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All the light we cannot see
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ISBN: 9780007548699 9780008138301 0008138303 Year: 2015 Publisher: London Fourth Estate

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For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic layers within the invaluable diamond that her father guards in the Museum of Natural History. The walled city by the sea, where father and daughter take refuge when the Nazis invade Paris. And a future which draws her ever closer to Werner, a German orphan, destined to labour in the mines until a broken radio fills his life with possibility and brings him to the notice of the Hitler Youth.

The nazis
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ISBN: 3905509229 Year: 1999 Publisher: Zurich Frey

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Danser avec le IIIe Reich : les danseurs modernes sous le nazisme
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ISBN: 2870276974 Year: 2000 Volume: *2 Publisher: Bruxelles Complexe


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Déracinements : musique, exil et transfert culturel pendant et après le Troisième Reich

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De man die het Derde Rijk uitvond
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ISBN: 9056174126 Year: 2003 Publisher: Leuven Van Halewyck


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Jazz et société sous l'occupation
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ISBN: 9782296101340 Year: 2009 Publisher: Paris L'Harmattan


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Film as a subversive art
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ISBN: 0394490789 Year: 1974 Publisher: New York, N.Y. Random House

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Italian music during the fascist period
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ISBN: 2503515177 9782503515175 Year: 2004 Volume: 10 Publisher: Turnhout: Brepols,

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«My generation is guilty through and through : no justification is possible. At most there may be extenuating circumstances… Fascism — Dallapiccola claimed — had used a new weapon… a weapon much mightier than the magnetic mines: in comparison, even the atomic bomb begins to look trifling. The weapon I refer to is much more subtle and underhand. It took years to realize this and to discover its secret. The first to use it systematically and on a vast scale in the West was Benito Mussolini. This weapon is called Propaganda. With it and with the stifling of the press, its first derivative, a lie can be turned into truth.» [‘Prime composizioni corali. Postscriptum’, 29 January 1962.]


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Music and dictatorship in Europe and Latin America
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ISBN: 9782503527796 2503527795 Year: 2009 Volume: 14 Publisher: Turnhout Brepols

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In this book, edited by Roberto Illiano and Massimiliano Sala, twenty-four scholars investigate the relationship between music and dictatorship in twentieth-century Europe and Latin America. The music is explored as a political phenomenon in fifteen nations under totalitarian regimes: Argentina, Brazil, Chile, Cuba, France, Greece, Germany, Italy, Mexico, Poland, Portugal, Russia, Serbia, Spain, and Hungary. Historical and aesthetical articles face both individual people (for instance, Chavez, Ligeti, Massarani or Villa-Lobos) as well whole generations of composers operating under dictatorship (for example, in the communist regimes of Poland and Serbia; in France under Vichy; in Franco's Spain, Salazar's Portugal, or in Revolutionary Cuba).


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Fascisme
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ISBN: 9789025310660 Year: 2022 Publisher: Amsterdam Athenaeum

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Eind twintigste eeuw leek het fascisme in onbruik te raken als politiek begrip, maar daar is radicaal verandering in gekomen. Het (reële of ingebeelde) spook van het fascisme waart opnieuw rond door Europa, Amerika en andere delen van de wereld. Wetenschappers zijn volop in debat over een sluitende definitie van het fascisme, en of die überhaupt mogelijk is. Honderd jaar nadat Mussolini de eerste fascistische partij oprichtte. Daniel Knegt informeert ons over de geschiedenis, betekenis en verschillende interpretaties van het fascisme. Zowel de politieke als de intellectuele ontstaansgeschiedenis komt aan bod, alsmede de erfenis van het fascisme voor de Europese politiek na 1945 en de rol die het fascisme vandaag de dag nog speelt.https://www.athenaeum.nl/boek?authortitle=daniel-knegt/fascisme--9789025310660

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