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The present book contextualizes Du Châtelet’s contribution to the philosophy of her time. The editor offers this tribute to an Époque Émilienne as a collection of innovative papers on Emilie Du Châtelet’s powerful philosophy and legacy. Du Châtelet was an outstanding figure in the era she lived in. Her work and achievements were unique, though not an exception in the 18th century, which did not lack outstanding women. Her personal intellectual education, her scholarly network and her mental acumen were celebrated in her time, perceiving her to have “multiplied nine figures by nine figures in her head”. She was able to gain access to institutions which were normally denied to women. To call an epoch an Époque Émilienne may be seen as daring and audacious, but it will not be the last time if we continue to bring women philosophers back into the memory of the history of philosophy. The contributors paid attention to the philosophical state of the art, which forms the background to Du Châtelet’s philosophy. They follow the transformation of philosophical concepts under her pen and retrace the impact of her ideas. The book is of interest to scholars working in the history of philosophy as well as in gender studies. It is of special interest for scholars working on the 18th century, Kant, Leibniz, Wolff, Newton and the European Enlightenment.

Philosophy --- Philosophy of science --- History of philosophy --- Sociology of the family. Sociology of sexuality --- Geophysics --- zwaartekracht --- feminisme --- filosofie --- geschiedenis --- wetenschapsfilosofie --- Philosophy—History. --- Feminism. --- Feminist theory. --- Philosophy, Modern. --- Enlightenment. --- Gravitation. --- Science—Philosophy. --- History of Philosophy. --- Feminism and Feminist Theory. --- Philosophical Traditions. --- Philosophy of Enlightenment. --- Newtonian Physics. --- Philosophy of Science.

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"The 'Beethoven syndrome' is the inclination of listeners to hear music as the projection of a composer's inner self. This was a radically new way of listening that emerged after Beethoven's death. Beethoven's music was a catalyst for this change, but only in retrospect, for it was not until after his death that listeners began to hear composers--and not just Beethoven--in their works, particularly in their instrumental music. The Beethoven syndrome: hearing music as autobiography traces the rise, fall, and persistence of this mode of listening from the middle of the eighteenth century to the present. Prior to 1830, composers and audiences alike operated within a framework of rhetoric in which the burden of intelligibility lay squarely on the composer, whose task it was to move listeners in a calculated way. But through a confluence of musical, philosophical, social, and economic changes, the paradigm of expressive objectivity gave way to one of subjectivity in the years around 1830. The framework of rhetoric thus yielded to a framework of hermeneutics: concert-goers no longer perceived composers as orators but as oracles to be deciphered. In the wake of World War I, however, the aesthetics of 'new objectivity' marked a return not only to certain stylistic features of eighteenth-century music but also to the earlier concept of expression itself. Objectivity would become the cornerstone of the high modernist aesthetic that dominated the century's middle decades. Masterfully citing a broad array of source material from composers, critics, theorists, and philosophers, Mark Evan Bonds's engaging study reveals how perceptions of subjective expression have endured, leading to the present era of mixed and often conflicting paradigms of listening"--

Music --- Expression (Philosophy) --- Philosophy and aesthetics --- History --- Beethoven, Ludwig van, --- Appreciation --- muziekfilosofie --- expressie --- Beethoven, von, Ludwig --- Philosophy and aesthetics&delete& --- Bītʹhūfin, --- Beethoven, L. van --- Beethoven, Louis van, --- Beethoven, Ludvig van, --- Bethovenas, L., --- Betkhoven, Li︠u︡dvig van, --- Beṭhoṿn, Ludṿig ṿan, --- Beethoven, Ludwik van, --- Betkhoven, L. van --- Bētōven, Rūtovihhi van, --- בטהובן --- בעטהאָוון, לודוויג וואן --- ベートベン, ルートビッヒ, --- 贝多芬, --- History. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Self-expression --- Philosophy --- Music - Philosophy and aesthetics - History --- Expression (Philosophy) - History --- Beethoven, Ludwig van, - 1770-1827 - Appreciation - History --- Beethoven, Ludwig van, - 1770-1827