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Art styles --- Minimal --- minimal art --- Andre, Carl --- LeWitt, Sol --- Morris, Robert --- Judd, Donald --- Flavin, Dan
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Art styles --- Minimal --- minimal art --- Andre, Carl --- LeWitt, Sol --- Morris, Robert --- Judd, Donald --- Flavin, Dan --- anno 1900-1999
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art criticism --- Personnel management --- ateliers --- kunstkritiek --- beroepsuitoefening --- studios [work spaces] --- Artists --- anno 2000-2009 --- anno 1900-1999 --- Art --- De Cock, Jan --- Nauman, Bruce --- Hesse, Eva --- Buren, Daniel --- Rothko, Mark --- Rothko, Mark, --- Morris, Robert, --- Buren, Daniel, --- Nauman, Bruce, --- Hesse, Eva, --- Barney, Matthew, --- Kippenberger, Martin, --- Rhoades, Jason, --- McCarthy, Paul, --- Eliasson, Olafur, --- De Cock, Jan. --- kunst --- kunstenaarsateliers --- ontwerpmethodologie --- twintigste eeuw --- eenentwintigste eeuw --- kunsttheorie --- Buren Daniel --- De Cock Jan --- Hesse Eva --- Eliasson Olafur --- Kippenberger Martin --- McCarthy Paul --- Nauman Bruce --- Morris Robert --- Rhoades Jason --- Rothko Mark --- 7.01 --- Artists' studios in art. --- Artists' studios. --- Artists' studios --- Artists' studios in art --- Art studios --- Artists' workshops --- Ateliers --- Studios, Artists' --- Workshops, Artists' --- Workshops --- painting [image-making] --- sculpting --- Kippenberger, Martin --- Morris, Robert --- McCarthy, Paul --- Eliasson, Olafur --- Barney, Matthew --- Rhoades, Jason --- Cock, de, Jan
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Merce Cunningham's dynamic artistic collaborations are the subject of a major interdisciplinary survey organized by the Walker, home to the complete scenic and costume archive of the Merce Cunningham Dance Company (MCDC). Renowned as both choreographer and dancer, Cunningham (American, 1919-2009) revolutionized dance through his partnerships with leading artists who created costumes, lighting, films, music, and décor and whose independent creative instincts he held in the highest regard. Common Time offers a journey through a range of experiential installations that unfold at the Walker in seven galleries, the theater, the cinema, and public spaces throughout the museum. Known for embracing risk and chance, Cunningham believed in the radical notion that movement, sound, and visual art could exist independently of each other, coming together only during the common time of a performance. The exhibition presents Cunninghams work and that of his network of collaborators through rare and never-before-seen moving image presentations and installations of décor and costumes from the MCDC Collection as well as pieces by his lifelong collaborator, composer John Cage, and Trisha Brown, Tacita Dean, Jasper Johns, Morris Graves, Robert Morris, Bruce Nauman, Isamu Noguchi, Nam June Paik, Yvonne Rainer, Robert Rauschenberg, Frank Stella, David Tudor, Stan VanDerBeek, Andy Warhol, and many others.
video art --- costume design --- music [performing arts] --- flats [theater elements] --- stage lighting --- Art --- choreography --- art [fine art] --- dances [performance events] --- scenography [discipline] --- Nauman, Bruce --- Johns, Jasper --- Rauschenberg, Robert --- Kawakubo, Rei --- Cunningham, Merce --- Graves, Morris --- Paik, Nam June --- Morris, Robert --- Kosugi, Takehisa --- Atlas, Charles --- Tudor, David --- Cage, John --- choreographers --- installation artists --- installations [visual works] --- kunst --- dans --- muziek --- performances --- video --- videokunst --- setdesign --- schilderkunst --- twintigste eeuw --- Cunningham Merce --- Cgae John --- Atlas Charles --- Graves Morris --- Johns Jasper --- Kawakubo Rei --- Kosugi Takehisa --- Morris Robert --- Mumma Gordon --- Nauman Bruce --- Neto Ernesto --- Oliveros Pauline --- Paik Nam June --- VanDerBeek Stan --- Warhol Andy --- 7.071 CUNNINGHAM --- Exhibitions --- Cunningham, Merce. --- Cunningham, Mercier Philip --- art [discipline] --- music [performing arts genre]
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Overzicht van leven en werk van Jean Leering (1934-2005), achtereenvolgens directeur van het Tropenmuseum in Amsterdam en het Van Abbemuseum in Eindhoven.
curators --- Leering, Jean --- Municipal Van Abbemuseum [Eindhoven] --- Morris, Robert ;Judd, Donald ; Christo ; Nauman, Bruce ; Jan van Toorn --- kunst --- twintigste eeuw --- Nederland --- 7.038 --- 069 --- Tropenmuseum --- minimal art --- minimalisme --- Van Abbemuseum --- activisme --- kunst en politiek --- museologie --- concept art --- conceptuele kunst --- curators. --- Leering, J. --- Art museum directors --- Leering, Jean. --- Stedelijk Van Abbemuseum --- History. --- Kunsttheorie ; over kunsttentoonstellingen ; curatoren --- Kunstverzamelingen ; van Nederlandse musea ; 20ste eeuw --- Kunst; museumdirecteurs --- Leering, Jean 1934-2005 (°IJsselstein, Nederland) --- 069(492) --- Musea. Collecties ; Nederland
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> Belicht uitdagingen en oplossingen om de landschapskunst in Flevoland levend te houden > De publicatie gaat het traditionele heroïsche karakter van landschapskunst voorbij en omarmt het verval en de transformatie van het landschap en haar kunst > Land Art Live presenteert tien iconische landschapskunstwerken in Flevoland en houdt ze, met behulp van interventies van een nieuwe generatie kunstenaars, tegen het licht In Flevoland bevindt zich een unieke collectie landschapskunstwerken, waaronder De Groene Kathedraal van Marinus Boezem, Observatorium van Robert Morris en Riff, PD#18245 van Bob Gramsma. Stonden deze landart-werken ooit in de lege polder, inmiddels zijn ze opgenomen in een dynamische landschappelijke transformatie. Ook de opvattingen over kunst en de maatschappelijk betekenis ervan veranderden in de vijf decennia die dit boek bestrijkt. Hierdoor onstaan vragen over het behoud van de werken en van de collectie als geheel. Land Art Live | De Flevoland Collectie belicht de landschapskunst in Flevoland. Een jongere generatie kunstenaars is gevraagd om met performances een verbinding te leggen met de oorspronkelijke betekenis van de landart-werken. En experts op het gebied van beeldende kunst, erfgoed en landschap reiken ideeën aan waarmee de toekomst van deze bijzondere collectie en het landschap kan worden vormgegeven. Het boek vormt tevens een handige gids voor een bezoek aan dit bijzondere openluchtmuseum.
Art --- earthworks [sculpture] --- land art --- Land Art Flevoland [Almere] --- Kunst --- Performances ; Nederland --- Land Art --- sculpture [visual works] --- outdoor sculpture --- multimedia works --- performance art --- environmental art --- Nature --- Libeskind, Daniel --- Bonajo, Melanie --- Kort, de, Paul --- Morris, Robert --- Gramsma, Bob --- Pask, Maria --- Schwartz, Johannes --- Toebosch, Moniek --- Pilgrim, Rory --- Serra, Richard --- Ivanova, Zhana --- De Brock, Gilles --- Moorman, Cindy --- Beckers, Feiko --- Boezem, Marinus --- Gormley, Antony --- Slegers, Piet --- RAAAF [Amsterdam] --- Atelier de Lyon [Amsterdam] --- Flevoland (Prov.)
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Composers --- Music --- Courage --- Bravery --- Courageousness --- Dauntlessness --- Fearlessness --- Heroism --- Intrepidity --- Intrepidness --- Valiance --- Valiancy --- Valiantness --- Valor --- Valorousness --- Conduct of life --- Heroes --- History and criticism --- muziekgeschiedenis --- Adams, John --- Matthus, Siegfried --- Dittrich, Paul-Heinz --- Kancheli, Giya --- Abrahamsen, Hans --- Cerha, Friedrich --- Widmann, Jörg --- Morris, Robert --- Dusapin, Pascal --- Rasmussen, Karl Aage --- Staud, Johannes Maria --- Ferrero, Lorenzo --- Trojahn, Manfred --- Baltakas, Vykintas --- Benjamin, George --- Chin, Unsuk --- Glanert, Detlev --- Haas, Georg Friedrich --- Lim, Liza --- Larsen, Libby --- Neuwirth, Olga --- Poppe, Enno --- Schreiber, Wolfgang --- Nonnenmann, Rainer K. --- Whittall, Arnold --- Saunders, Rebecca --- Shawn, Allen --- Wolff, Christian --- Griffiths, Paul --- Hoffmann, Heike --- Kenyon, Nicholas Roger --- Crumb, George --- Kurtág, György --- Lachenmann, Helmut --- Rihm, Wolfgang --- Gubaidulina, Sofia --- Lombardi, Luca --- Gielen, Michael
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Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Art --- outdoor sculpture --- earthworks [sculpture] --- art [discipline] --- public art --- art theory --- site-specific works --- identity --- public spaces --- interactive art --- Andre, Carl --- LeWitt, Sol --- Buren, Daniel --- Lacy, Suzanne --- Holt, Nancy --- Haacke, Hans --- Morris, Robert --- Smithson, Robert --- Weiner, Lawrence --- Manglano-Ovalle, Iñigo --- Martinez, Daniel Joseph --- Müller, Christian Philipp --- Sperandio, Christopher --- Torres, Rigoberto --- Ukeles, Mierle Laderman --- Noguchi, Isamu --- Serra, Richard --- Moore, Henry --- Acconci, Vito --- Judd, Donald --- Dion, Mark --- Orozco, Gabriel --- Wodiczko, Krysztof --- Calder, Alexander --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009
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Beauty is among the most hotly contested subjects in current discussions on art and culture. After decades of disavowal, beauty's resurgence in recent art has engaged some of the most influential artists and writers. Spanning diverse positions, this anthology assembles the key texts on the cultural politics of this recent phenomenon, as well as contextualizing these debates - both for and against - in artistic practice and the broader history of aesthetics. Artists surveyed include: Vito Acconci, Jake and Dinos Chapman, Gustave Courbet, Marcel Duchamp, Marlene Dumas, Felix Gonzalez-Torres, Adolph Gottlieb, Hans Hofmann, Gary Hume, Asger Jorn, Alex Katz, Willem de Kooning, Joseph Kosuth, Paul McCarthy, Edouard Manet, Robert Mapplethorpe, Agnes Martin, Robert Morris, Barnett Newman, Pablo Picasso, Jackson Pollock, Gerhard Richter, Mark Rothko, Robert Smithson, Nancy Spero, Frank Stella, Clyfford Still and Andy Warhol. Writers include: Theodor Adorno, Alexander Alberro, Rasheed Araeen, Art & Language, Benjamin H. D. Buchloh, T. J. Clark, Mark Cousins, Arthur C. Danto, Jacques Derrida, Thierry de Duve, Fredric Jameson, Christoph Grunenberg, Dave Hickey, Suzanne Perling Hudson, Caroline A. Jones, John Roberts, Elaine Scarry, Wendy Steiner and Paul Wood.
hedendaagse kunst --- beauty --- Art --- kunstfilosofie --- art [fine art] --- philosophy of art --- Contemporary [style of art] --- Jorn, Asger --- Manet, Edouard --- Stella, Frank --- Warhol, Andy --- Kooning, de, Willem --- Picasso, Pablo --- Katz, Alex --- McCarthy, Paul --- Still, Clyfford --- Smithson, Robert --- Richter, Gerhard --- Chapman, Jake --- Rothko, Mark --- Newman, Barnett --- Martin, Agnes --- Dumas, Marlene --- Kosuth, Joseph --- Morris, Robert --- Currin, John --- Gonzalez-Torres, Felix --- Hofmann, Hans --- Acconci, Vito --- Spero, Nancy --- Duchamp, Marcel --- Mapplethorpe, Robert --- Courbet, Gustave --- Gottlieb, Adolph --- Hume, Gary --- Pollock, Jackson --- Aesthetics, Modern --- Philosophy. --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- kunsttheorie --- schoonheid --- esthetica --- Acconci Vito --- Chapman Jake & Dinos --- Courbet Gustave --- Currin John --- Duchamp Marcel --- Dumas Marlene --- Gonzalez-Torres Felix --- Gottlieb Adolph --- Hofmann Hans --- Hume Gary --- Jorn Asger --- Katz Alex --- de Kooning Willem --- Kosuth Joseph --- McCarthy Paul --- Manet Edouard --- Mapplethorpe Robert --- Martin Agnes --- Morris Robert --- Newman Barnett --- Picasso Pablo --- Pollock Jackson --- Richter Gerhard --- Rothko Mark --- Smithson Robert --- Spero Nancy --- Stella Frank --- Still Clyfford --- Warhol Andy --- Adorno Theodor --- Alberro Alexander --- Araeen Rasheed --- Art & Language --- Buchloh Benjamin H.D. --- Clark T.J. --- Cousins Mark --- Danto Arthur C. --- Derrida Jacques --- de Duve Thierry --- Jameson Fredric --- Grunenberg Christoph --- Hickey Dave --- Perling Hudson Suzanne --- Jones Caroline A. --- Pollock Griselda --- Roberts John --- Scarry Elaine --- Steiner Wendy --- Wood Paul --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; esthetica ; over schoonheid ; het schone --- Kunstfilosofie ; esthetica ; 21ste eeuw --- Buchloh Benjamin H.D --- Clark T.J --- Danto Arthur C --- Jones Caroline A --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy --- Analysis, interpretation, appreciation --- History --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Cinéma --- Photographie --- Kunst --- art [discipline]
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