volume adds the views from semantics, conversation analysis and sociolinguistics. Authors address matters such as the issue of semantic minimalism vs. radical contextualism, the attribution of responsibility for the modes of presentation associated with Noun Phrases, and how to distinguish the indirect reporter’s responsibility from the original speaker’s responsibility. They also explore the connection between indirect reporting and direct quoting. Clearly indirect reporting has some bearing on the semantics/pragmatics debate, however, there is much controversy on “what is said”, whether this is a minimal semantic logical form (enriched by saturating pronominals) or a much richer and fully contextualized logical form. This issue will be discussed from several angles. Many of the authors are contextualists and the discussion brings out the need to take context into account when one deals with indirect reports, both the context of the original utterance and the context of the report. It is interesting to see how rich cues and clues can radically transform the reported message, assigning illocutionary force, and how they can be mobilized to distinguish several voices in the utterance. Decoupling the voice of the reporting speaker from that of the reported speaker on the basis of rich contextual clues is an important issue that pragmatic theory has to tackle. Articles on the issue of slurs will bring new light to the issue of decoupling responsibility in indirect reporting, while others are theoretically oriented and deal with deep problems in philosophy and epistemology.

Pragmatics --- Sociolinguistics --- Philosophy of language

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Semiotics --- Philosophy of language --- taalfilosofie

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Representation is a concern crucial to the sciences and the arts alike. Scientists devote substantial time to devising and exploring representations of all kinds. From photographs and computer-generated images to diagrams, charts, and graphs; from scale models to abstract theories, representations are ubiquitous in, and central to, science. Likewise, after spending much of the twentieth century in proverbial exile as abstraction and Formalist aesthetics reigned supreme, representation has returned with a vengeance to contemporary visual art. Representational photography, video and ever-evolving forms of new media now figure prominently in the globalized art world, while this "return of the real" has re-energized problems of representation in the traditional media of painting and sculpture. If it ever really left, representation in the arts is certainly back. Central as they are to science and art, these representational concerns have been perceived as different in kind and as objects of separate intellectual traditions. Scientific modeling and theorizing have been topics of heated debate in twentieth century philosophy of science in the analytic tradition, while representation of the real and ideal has never moved far from the core humanist concerns of historians of Western art. Yet, both of these traditions have recently arrived at a similar impasse. Thinking about representation has polarized into oppositions between mimesis and convention. Advocates of mimesis understand some notion of mimicry (or similarity, resemblance or imitation) as the core of representation: something represents something else if, and only if, the former mimics the latter in some relevant way. Such mimetic views stand in stark contrast to conventionalist accounts of representation, which see voluntary and arbitrary stipulation as the core of representation. Occasional exceptions only serve to prove the rule that mimesis and convention govern current thinking about representation in both analytic philosophy of science and studies of visual art. This conjunction can hardly be dismissed as a matter of mere coincidence. In fact, researchers in philosophy of science and the history of art have increasingly found themselves trespassing into the domain of the other community, pilfering ideas and approaches to representation. Cognizant of the limitations of the accounts of representation available within the field, philosophers of science have begun to look outward toward the rich traditions of thinking about representation in the visual and literary arts. Simultaneously, scholars in art history and affiliated fields like visual studies have come to see images generated in scientific contexts as not merely interesting illustrations derived from "high art", but as sophisticated visualization techniques that dynamically challenge our received conceptions of representation and aesthetics. "Beyond Mimesis and Convention: Representation in Art and Science" is motivated by the conviction that we students of the sciences and arts are best served by confronting our mutual impasse and by recognizing the shared concerns that have necessitated our covert acts of kleptomania. Drawing leading contributors from the philosophy of science, the philosophy of literature, art history and visual studies, our volume takes its brief from our title. That is, these essays aim to put the evidence of science and of art to work in thinking about representation by offering third (or fourth, or fifth) ways beyond mimesis and convention. In so doing, our contributors explore a range of topics-fictionalism, exemplification, neuroaesthetics, approximate truth-that build upon and depart from ongoing conversations in philosophy of science and studies of visual art in ways that will be of interest to both interpretive communities. To put these contributions into context, the remainder of this introduction aims to survey how our communities have discretely arrived at a place wherein the perhaps-surprising collaboration between philosophy of science and art history has become not only salubrious, but a matter of necessity. .

Philosophy of science --- Aesthetics --- Philosophy of language