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Contemporary Art and Anthropology takes a new and exciting approach to representational practices within contemporary art and anthropology. Traditionally, the anthropology of art has tended to focus on the interpretation of tribal artifacts but has not considered the impact such art could have on its own ways of making and presenting work. The potential for the contemporary art scene to suggest innovative representational practices has been similarly ignored. This book challenges the reluctance that exists within anthropology to pursue alternative strategies of research, creation and exhibition, and argues that contemporary artists and anthropologists have much to learn from each others' practices. The contributors to this pioneering book consider the work of artists such as Susan Hiller, Francesco Clemente and Rimer Cardillo, and in exploring topics such as the possibility of shared representational values, aesthetics and modernity, and tattooing, they suggest productive new directions for practices in both fields.

Art --- Ethnology. Cultural anthropology --- anno 1900-1999 --- anno 2000-2009 --- Anthropology. --- Art and anthropology. --- Art, Modern --- Influence. --- #SBIB:39A5 --- #SBIB:316.7C210 --- Human beings --- Modern art --- Anthropology and art --- Anthropology --- Kunst, habitat, materiële cultuur en ontspanning --- Cultuursociologie: kunst: algemeen --- Art and anthropology --- Influence --- Nieuwe Ploeg (Group of artists) --- Primitive societies --- Social sciences

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Investigating the economic value of one of the Democratic Republic of the Congo?s most lucrative exports (namely, poverty), Renzo Martens? provocative film 'Episode III: Enjoy Poverty' (2008) remains a landmark intervention into debates about contemporary art?s relationship to exploitative economies. The contributors to this publication explore the film?s legacy and how it relates to the politics of representation, uses of the documentary form, art criticism, the deployment of humanitarian aid, the impact of extractive forms of globalized capital, and the neoliberal politics of decolonization. The unconventional representation of acute immiseration throughout 'Enjoy Poverty' generated far-from-resolved disputes about how deprivation is portrayed in Western mainstream media and global cultural institutions. Using a range of approaches, this volume reconsiders that portrayal and how the film?s reception led Martens to found a long-term program, the Institute for Human Activities.

#SBIB:39A5 --- #SBIB:39A73 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Social stratification --- poverty --- value [economic concept] --- criticism --- artists' films --- documentary films --- Martens, Renzo --- Congo --- #breakthecanon --- Rezeption. --- Poverty --- Poverty. --- Martens, Renzo, --- Martens, Renzo. --- Bibel --- Congo (Democratic Republic). --- Pauvreté --- Poverty - Congo (Democratic Republic) --- Martens, Renzo. - Enjoy poverty --- documentary film --- samenlevingsopbouw

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Culture diffusion --- Museum exhibits --- Museums --- Evaluation --- Educational aspects --- Public relations --- TENTOONSTELLINGEN -- 659.4 --- #SBIB:39A5 --- 069.01 --- 069.01 Museologie --- Museologie --- Public institutions --- Cabinets of curiosities --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Museum techniques --- Cultural diffusion --- Diffusion of culture --- Culture --- Social change --- Kunst, habitat, materiële cultuur en ontspanning --- Conferences - Meetings --- museology --- Museology --- museumkunde --- Objets exposés --- Musées --- Diffusion culturelle --- Congresses. --- Congrès --- Relations publiques --- Aspect éducatif --- Congresses --- Evaluation. --- Museum exhibits - Evaluation - Congresses. --- Museums - Public relations - Congresses. --- Culture diffusion - Congresses. --- Museums - Educational aspects - Congresses. --- Ethnologie --- Diffusion de la culture --- Muséologie --- Multiculturalisme --- Expositions --- Art et anthropologie --- États-Unis

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Art --- Religious studies --- Art and religion --- Religion --- Religious articles --- Art et religion --- Objets religieux --- Periodicals. --- Périodiques --- Art et religion. --- Religion. --- Objets religieux. --- Godsdienst. --- Materiële cultuur. --- Religieuze symboliek. --- Art and religion. --- Religious articles. --- 291 <05> --- Godsdienstwetenschap: vergelijkend--Tijdschriften --- Periodicals --- Arts and Humanities --- General and Others --- Performing Arts, Travel and Leisure --- Ritus. --- Sachkultur. --- Articles, Religious --- Objects, Religious --- Religious art objects --- Religious goods --- Religious objects --- Sacred objects --- Religion, Primitive --- Atheism --- God --- Irreligion --- Religions --- Theology --- Arts in the church --- Religion and art --- Materielle Kultur --- Materielle Volkskultur --- Volkskultur --- Industriekultur --- Alltagsgegenstand --- Ritual --- Riten --- Rituale --- Kult --- Ritualisierung --- Pseudoreligion --- Religious aspects --- religion (discipline) --- religious objects. --- Ritus --- Sachkultur --- Prayer --- Religious Beliefs --- Religious Ethics --- Beliefs, Religious --- Ethic, Religious --- Prayers --- Religious Belief --- Spiritual Therapies --- Secularism

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Making creates knowledge, builds environments and transforms lives. Anthropology, archaeology, art and architecture are all ways of making, and all are dedicated to exploring the conditions and potentials of human life. In this exciting book, Tim Ingold ties the four disciplines together in a way that has never been attempted before. In a radical departure from conventional studies that treat art and architecture as compendia of objects for analysis, Ingold proposes an anthropology and archaeology not of but with art and architecture. He advocates a way of thinking through making in which sentient practitioners and active materials continually answer to, or ‘correspond’, with one another in the generation of form.&#13;&#13;Making offers a series of profound reflections on what it means to create things, on materials and form, the meaning of design, landscape perception, animate life, personal knowledge and the work of the hand. It draws on examples and experiments ranging from prehistoric stone tool-making to the building of medieval cathedrals, from round mounds to monuments, from flying kites to winding string, from drawing to writing. The book will appeal to students and practitioners alike, with interests in social and cultural anthropology, archaeology, architecture, art and design, visual studies and material culture.

Architecture --- Ethnology. Cultural anthropology --- Aesthetics of art --- Art --- Philosophical anthropology --- Aesthetics --- Philosophy and psychology of culture --- Ethnology --- Ethnoarchaeology --- Social archaeology --- Art and anthropology --- Architecture and anthropology --- Philosophy --- Methodology --- 572 --- 902 --- 3 --- 7 --- 72 --- Vakmanschap --- 1 --- 001.8 --- 001 --- #SBIB:39A5 --- Anthropology --- Creative ability. --- Ethnoarchaeology. --- Social archaeology. --- Art and anthropology. --- Architecture and anthropology. --- SOCIAL SCIENCE / Anthropology / General. --- Anthropology and architecture --- Anthropology and art --- Archaeology --- Ethnic archaeology --- Ethnicity in archaeology --- Ethnology in archaeology --- Creativeness --- Creativity --- Ability --- Creation (Literary, artistic, etc.) --- Antropologie --- Archeologie --- Maatschappijwetenschappen --- Kunst --- Architectuur --- Filosofie --- Onderzoeksmethodologie --- Wetenschappelijk onderzoek --- Kunst, habitat, materiële cultuur en ontspanning --- Philosophy. --- Methodology. --- Anthropologie sociale et culturelle --- Ethnoarchéologie --- Archéologie sociale --- Art et anthropologie --- Architecture et anthropologie --- Philosophie --- Méthodologie --- Ethnoarchéologie --- Archéologie sociale --- Méthodologie --- Creative ability --- SOCIAL SCIENCE / Anthropology / General --- 7.01 --- Kunsttheorie ; over het creëren ; het creatiesproces --- Kunst ; theorie, filosofie, esthetica --- Material culture. --- Creative ability in art --- Creative ability in literature --- Imagination --- Inspiration --- Literature --- Originality --- Culture --- Folklore --- Technology --- art [fine art] --- anthropology --- archaeology --- architecture [object genre] --- Ethnology - Philosophy --- Ethnology - Methodology --- art [discipline]